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Dorofeeva Irina Arkadyevna marital status. Biography of Irina Dorofeeva. Plans for later

Irina Dorofeeva... This singer gives me mixed feelings. She is like a red line along which the border of the preferences of my compatriots passes. Not only musical, but also others, colored in a very specific way. color scheme. And therefore it turns out that Belarus is different from us. Although it’s the same one, and we traveled half of it with charity concerts.

Everything turns out strange... I call these the rules of the game that a Belarusian performer must live by in order to smoothly fit into state support concerts. Receive titles, gratitude and representative delegations that show interest in your work.

Perhaps Ira succeeded in this better than others. She is now the face of the country. Kind, cute, but for me invariably draped in blue-cornflower blue folk costume, as if straight out of glossy postcards printed for visiting tourists.

A product for export, which for some reason we use for domestic consumption. And from this paradox we have heartburn and a persistent urge for something simpler and closer. For the life of me, not a single Dorofeev song sticks to me and in the morning anyone is spinning in my head - Mikhalok, Sharkunova, Vronskaya, even “Topless”, but not the face of the country...

Have you not matured, have you not realized?

Ira, why aren’t you on the Odnoklassniki website? Now a hot topic - many performers use it to increase their popularity, jealously comparing the number of friends and endorsements on their forums...

I simply don’t have time to hang around on this site. It’s enough that I read about myself in others.

- I can imagine what they write about you...

I think there is still more good than bad. In general, I try not to react to stupid antics and statements. I pretend that I don’t hear or see it.

- Is it difficult to control yourself?

I think it’s no more difficult than for those who provoke me. They're just waiting for me to get into a fight. But I’m not going to give anyone that kind of pleasure.

- It’s a pity... The topic “Dorofeeva - the face of Belarus” causes a great surge of enthusiasm among your colleagues in the workshop.

But is there anything wrong with it when stage comrades express opinions on this matter? I will read them in the press with pleasure, albeit not the greatest.

Another thing is that I cannot allow myself to comment on other people’s statements and discuss my colleagues. There are not many professional artists in Belarus, we need to support each other. Especially for me in my status (smiles).

- Do the rumors that are circulating among the people interest you?

So what do they say?

How can I put this better... Like the fact that you are with... No, perhaps the best way to say it is that you have some kind of special connection with our president...

I don't have to answer this question. I have the right, right?

This is certainly true, but after this the people will believe even more strongly in the power of hearing. “So, what should I answer her if everything is clear?” Eh, really, how nice it would be if you answered it once and again... Just like that, briefly and backhandedly...

I think that our president is a very talented and intelligent leader, and it is no coincidence that he came to my studio to once again emphasize his significant and prominent achievements, because...

Ira, we have already heard and read all this.. Tell me how everything really happens. After all, there is essentially nothing special about this... Many Belarusian women would even envy you... A man's number 1 lady is tough.

Well, what kind of nonsense are you talking about...

Agree. It seems that our president generally has children through virgin birth. In any case, no one can officially say who the mother of his third son is...

What do you really care?

Interesting. I don’t care about any Sarkozy, let’s say. The French have only one complaint - that our Gerasimenya should not be taken away after the Olympics. But I always wonder about my president.

But there are some limits, you must admit...

Agree. By the way, the next question for you is about this. How do you evaluate the fact that an article in an unknown Moscow newspaper about the upcoming wedding of Putin and Kabaeva caused a stir at the world information level? Much stronger than Alina’s victory at the Olympics or the appointment of Vladimir Vladimirovich as the new prime minister. Why do people get so excited about news like this?

Maybe because people want to discuss everyday topics, personal life...And for me it’s purely positive image. Actually, we need to come up with something like that...

So I propose it for purely patriotic reasons, please note. For example, look, I kind of asked, and you kind of...

No, Seryozha, I’m not like that...

Well, clearly - an old song. You know, it seems to me that Irina Dorofeeva herself is tired of this image of a purely positive “shchyrai”, as we say, heroine.

I can be different - if necessary, then tough. There have been quite fundamental decisions in life when I broke off relations with the powers that be. I said what I think and feel. Perhaps it was unpleasant for them to hear this, but what can they do if it is true.

It happened that she would not very quietly leave some musical groups and either came in, opening the door with her foot, if she considered it necessary.

- Can you enter many offices by opening the door with your foot?

I don't really need this now.

- Well, yes, with the status of being the face of Belarus, many issues can be easily resolved on their own...

You know, for so many years of work I have earned so much respect that you can meet me without any status.

- How did this idea come about - to appoint you as the face of the country?

It's no secret that on February 13 of last year, Alexander Grigorievich visited our studio, and this idea was born to him. That at some stage young artists should promote the name of our country with their songs. After all, it is necessary not only to perform in Belarus, but also to integrate into the near and far abroad.

- Why did you become the face?

Probably, my songs and the contribution that I made to Belarusian musical culture will answer this question.

Previously, we did not receive such attention, especially from officials. Let’s say there are high-status artists - “Pesnyary”, “Verasy”, “Syabry”, but young people have been stubborn, struggling and remaining unnoticed for many years - the same Inna Afanasyeva, for example. And people are little by little starting to worry about what other concerts need to be arranged in order to be given the title of Honored Artist.

And I turn out to be a pioneer... We haven’t been taken on foreign trips before!

- What, do you have trips abroad? To Venezuela, or what?

Well, not only... Across the CIS countries, letters often come to the Ministry of Culture, inviting them to their place...

It's like going back to the future. And the titles and location of the Ministry of Culture - for some reason it seems to me that in modern life these measures of an artist's popularity should be absent. If you have talent, you can feed yourself. Lyapis Trubetskoy earns good money even without government concerts. Yes, and there is no need to bend over.

So I feel good too. It’s just that everyone has their own creative image. Everyone should not move in formation and in the same direction.

But it seems to me that this is exactly how you have to walk. Unity Day - to the stage, Unity Day - to the stage, Police Day - to the same place.

Believe me, in all performances there is our initiative, and no one will drive us anywhere without our consent.

- Are you attracted to Western venues?

Certainly. Like any artist.

- Everyone is striving for Eurovision - is this the most direct path there?

This thing no longer interests me. I got sick. It's not even interesting to watch.

Why such a derogatory comment on our selection? It seems that you unsuccessfully participated in it a couple of times... And, frankly, you didn’t win laurels in the “Silver Gramophone”...

All these Belarusian selections are extremely subjective, and you yourself know it. I also have serious doubts about voting. In such situations, people very often do not get through. I mean Eurovision.

As for The Silver Gramophone, there is nothing to discuss at all. Everything was clear there from the very beginning - but I had absolutely no desire to assemble a special team of people who would diligently send SMS every week at a precise time. ONT itself eventually abandoned this vote.

- Well, why not gather a team and fight in a fair fight with more inventive competitors?

What's the point? This does not in any way affect people’s love and recognition. If someone has been leading the charts for months, this does not mean that people go to his concerts. To console your vanity in this way - in my opinion, this is an activity for beginning musicians.

Do our artists become closer when one of them wins the Belarusian selection and then goes to the final round of Eurovision? Are you rooting for him?

Unfortunately, people are designed in such a way that when one of them rises above the mass, sediment remains inside. But I'm glad that I outgrew this moment of jealousy. She must have become older and wiser. And now, together with her producer, she has chosen the tactic of supporting emerging artists. Let's be friends, help us break through, reach some level. For example, I sincerely rooted for Ruslan Alekhno - he is a great guy and...

- By the way, they also said about him that it was a foregone conclusion from the very beginning...

So what's wrong with that?

What's good about that? For some reason, whenever we have to choose someone, we already know in advance who will win... At the first selection, Podolskaya was out of competition, but someone decided that we should try the rural option. Didn't work...

It is difficult to speak unequivocally about the duet “Alexandra and Konstantin”. For example, it seemed to me that their song contained more Irish melodies than ours. And I also want Belarusian performers to have at least a little national flavor at Eurovision - in the sound of instruments, language, clothes, at least in some way they were different. It's stupid to try to sing like blacks and it's just as stupid to hope that we will do it better.

- Any other remark about our stage?

People prefer to follow the path of cheaper prices. Like, it would be better if we didn’t take ballet and musicians to the concert. Why share money with someone, we will earn it all ourselves, loved ones and talented ones. But I don’t understand such people - everyone who helps you produce a high-quality musical product should be paid adequately.

The face of the country is good - it is treated kindly by the authorities, government orders and foreign tours, but how can other representatives of the creative workshop find their daily bread?

So let them work. They are promoting themselves. Why should I think for everyone? Nothing has ever fallen from the sky in my life...

The conversation threatened to go into a second round, and then, very opportunely, Dorofeeva’s producer, Yuri Savosh, joined us.

I don’t know what you were talking about, but I have no doubt that you discussed the topic of “the face of Belarus” - all journalists are interested in it now. In fact, Irina was ready to become one 5 years ago, when she recorded her 150 songs about the Belarusian people, homeland, native language, about the things that helped shape her...

The man put all his energy and creativity into his country. Vladimir Mulyavin once did the same. But he had no followers...

We generally have a paradoxical situation - we completely ignore our own and bow to some Britney Spears.

So let's export Ira to the West. Or is it not you who decide, but some specially trained people? Perhaps from the presidential administration?

In order to export Ira, it is necessary to invest huge amounts of money. I think tens of millions of dollars.

For a noble goal - to show the West that we are honest, pure at heart and in addition we eat well - the amount is small.

Well, who will do this? Private capital? Hardly. Outside the country, this money is not returned to Belarus. If we talk about public funds, then it is better to invest them in the Belarus tractor.

- So nice that you are thinking about better use people's money, but the cards are in your hands...

Well, what cards? Journalists attached the slogan “the face of Belarus” to Ira. While only we believed in it, he existed only in our environment. When others believed, he stepped into the masses. Of course, not without the participation of the head of state.

All our initiatives are our own contacts. Why, say, did a project arise with Irina’s face on the products of the Slodych confectionery factory? An idea appears - we don’t pay each other anything, but we create something that is interesting to both you and us. So we cooperate.

It turns out that “the face of Belarus” is an amateur action, invented by you? And we, fools, believed that this was just the beginning... What then - give it time, bicycles, refrigerators, dump trucks, etc. will start coming out with a portrait of Dorofeeva.

The main thing for us is that new songs come out.

People need something a little different. I love Ira very much, but I don’t like her songs about little rivers and little songs very much...

Dorofeeva: You're just not mature enough yet.

Savos: We never posed the question like this - let's cut out Dorofeeva's face and insert it somewhere. The face of Belarus is only its creativity. Not the legs, not the figure, not the chest.

- And I would focus on Ira’s figure... Nothing like that...

Savos: Maybe someone dreams of becoming a princess, but for this there must be another job. Not ours.

To do this, parliament needs to pass a law. Let's say, like in France. For some period they always installed a national heroine. Catherine Deneuve, Mireille Mathieu... Now some young girl is a supermodel, I read about it in the newspaper. And budget money is allocated for this program.

- And when Alexander Grigorievich came, you didn’t tell him this topic?

For what? We don't even dream about it.

- Any normal woman dreams of becoming a heroine, isn’t it?

Dorofeeva: Mother - heroine...

So it turns out that you are not real heroes?

Dorofeeva: Time will put everything in its place, don’t worry. It's too early for me to talk about this.

So I’ll tell you what - you stole people’s dreams. Even those who treated you poorly still admired how cleverly Dorofeeva and Savosh arranged everything. But it turns out - “give us money for creativity” and no new and exciting stories for those who were already preoccupied with you from the side of critical constructivism. It's boring, brothers...

Savos: If you take up this topic, then you have to pore over the sculpting of such a bas-relief from morning to evening. We definitely don't have time for this. To date, Ira has recorded 200 songs. We need to do another 300. She still has young and good energy.

- What a terrible plan you have... And then what?

Savos: Then we will babysit our grandchildren. And they will sing Irina’s songs.

I don’t know, for some reason this prospect doesn’t attract me; I’m worried about our grandchildren. As a farewell, the face of Belarus hands me his new disc, which is about to appear on the shelves of music stores. “Listen and see for yourself that these songs contain a different, not quite familiar Dorofeeva.”

I'm listening to. Honest and diligent. And then I still put on Sharkunov.

“Run”, “Drown”, “Fall and Down” - in the titles of the songs of the rising Belarusian pop star alone, if you wish, you can hear a million pessimistic notes and a call for God knows what, but for some reason her songs settle in my heart easily and for a long time . They are clear, simple and, it seems, written about Sharkunov in the same way as about any of us. Together with her, we will be surprised, we will cry, we will be frightened and we will wholeheartedly rejoice at the luck - the great love that Anya, in a purely feminine sensual outburst, will not hesitate to flaunt. It’s easy for her - she’s not a Face and, I hope, she never becomes one.

Our symbols of the era are soulless demigods, human weaknesses which producers and press services willingly hide. They must lead us somewhere, issue smart decrees, give positive interviews and record new songs about the old at a Stakhanov pace.

They are incredibly sincere in their tireless desire to shine 24 hours a day, and this is their only human feeling, which we will unconditionally accept on faith...

It is no secret that Irina is a closed person: not a single official romance, no details of her personal life. That’s why people’s rumors themselves make up stories about her. So Irina and I decided to discuss: what is a myth and what is the truth?

DOSSIER "KP"

Irina Dorofeeva was born on July 6, 1977 in Mogilev. Honored Artist of Belarus, Associate Professor of the Department of Variety Arts at the University of Culture, Deputy of the House of Representatives. She worked as a soloist of the ensemble "Verasy", in the orchestra of Mikhail Finberg, with the Presidential Orchestra. In the spring of 2007, the president supported the PR campaign “Irina Dorofeeva - the face of Belarus.” Nominee and laureate of numerous international festivals and competitions.

Story #1:

In show business - through connections

I don’t even have such words in my vocabulary,” Irina is surprised. – I became a singer primarily thanks to my parents.

Dad, a historian by training, was the director of the cultural school in Mogilev, played the accordion and accordion. My mother taught decorative and applied arts at the same school.

I wanted to do choreography, I dreamed of becoming a ballerina or an athlete. But at the age of 12 I realized that I would be a singer, I sang always and everywhere,” says Irina, clarifying that her first song was Alla Pugacheva’s song “The Living Doll.” - “On stage I live a real life... I don’t want to follow a thread...” The song is about a doll, about how it is locked in a box and its strings are pulled. Looking back, I understand that to some extent the song turned out to be prophetic.


Story #2:

Popularity came thanks to producers

I started in the first half of the 90s, when there was still a state stage, then all the singers were attached to the philharmonic society or musical groups. Now it’s commerce, everyone makes money themselves, but back then there was no concept of “artist.” Any artist worked in a concert organization for a salary. My first professional group was the Verasy ensemble under the direction of Vasily Rainchik, in 1994 I became its soloist. Two years later she became a soloist in the orchestra conducted by Mikhail Finberg. Producing was just beginning, and Yuri Savosh and I became pioneers in this business in 1996. They told me directly: “There will be a production center, we will promote you as an artist, as a star, create a name for you.” The goal was to create a factory around the artist who would work for his promotion.

Story No. 3

“Face of Belarus” means court singer

We developed the “Face of Belarus” program with Yuri Savosh 18 years ago, but only 8 years later it was supported at the state level. I wanted to believe that I had certain superpowers, that my mission was to bring some kind of unifying component to the masses. How did it all happen? This is known: Alexander Grigorievich Lukashenko came to our studio in 2007 along with representatives of the media to meet and find out what full self-financing is.


This is how many people remembered Irina in the national project “Face of Belarus”. Photo: personal archive

You see, there is a photo on the wall of that moment, everything was official. At that stage, I dreamed of creating a new brand for my country, developing its Belarusianness, and new names. The President found out about our work, we talked, he asked me to sing him “Ballad,” which I performed at the “Slavic Bazaar in Vitebsk” back in 1999. Then there was another hour-long concert with musicians. The President said that the country needs a new breakthrough and new energy. Maybe it's just the voice or just talent, communication or appearance that attracts people. But I can say that no matter where I perform, it works everywhere. And indeed, thanks to my team, the ONT channel, and the press, a new shock wave began after that. I was inspired by the thought: “Who, if not me?” Years have passed, and today it has become fashionable to sing in the Belarusian language and about Belarus itself. Today it's easy and many artists do it. Just try to be a pioneer, like I was in the 90s... Today it has become true, unimposed, already felt. So I consider my mission accomplished. Although at that time the media out-promoted me in some ways, perhaps there was too much of me, too much. In just a year we released about 60 of my songs and shot 15 videos. And I realized that it takes five years for people to rest from the fact that there is “only Dorofeeva” around. And, having slowed down on stage, she became a teacher at the University of Culture, became the head of the department, and then a deputy.

Story No. 4

Earned millions in the fields

That's what the newspapers wrote! In our show business, earning capital is not easy. I remember in the summer of 1999 I had just graduated from the University of Culture and received my first prize at the Slavic Bazaar in Vitebsk - six thousand dollars. More than five thousand went to prepare my first concert at the Minsk Concert Hall together with Mikhail Finberg’s orchestra. The concert was called loudly and ambitiously - “The Birth of a Star”. It turns out that my first fee (remains from the first prize) is $500, and my first big purchase is washing machine for 450 dollars. These are millions (smiles). Even the title of Honored Artist does not give me anything financially, it is simply an honor. Over 25 years in show business, I saved up money to build a beautiful and comfortable house near Minsk, moved my parents to it from Mogilev, and they are finishing it. I live in a two-room apartment in Minsk, I’ve been driving my beloved Toyota Matrix for almost 10 years, I’ve driven more than 300 thousand kilometers on it, it’s already a friend and ally. I have a lot of creative plans, the next one is an anniversary solo concert on July 12 in concert hall“Vitebsk” at the symbolic “Slavic Bazaar in Vitebsk” for me. The program is called “Akrylyai!” I discovered myself on the Vitebsk stage as an artist, I dreamed of becoming the singer that the country would love. And it happened. Perhaps this is due to my personal horoscope, it is very strong. It says that I am not just the creator of my own destiny, but the creator of the destinies of many. The main thing is to include your inner message.


The singer showed Komsomolskaya Pravda her house, where her parents now live. Photo: personal archive

Story No. 5

She became a deputy to secure her old age.

Initially, some thought that Irina became a deputy in order to find a representative spouse. Moreover, the singer herself three years ago, as soon as she became the people’s choice, half-jokingly played along, saying: “If I meet the prince, I won’t let him think for a second about my proposal!”

Since childhood, I dreamed of being not only a singer, an athlete, but also a leader to help people. And I didn’t even expect that in my constituency in the center of Minsk, where everything is so beautiful and elegant, people have so many problems. Somewhere it is necessary to insulate the facades of houses, somewhere to improve roads, entrances... - Irina said in her first year as a deputy. Three years have passed since then, and she has become fascinated by international connections:

We have already established bilateral relations with Japan, met with representatives of this wonderful country, discussed bilateral relations with Belarus, and I would be happy to continue working in this area.


Story #6

They're afraid to approach her - so she didn't get married

There's something about it. I was always careful, checking every step, holding myself within limits, trying to fit in - remember the song about the doll? I’ll go out, sing beautifully, play a role - and turnkey (laughs)... But seriously, I was constantly holding back my emotions. But today, I admit, I have found a second life, I have a hundred times more desires and strength than ever before. Because I finally met my love. All my life I carried this feeling within myself, realizing that I had to save it for that true and only love, which I truly believe in. And everything I sang about in my more than 300 songs came true. Who is this lucky guy? This is our Belarusian man - my first childhood love, and today I am incredibly happy. Since childhood, I felt, wanted and believed that this would happen. I knew that I needed this person in life, and after so many long years we found each other again. I walked for a long time towards self-sufficiency in order to have the right to simple female happiness.

Irina Dorofeeva... This singer gives me mixed feelings. She is like a red line along which the border of the preferences of my compatriots passes. Not only musical ones, but also others, painted in a very specific color scheme. And therefore it turns out that Belarus is different from us. Although it’s the same one, and we traveled half of it with charity concerts.

Everything turns out strange... I call these the rules of the game that a Belarusian performer must live by in order to smoothly fit into state support concerts. Receive titles, gratitude and representative delegations that show interest in your work.

Perhaps Ira succeeded in this better than others. She is now the face of the country. Kind, cute, but for me invariably draped in a blue and cornflower blue folk costume, as if straight out of glossy postcards printed for visiting tourists.

A product for export, which for some reason we use for domestic consumption. And from this paradox we have heartburn and a persistent urge for something simpler and closer. For the life of me, not a single Dorofeev song sticks to me and in the morning anyone is spinning in my head - Mikhalok, Sharkunova, Vronskaya, even “Topless”, but not the face of the country...

Have you not matured, have you not realized?

Ira, why aren’t you on the Odnoklassniki website? Now a hot topic - many performers use it to increase their popularity, jealously comparing the number of friends and endorsements on their forums...

I simply don’t have time to hang around on this site. It’s enough that I read about myself in others.

- I can imagine what they write about you...

I think there is still more good than bad. In general, I try not to react to stupid antics and statements. I pretend that I don’t hear or see it.

- Is it difficult to control yourself?

I think it’s no more difficult than for those who provoke me. They're just waiting for me to get into a fight. But I’m not going to give anyone that kind of pleasure.

- It’s a pity... The topic “Dorofeeva - the face of Belarus” causes a great surge of enthusiasm among your colleagues in the workshop.

But is there anything wrong with it when stage comrades express opinions on this matter? I will read them in the press with pleasure, albeit not the greatest.

Another thing is that I cannot allow myself to comment on other people’s statements and discuss my colleagues. There are not many professional artists in Belarus, we need to support each other. Especially for me in my status (smiles).

- Do the rumors that are circulating among the people interest you?

So what do they say?

How can I put this better... Like the fact that you are with... No, perhaps the best way to say it is that you have some kind of special connection with our president...

I don't have to answer this question. I have the right, right?

This is certainly true, but after this the people will believe even more strongly in the power of hearing. “So, what should I answer her if everything is clear?” Eh, really, how nice it would be if you answered it once and again... Just like that, briefly and backhandedly...

I think that our president is a very talented and intelligent leader, and it is no coincidence that he came to my studio to once again emphasize his significant and prominent achievements, because...

Ira, we have already heard and read all this.. Tell me how everything really happens. After all, there is essentially nothing special about this... Many Belarusian women would even envy you... A man's number 1 lady is tough.

Well, what kind of nonsense are you talking about...

Agree. It seems that our president generally has children through virgin birth. In any case, no one can officially say who the mother of his third son is...

What do you really care?

Interesting. I don’t care about any Sarkozy, let’s say. The French have only one complaint - that our Gerasimenya should not be taken away after the Olympics. But I always wonder about my president.

But there are some limits, you must admit...

Agree. By the way, the next question for you is about this. How do you evaluate the fact that an article in an unknown Moscow newspaper about the upcoming wedding of Putin and Kabaeva caused a stir at the world information level? Much stronger than Alina’s victory at the Olympics or the appointment of Vladimir Vladimirovich as the new prime minister. Why do people get so excited about news like this?

Maybe because people want to discuss everyday topics, personal life... But I have a purely positive image. Actually, we need to come up with something like that...

So I propose it for purely patriotic reasons, please note. For example, look, I kind of asked, and you kind of...

No, Seryozha, I’m not like that...

Well, clearly - an old song. You know, it seems to me that Irina Dorofeeva herself is tired of this image of a purely positive “shchyrai”, as we say, heroine.

I can be different - if necessary, then tough. There have been quite fundamental decisions in life when I broke off relations with the powers that be. I said what I think and feel. Perhaps it was unpleasant for them to hear this, but what can they do if it is true.

It happened that she would not very quietly leave some musical groups and either came in, opening the door with her foot, if she considered it necessary.

- Can you enter many offices by opening the door with your foot?

I don't really need this now.

- Well, yes, with the status of being the face of Belarus, many issues can be easily resolved on their own...

You know, for so many years of work I have earned so much respect that you can meet me without any status.

- How did this idea come about - to appoint you as the face of the country?

It's no secret that on February 13 of last year, Alexander Grigorievich visited our studio, and this idea was born to him. That at some stage young artists should promote the name of our country with their songs. After all, it is necessary not only to perform in Belarus, but also to integrate into the near and far abroad.

- Why did you become the face?

Probably, my songs and the contribution that I made to Belarusian musical culture will answer this question.

Previously, we did not receive such attention, especially from officials. Let’s say there are high-status artists - “Pesnyary”, “Verasy”, “Syabry”, but young people have been stubborn, struggling and remaining unnoticed for many years - the same Inna Afanasyeva, for example. And people are little by little starting to worry about what other concerts need to be arranged in order to be given the title of Honored Artist.

And I turn out to be a pioneer... We haven’t been taken on foreign trips before!

- What, do you have trips abroad? To Venezuela, or what?

Well, not only... Across the CIS countries, letters often come to the Ministry of Culture, inviting them to their place...

It's like going back to the future. And the titles and location of the Ministry of Culture - for some reason it seems to me that in modern life these measures of a performer’s popularity should be absent. If you have talent, you can feed yourself. Lyapis Trubetskoy earns good money even without government concerts. Yes, and there is no need to bend over.

So I feel good too. It’s just that everyone has their own creative image. Everyone should not move in formation and in the same direction.

But it seems to me that this is exactly how you have to walk. Unity Day - to the stage, Unity Day - to the stage, Police Day - to the same place.

Believe me, in all performances there is our initiative, and no one will drive us anywhere without our consent.

- Are you attracted to Western venues?

Certainly. Like any artist.

- Everyone is striving for Eurovision - is this the most direct path there?

This thing no longer interests me. I got sick. It's not even interesting to watch.

Why such a derogatory comment on our selection? It seems that you unsuccessfully participated in it a couple of times... And, frankly, you didn’t win laurels in the “Silver Gramophone”...

All these Belarusian selections are extremely subjective, and you yourself know it. I also have serious doubts about voting. In such situations, people very often do not get through. I mean Eurovision.

As for The Silver Gramophone, there is nothing to discuss at all. Everything was clear there from the very beginning - but I had absolutely no desire to assemble a special team of people who would diligently send SMS every week at a precise time. ONT itself eventually abandoned this vote.

- Well, why not gather a team and fight in a fair fight with more inventive competitors?

What's the point? This does not in any way affect people’s love and recognition. If someone has been leading the charts for months, this does not mean that people go to his concerts. To console your vanity in this way - in my opinion, this is an activity for beginning musicians.

Do our artists become closer when one of them wins the Belarusian selection and then goes to the final round of Eurovision? Are you rooting for him?

Unfortunately, people are designed in such a way that when one of them rises above the mass, sediment remains inside. But I'm glad that I outgrew this moment of jealousy. She must have become older and wiser. And now, together with her producer, she has chosen the tactic of supporting emerging artists. Let's be friends, help us break through, reach some level. For example, I sincerely rooted for Ruslan Alekhno - he is a great guy and...

- By the way, they also said about him that it was a foregone conclusion from the very beginning...

So what's wrong with that?

What's good about that? For some reason, whenever we have to choose someone, we already know in advance who will win... At the first selection, Podolskaya was out of competition, but someone decided that we should try the rural option. Didn't work...

It is difficult to speak unequivocally about the duet “Alexandra and Konstantin”. For example, it seemed to me that their song contained more Irish melodies than ours. And I also want Belarusian performers to have at least a little national flavor at Eurovision - in the sound of instruments, language, clothes, at least in some way they were different. It's stupid to try to sing like blacks and it's just as stupid to hope that we will do it better.

- Any other remark about our stage?

People prefer to follow the path of cheaper prices. Like, it would be better if we didn’t take ballet and musicians to the concert. Why share money with someone, we will earn it all ourselves, loved ones and talented ones. But I don’t understand such people - everyone who helps you produce a high-quality musical product should be paid adequately.

The face of the country is good - it is treated kindly by the authorities, government orders and foreign tours, but how can other representatives of the creative workshop find their daily bread?

So let them work. They are promoting themselves. Why should I think for everyone? Nothing has ever fallen from the sky in my life...

The conversation threatened to go into a second round, and then, very opportunely, Dorofeeva’s producer, Yuri Savosh, joined us.

I don’t know what you were talking about, but I have no doubt that you discussed the topic of “the face of Belarus” - all journalists are interested in it now. In fact, Irina was ready to become one 5 years ago, when she recorded her 150 songs about the Belarusian people, homeland, in her native language, about the things that helped shape her...

The man put all his energy and creativity into his country. Vladimir Mulyavin once did the same. But he had no followers...

We generally have a paradoxical situation - we completely ignore our own and bow to some Britney Spears.

So let's export Ira to the West. Or is it not you who decide, but some specially trained people? Perhaps from the presidential administration?

In order to export Ira, it is necessary to invest huge amounts of money. I think tens of millions of dollars.

For a noble goal - to show the West that we are honest, pure of soul and, in addition, we sing well - the amount is small.

Well, who will do this? Private capital? Hardly. Outside the country, this money is not returned to Belarus. If we talk about public funds, then it is better to invest them in the Belarus tractor.

- It’s so nice that you are thinking about the best use of people’s money, but the cards are in your hands...

Well, what cards? Journalists attached the slogan “the face of Belarus” to Ira. While only we believed in it, he existed only in our environment. When others believed, he stepped into the masses. Of course, not without the participation of the head of state.

All our initiatives are our own contacts. Why, say, did a project arise with Irina’s face on the products of the Slodych confectionery factory? An idea appears - we don’t pay each other anything, but we create something that is interesting to both you and us. So we cooperate.

It turns out that “the face of Belarus” is an amateur action, invented by you? And we, fools, believed that this was just the beginning... What then - give it time, bicycles, refrigerators, dump trucks, etc. will start coming out with a portrait of Dorofeeva.

The main thing for us is that new songs come out.

People need something a little different. I love Ira very much, but I don’t like her songs about little rivers and little songs very much...

Dorofeeva: You're just not mature enough yet.

Savos: We never posed the question like this - let's cut out Dorofeeva's face and insert it somewhere. The face of Belarus is only its creativity. Not the legs, not the figure, not the chest.

- And I would focus on Ira’s figure... Nothing like that...

Savos: Maybe someone dreams of becoming a princess, but for this there must be another job. Not ours.

To do this, parliament needs to pass a law. Let's say, like in France. For some period they always installed a national heroine. Catherine Deneuve, Mireille Mathieu... Now some young girl is a supermodel, I read about it in the newspaper. And budget money is allocated for this program.

- And when Alexander Grigorievich came, you didn’t tell him this topic?

For what? We don't even dream about it.

- Any normal woman dreams of becoming a heroine, isn’t it?

Dorofeeva: Mother - heroine...

So it turns out that you are not real heroes?

Dorofeeva: Time will put everything in its place, don’t worry. It's too early for me to talk about this.

So I’ll tell you what - you stole people’s dreams. Even those who treated you poorly still admired how cleverly Dorofeeva and Savosh arranged everything. But it turns out - “give us money for creativity” and no new and exciting stories for those who were already preoccupied with you from the side of critical constructivism. It's boring, brothers...

Savos: If you take up this topic, then you have to pore over the sculpting of such a bas-relief from morning to evening. We definitely don't have time for this. To date, Ira has recorded 200 songs. We need to do another 300. She still has young and good energy.

- What a terrible plan you have... And then what?

Savos: Then we will babysit our grandchildren. And they will sing Irina’s songs.

I don’t know, for some reason this prospect doesn’t attract me; I’m worried about our grandchildren. As a farewell, the face of Belarus hands me his new disc, which is about to appear on the shelves of music stores. “Listen and see for yourself that these songs contain a different, not quite familiar Dorofeeva.”

I'm listening to. Honest and diligent. And then I still put on Sharkunov.

“Run”, “Drown”, “Fall and Down” - in the titles of the songs of the rising Belarusian pop star alone, if you wish, you can hear a million pessimistic notes and a call for God knows what, but for some reason her songs settle in my heart easily and for a long time . They are clear, simple and, it seems, written about Sharkunov in the same way as about any of us. Together with her, we will be surprised, we will cry, we will be frightened and we will wholeheartedly rejoice at the luck - the great love that Anya, in a purely feminine sensual outburst, will not hesitate to flaunt. It’s easy for her - she’s not a Face and, I hope, she never becomes one.

Our symbols of the era are soulless demigods, whose human weaknesses are willingly hidden by producers and press services. They must lead us somewhere, issue smart decrees, give positive interviews and record new songs about the old at a Stakhanov pace.

They are incredibly sincere in their tireless desire to shine 24 hours a day, and this is their only human feeling that we will unconditionally take on faith...

Professional musical career began at the age of 12, becoming a soloist of the Mogilev vocal-instrumental ensemble "Rainbow" under the direction of Nelly Bordunova, who was an assistant and teacher on the way to success on the stage.

Participation in the project “Belarusian Song Workshop” by Leonid Pronchak (the goal of the action is to revive interest in the Belarusian language and Belarusian song).

Expanding the repertoire with a jazz program: performance in 1998 together with Arkady Eskin’s jazz trio at V International festival jazz music "Minsk-98" and in the jazz panorama at the "Slavic Bazaar in Vitebsk-98".

From 1996 to the present - work with producer Yuri Savosh (is artistic director and main organizer creative process when preparing solo projects and tours of the singer).

In 1998 – 1999 she became a laureate of five music competitions - “Golden Hit-98”, “Vilnius-99”, “Discovery-99” in Bulgaria, “Vitebsk-99” at the festival “Slavic Bazaar in Vitebsk”, “Ukrainian Pop Song” named after V. Ivasyuk" in Kyiv.

2008 - won the Grand Prix at the 1st Russian Song Festival in Zielona Gora (Western Poland).

2001 – 2002 - spectacular concert numbers were staged with the State Dance Ensemble of Belarus and the project of Evgenia Pavlina “Gymnastics Stars”.

2004, 2005 - participation as a soloist and host of concert programs in tours of the Presidential Orchestra of the Republic of Belarus. The concerts were held in 25 cities across the country with continued success.

2005 – 2006 - performance in tour concerts accompanied by the group “DALI”.

January 2007 - the appearance of another music project Irina Dorofeeva’s concert “Christmas with Friends,” which is planned to be held regularly in the future.

Repertoire

  • 1991 – 1993
  1. Gulliver
  2. Frau-Burda
  3. Wind. Alexey Egudin
  4. Train. A. Egudin
  5. My phone. A. Egudin
  6. Vetraz kahannya. O. Eliseenkov
  • 1994 – 1996
  1. Write me a letter. sl. V. Neklyaev, music. S. Rainchik
  2. I smile. sl. V. Tushnova, music. I. Tsvetkova
  3. I'm married. sl. V. Neklyaev, music. V. Rainchik
  4. Blue eyes. G. Lurie
  5. Hawaii. sl. Yu. Rybchinsky, music. V. Rainchik
  6. Singer. sl. Yu. Rybchinsky, music. I. Tsvetkova
  7. Romance (“No, these tears are not mine...”). sl. V. Neklyaev, music. M. Tariverdiev
  8. Mountain behind the mountain. sl. V. Neklyaev, music. V. Rainchik
  9. Kryshtalev Temple. sl. V. Neklyaev, music. S. Rainchik
  10. I know. sl. V. Neklyaev, music. S. Rainchik
  11. Apple. sl. V. Neklyaev, music. S. Rainchik
  12. Lilac-cherry.music.Yu.Milyutin, lyrics by A.Safronov
  13. Oh, dear.music.A.Novikov, lyrics by L.Oshanin
  14. Dark-skinned girl.music by A.Novikov, lyrics by Shvedov
  15. Carnival. V. Rainchik, lyrics by V. Niklyaev
  16. Music for everyone. V. Rainchik, V. Niklyaev
  17. Caravan. V. Rainchik, lyrics by V. Niklyaev
  18. Kalykhanka. sl. G. Buravkin, music. V. Rainchik
  19. Belaya Rus (duet with I. Afanasyeva). V. Rainchik, lyrics by V. Niklyaev
  20. Love's farewell ball. sl. V. Neklyaev, music. V. Rainchik
  • Autumn 1996 – May 1998
  1. Draniki. sl.L. Pronchak, music. O. Molchan
  2. Mom and dad. sl.L. Pronchak, music. O. Molchan
  3. Skul you budzesh (duet). sl.L. Pronchak, music. T. Maisuradze
  4. Verasnevya dazhdzhy (duet). sl.L. Pronchak, music. L. Zahlevny
  5. Sanata. sl.L. Pronchak, music. V. Ivanov
  6. Cavalier. sl.L. Pronchak, music. E. Hanok
  7. Rare guest. sl. L. Pronchak, music by I. Polywater
  8. My city. sl.L. Pronchak, music. L. Zahlevny
  9. Parasons. sl.L. Pronchak, music L. Kalinovsky
  10. Worker and grant. sl.L. Pronchak, music I. Polywater
  11. A night without peace. sl.L. Pronchak, music. L. Zahlevny
  12. Nechakan. sl.L. Pronchak, music. I. Polivoda
  13. Firebird. sl.L. Pronchak, music A. Lyakh
  14. On the white forest. sl.L. Pronchak, music L. Kalinovsky
  15. Pabudzi me. sl.L. Pronchak, music Yu. Savos
  16. Temple. T. Maisuradze
  17. Lullaby (opera "Porgy and Bess"). J. Gershwin
  18. A Woman in Love (from the repertoire of B. Streisand)
  • May 1998 – June 1999 (with M. Finberg’s orchestra)
  1. I will live. sl. A. Legchilov, music. L. Kalinovsky
  2. Moscow windows. lyrics by M. Matusovsky, music by T. Khrennikov
  3. Top-top
  4. Raka kahannya. sl. V. Petyukevich, music. D. Dolgalev
  5. Elada. sl. L. Dranko-Maisyuk, music. P. Eremenko
  6. I live in a protected area. sl. M. Tanich, music. E. Glebov
  7. Parisian tango (from the repertoire of M. Mathieu)
  8. Waterloo (from the repertoire of the ABBA group)
  9. Native Minsk. I. Luchenok
  10. Samara is a town. Russian folk song
  11. Balada. sl. V. Petyukevich, music. D. Dolgalev
  12. Rachanka. sl. V. Petyukevich, music. P. Eremenko
  13. Old rock and roll. sl. V. Neklyaev, music. L. Shirin
  14. Madonna doll. sl. V. Neklyaev, music. V. Rainchik
  15. There is only a moment. sl. L. Derbenev, music. A. Zatsepin
  16. Fortune teller. sl. L. Derbenev, music. A. Zatsepin
  17. Mr Paganini. S. Koslow
  18. I love Paris
  19. Cheek to cheek. from the film “The English Patient”
  20. In memory of Chopin. M. Tariverdiev
  21. Old Cossack. sl. A. Legchilov, music. V. Tkachenko
  22. Song about BelAZ. E. Hanok
  23. I have faith and little hope. sl.A. Legchilov, music. L. Shirin
  24. Samba of the sea. sl. Y. Savosh, music. G. Litvak
  25. Captain. sl. Y. Savosh, music. G. Litvak
  26. Free way. sl. Y. Savosh, music. G. Litvak
  27. Venus. from the repertoire of the group "Shokin Blue"
  28. Remedium. sl. M. Czapińska, music. S. Krajewski
  29. The mountain is no big deal. sl.A. Legchilov, music. L. Shirin
  30. My love. sl. Y. Savosh, music. L. Shirin
  31. Christmas night. sl. Y. Savosh, music. L. Shirin
  32. New day. sl. L. Volsky, music. L. Shirin
  33. Hello world. sl. L. Derbenev, music. A. Zatsepin
  34. "My Rabinson" music. G. Litvak, lyrics. V. Mazgo
  35. Save the song. sl. O. Zhurov, music. D. Dolgalev
  36. Aria from the opera "Artem". sl. M. Bogdanovich, music. I. Polivoda
  37. I hear your name. sl. And music. Y. Savosh
  38. So be it. from the repertoire of the Beatles group (soloists Bolshoi Theater Russia)
  39. I'd like to check out. sl. V. Polikanina, music. A. Zubrich
  40. White city of love. sl. Y. Savosh, music. G. Litvak
  41. Holidays of love. sl. L. Derbenev, music. A. Miyagawa
  • July 1999 – 2002
  1. In the dark. sl. V. Vysotsky, music. A. Zubrich
  2. Sooner or later. sl. Y. Savosh, music. A. Nesterovich
  3. Calendar. sl. S. Ioseliani, music. E. Hanok
  4. Loaf. sl. V. Polikanina, music. N. Neronsky
  5. Music of the night. sl. A. Legchilov, music. Y. Savosh
  6. The Age of Rock and Roll. sl. A. Legchilov, music. G. Litvak
  7. Fly away. sl. Yu. Kruchenok, music. Yu. Lukashevich
  8. The last salvos. Sl. A. Tvardovsky, music. V. Mulyavin
  9. Azyartso. sl. V. Petyukevich, music. D. Dolgalev
  10. Say Samshing. Y. Kozan
  11. Nadakuchyla. sl.A. Yakovlev, music. V. Sorokin
  12. Night is tender. sl. Y. Savosh, music. I. Melnikov
  13. Young Cossack. sl. M. Shabovich, music. V. Sorokin
  14. I love you. sl. V. Neklyaev, music. I. Polivoda
  15. Golub z galubkay. sl. V. Petyukevich, music. D. Dolgalev
  16. Agony. Sl.Yu. Savosh, music A. Ponomarev
  17. Wings. Sl.Yu. Savosh, music A. Ponomarev
  18. The secret of sinnaga spatkannya. sl. A. Legchilov, music. Y. Savosh
  19. Mine day. Sl.Yu. Savosh, music N. Mozgovoy
  20. Choven. Sl.Yu. Savosh, music A. Ponomarev
  21. From morning to night. Sl.Yu. Savosh, music A. Ponomarev
  22. San Pedro. sl. Y. Savosh, music. L. Chikone
  23. Day after day. Sl.Yu. Savosh, music V. Shevchenko
  24. Yong shukae yae. sl. Y. Savosh, music. S. Vakarchuk
  25. Fashion model. V. Sorokin
  26. Chervona rue. sl. and music V. Ivasyuk
  27. My gala night. sl. A. Akhmatova, music. gr. ProclusHarum
  28. Pulse of the heart. sl. Y. Savosh, music. N. Neronsky
  29. We'll get back to you right away.
  30. Zorachka. Sl.Yu. Savosh, music A. Ponomarev
  31. Birth of the day. A. Dementiev, music. V. Ivasyuk
  32. Once in a while love blossoms. sl. and music V. Ivasyuk
  • 2003
  1. Wind of loneliness. sl. Y. Savosh, music. Greek folk
  2. Nyastrimna. sl. Y. Savosh, music. V. Ivasyuk
  3. Dream. sl. Y. Bykova, music. E. Oleinik
  4. Burn-burn. sl. Y. Bykova, music. E. Oleinik
  5. I was drawing. sl. and music S. Kovalev
  6. If you want. sl. Y. Bykova, music. E. Oleinik
  7. A simple story. sl. A. Zotov, music. Yu. Solomenko
  8. May the day protect you. sl. E. Glebov
  9. It's Christmas time. sl. Lee Mendelson, music. Vince Guaraloli, Russian text by Y. Savos
  • 2004
  1. For the first time. sl. Y. Bykova, music. E. Oleinik
  2. "Where the Motherland Begins" music. V. Basner, lyrics by M. Matusovsky
  3. My city. sl. Y. Bykova, music. E. Oleinik
  4. You are the best. sl. P. Baranovsky, music. E. Oleinik
  5. Where are you now. sl. Y. Bykova, music. E. Oleinik
  6. Slutsk weavers. sl. M. Bogdanovich, music. V. Mulyavin
  7. Kavalek. Belarusian folk song
  8. Kalyadnaya. Belarusian folk song
  9. Fly Away (remake). sl. Yu. Kruchenok, music. Yu. Lukashevich
  • 2005 year
  1. What's in your eyes. sl. and music O. Averin
  2. Cart from Rostov. lyrics by M. Ruderman, music by K. Listov
  3. This is how it happens, lyrics by Y. Savosh, music. D. Dolgolev
  4. Lullaby. sl. O. Zhukov, music. I. Kaplanov
  5. On mass graves... words. V. Vysotsky, music. E. Glebov
  6. Chatyr's sons. I. Kuznetsov
  7. Your hands. sl.Ya. Sipakov, music. A. Petrenko
  8. There is a shadow at midnight. sl. Y. Bykova, music. E. Oleinik
  9. Embroidered shirt. sl. V. Polikanina, music. S. Tolkunov
  • 2006
  1. Vishanka. lyrics by N. Solodkaya, music. I. Kaplanov
  2. Little varba. sl. V. Morudov, music. M. Zelenkevich
  3. Shadow play. music V. Sorokin, lyrics by A. Yakovlev
  4. I want to be your dream. music by S. Tolkunov lyrics by L. Volkov
  5. When the two of us are music. K. Norman, lyrics. Y. Savosh
  6. The dream of your dreams music.I.Volodko
  7. Aegean holidays music.I.Volodko
  8. Spadchyna sl. Ya. Kupala muses. I.Luchenok
  9. Parallel to the next S. Sashin, music K. Breitburg
  10. La bamba
  1. Something will happen. sl. and music S. Sukhomlin
  2. Belarus is strong. sl. and music S. Sukhomlin
  3. Kupalinka. sl. and music folk
  4. Thursdays and Fridays. sl. and music L.Shirin
  5. Oh come on. sl. folk, music O. Averin
  6. The heart of my land. sl. E.Melnik, music. K. Breitburg
  7. Two elements. sl. A. Lebedeva, music R.Platkov
  8. Behind the rains, behind the fogs. sl. Y. Bykova, music E. Oleynik
  9. I laugh so much at you. sl. Y. Savosh, music. A. Ponomarev
  10. Oh my betrothed. sl. A. Vavilov, music. S. Tolkunov
  11. Free wind. music etc. I.Voron
  12. Geta noc. sl. Y. Bykova, music E. Oleynik
  13. Girl on the shore. sl. S. Sashin, music K. Breitburg
  14. Kupala. sl. T. Tolkacheva, music. I. Kaplanov
  15. My White Rus'. sl. T. Tolkacheva, music. I. Kaplanov
  16. I know little about love. M. Tanich, music K. Breitburg
  17. Love and joy - Belarus. sl. N. Dobronravov, music. A. Pakhmutova
  18. A little beautiful words. lyrics by S. Sashin, music. K. Breitburg
  19. Little winter. sl. K. Kavaleryan, music. K. Breitburg
  20. "Front-line path" music. B. Mokrousov, lyrics by N. Labkovsky.
  21. "Charka on the road" music by A. Bolotnik, lyrics by A. Legchilov.
  22. Tenderness. sl. N. Dobronravov, music. A. Pakhmutova
  23. "Thin Rowan" folk music, lyrics. I. Surikov.
  24. We are dependent on love. lyrics by V. Kharitonov, music by A. Dneprov
  25. "A man left the house" music by S. Pozhlakov, lyrics by A. Olgin
  26. “I’m just working as a magician” music by E. Kolmanovsky, lyrics by L. Oshanin.
  27. Friendship. sl. N. Dobronravov, music. A. Pakhmutova
  28. Belovezhskaya Pushcha. sl. N. Dobronravov, music. A. Pakhmutova
  29. Heroic strength. sl. N. Dobronravov, music. A. Pakhmutova
  30. At a quiet pier. sl. and music Yu. Frolov
  31. Caracas, Caracas. sl. and music Venezuelan authors, Russian text by Y. Savosh
  32. Venezuela. sl. and music Venezuelan authors.
  33. My angel. sl. S. Sashin, music. K. Breitburg
  34. It's unavoidable. sl. E. Muravyov, music. K. Breitburg
  • 2008
  1. "33 heroes" - music by K. Breitburg, lyrics by E. Muravyov
  2. Merry Christmas, Belarus! music by O.Molchan – lyrics by I.Evdokimova
  3. We walked on rainbows music by K. Breitburg - lyrics by S. Sashin, E. Melnik
  4. - Hello, Motherland! Music by S. Tolkunov - lyrics by Y. Sologub
  5. "The Couple Advance" music by E. Oleynik - lyrics by Y. Savosh
  6. "Beads" music by J. Yoksimovic, lyrics by A.Vavilov.
  7. "Stupid lads." music E. Oleynik, lyrics. Yu. Bykova.
  8. "This is Belarus, my country." music.I. Kaplanova, lyrics. T. Tolkacheva
  9. "We are a long echo of each other" muses. E. Ptichkin, Sr. R. Rozhdestvensky.
  10. "Kalykhanka" (Belarusian version) music. I. Kaplanova lyrics by O. Zhukov
  11. "Old Maple" music. A. Pakhmutova, lyrics. N. Dobronravov
  12. "On the Edge of the Clouds" music by R. Platkov, lyrics by A. Lebedev
  13. "Kasiu Yas Kanyushynu" white. folk song
  14. "New Day" music by K. Breitburg, lyrics by V. Solovyov
  15. “I hear your name” muses and lyrics. Y. Savosha ( a new version)
  16. "Don't rush to leave" music. V. Sorokina, lyrics. A. Lebedeva.
  17. "Children of the same love" (with the group " New Jerusalem") music and lyrics by V. Kalatsey.
  18. "On the edge of the clouds" music. R. Platkov, lyrics. A. Lebedeva.
  19. "Five Minutes" (from the film " Carnival Night") music by A. Lepin lyrics by V. Livshits

Discography

In 2009, Yuri Savosh and Irina Dorofeeva published the albums: “Redki Gosts” (1998), “Sooner or Later” (2000), “Kakhanachka” (recorded, 2003), “Pulse of the Majesty” (2003), “Like the first time” (recorded, 2003 - 2006), “I Want to Be a Dream” (2007), and also released an MP-3 album, which included more than 100 songs by the singer, including previously unreleased ones.

Included are 21 tracks performed by Irina Dorofeeva and 21 professional backing tracks, for lovers of good songs.

Television projects and television shootings

Work as a TV presenter in the programs “Big Breakfast” and “Planet of Entertainment” (STV), since September 2007 - presenter of the television magazine “Soyuz”, which is broadcast weekly on the ONT channel (Belarus) and the Russian channels TRO and Ren-TV.

Song Theater

2001 – 2002 - the team led by Yuri Savosh “Irina Dorofeeva Song Theater” organized the social and humanitarian event “Energy of the new generation of young Belarus in the new millennium”. For two years, Irina traveled all over Belarus with concerts: literally at every venue in every district, even in large villages, where there were halls with 250 seats or more, concerts were given. In total, during the event, 435 concerts were held throughout the country, which were attended by about 1.5 million people. Of all the performances, more than 165 concerts were for charity. Irina tried to come to everyone with a concert. Charity performances were held for children left without parental care, for the disabled, military personnel, village residents who suffered from the accident at Chernobyl nuclear power plant. Since 2004, the “Irina Dorofeeva Song Theater” annually organizes the “Under a Peaceful Sky” tour. During the harvest period, the team performs directly in the field, in any open areas. As a rule, two or three concerts are held a day - during the day for village workers, for those who work on the land, in breaks between stubble in the fields, at grain fields (here Irina performs on any improvised stage) and in the evening on central square cities with large staged concerts and invariably “live” sound. In general, about 50 such outdoor concerts are held every year, and the event ends at the republican holiday “Dozhinki”.

Group "Force Minor"

Currently, Irina Dorofeeva is working with the group “Force Minor” (Dmitry Penkrat, Valery Bashkov, Dmitry Parfenov, Dmitry Bronovitsky), which includes singers Inga, Ekaterina Muratova, Elena Berezina as soloists. Over the past 2 years, Irina Dorofeeva and her team have repeatedly represented Belarus in Venezuela, Poland, Azerbaijan, Armenia, Ukraine, Russia, Latvia, Lithuania. Her new concert program, which included songs written by Russian authors K. Breitburg, M. Tanich, A. Pakhmutova, N. Dobronravov, K. Kavaleryan, S. Sashin, E. Muravyov, E. Melnik, as well as the Serbian composer Zh. Joksimovic, the singer showed about 300 times in her Belarus.

Wikimedia Foundation. 2010.

 


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Presentation of the unique properties of water chemistry

Presentation of the unique properties of water chemistry

Epigraph Water, you have no taste, no color, no smell. It is impossible to describe you, they enjoy you without knowing what you are! You can't say that you...

Lesson topic "gymnosperms" Presentation on biology topic gymnosperms

Lesson topic

Aromorphoses of seed plants compared to spore plants Aromorphoses are a major improvement, the boundary between large taxa Process...

Man and nature in lyrics Landscape lyrics by Tyutchev

Man and nature in lyrics Landscape lyrics by Tyutchev

*** Human tears, oh human tears, You flow early and late. . . Flow unknown, flow invisible, Inexhaustible, innumerable, -...

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