Who told you that there is no real one in the world?
faithful, eternal love? May the liar be cut off
vile language!

The legendary brainchild of Bulgakov, the novel “The Master and Margarita,” occupies a worthy place in Russian literature. This work has not left bookstore shelves for many years due to the relevance of the topics raised by the author in the novel. One of the leading lines of the novel is the love of the Master and Margarita, which will be discussed. Do these people deserve to be together? Here main question. The author introduces readers to the Master in the thirteenth chapter. Already here the image of a loving man appears before us.

He keeps a cap with the letter “M” embroidered. It was “she” who sewed this hat for the Master. Who is this mysterious “she”? This is the one who believed in her Master. The one who lived his novel. The one who made a deal with the devil just to be with her loved one. This is Margarita. They are both ready for selfless love. On Margarita’s part, these are actions aimed at happiness with the Master. On the Master's part - the desire for his beloved to forget about him. It would have been better for this poor woman.

Their meeting was marked by a bouquet of yellow flowers in the hands of Margarita, which symbolized the difficult path of lovers. But real love turned out to be higher and stronger than all the obstacles and hardships. The love of the Master and Margarita is a dilemma: can pure and bright love be achieved only by a deal with the devil? I can confidently answer this question in the affirmative: yes, it can. Love is an all-encompassing feeling, belonging only to two lovers and no one else. You can often hear the phrase that to achieve a goal, all means are good. In the novel, this statement is supported by the actions of the heroine. Her goal was love and happiness with her beloved Master. And will a person, in whom the fire of love does not burn, dare to undertake such feats? No. Margarita was driven by the power of love, enormous and boundless. It was this strong, pure feeling that led the heroes through all the thorny paths, through times and worlds.

Despite the prosperous life in the mansion, Margarita is not happy with her fate. She will prefer the Master’s basement to luxury, in which they sinfully love each other, breathe each other. But together, together. “Forgive me and forget me as soon as possible. I'm leaving you forever. Don't look for me, it's useless. I became a witch because of the grief and disasters that struck me. I have to go. Farewell,” writes Margarita to her husband, flying away towards her true happiness. She is driven not only by love, but also by a feeling of anger and resentment for the Master’s rejected romance. She destroys everything that comes to her hand, avenging her loved one.

In my opinion, Satan's ball is the main episode of the novel. It is he who makes it clear whether Margarita will be able to go through the entire ritual, whether she is worthy of the happiness of being with the Master. She puts clothes on her naked body that bring pain. She drinks blood from the goblet. She obediently offers her knee for the kisses of the dead. She shows mercy by forgiving Frida for her infanticide. Despite her sore feet, Margarita proudly steps and walks around the guests. How else? She is the queen and hostess of the ball! The heroine endures Satan's ball with dignity.

Margarita does not dare to remind Woland of the promise because she is proud. Even when the devil asks the question directly, she still answers that she doesn't need anything.

“Never ask for anything! Never and nothing, and especially among those who are stronger than you. They will offer and give everything themselves! Sit down, proud woman! - Woland said to Margarita’s proud silence.

Margarita’s only wish was voiced with a convulsive face:

“I want my lover, the master, to be returned to me right now, this very second!”

This was the desire to which the heroine went throughout the novel. This once again proves the purity of her thoughts and love. The author managed to convey Margarita’s emotional change through her remarks, which are full of repetitions, ellipses and exclamations. There was no limit to her happiness. But to the Master, all this seemed like a hallucination, so much did he not believe in the possibility of reuniting with his beloved again. Where did the proud woman go? Tears flowed from her eyes, some of happiness, some of grief and pity. But now they are together. They both know it.

Symbolically, the reunion of lovers was accompanied by the resurrected romance of the Master, because “manuscripts do not burn.” And if love is a manuscript that was written days and nights, the success of which was believed, and lived by, will it burn? The Master and Margarita, leaving together for the hard-won world of happiness, proved that true love will overcome anything: it will burn in flames, but will rise from the ashes.

The novel “The Master and Margarita” closely intertwines themes of history and religion, creativity and everyday life. But the most important place in the novel is occupied by the love story of the master and Margarita. This story line adds tenderness and poignancy to the work. Without the theme of love, the image of the master would not be possible to fully reveal. The unusual genre of the work - a novel within a novel - allows the author to simultaneously distinguish and combine the biblical and lyrical lines, developing them fully in two parallel worlds.

Fatal meeting

The love between the master and Margarita flared up as soon as they saw each other. “Love jumped out between us, like a killer jumps out of the ground... and struck us both at once!” - this is what the master tells Ivan Bezdomny in the hospital, where he ends up after the critics rejected his novel. He compares the surging feelings to lightning or a sharp knife: “That’s how lightning strikes! This is how amazing a Finnish knife is!”

The master first saw his future beloved on a deserted street. She attracted his attention because she “carried in her hands disgusting, alarming yellow flowers».

These mimosas became a signal to the master that his muse was in front of him, with loneliness and fire in his eyes.

Both the master and unhappy wife rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he doesn’t even remember his name ex-wife, about which she doesn’t keep any memories or warmth in her soul. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

After their first meeting, Margarita began to come to her lover every day. She helped him work on the novel, and she herself lived from this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they had parted yesterday.

Completing the master's novel became a test for them. But already born love he was destined to pass this and many other tests in order to show the reader that real kinship of souls exists.

Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in Bulgakov’s understanding. Margarita is not just a favorite and loving woman, she is the muse, she is the author’s inspiration and his own pain, materialized in the image of Margarita the witch, who in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to her lover’s novel: “she chanted and loudly repeated individual phrases... and said that this novel was her life.”

The refusal to publish the novel, and later the devastating criticism of the unknown passage that ended up in print, equally painfully wounds both the master and Margarita. But, if the writer is broken by this blow, then Margarita is overcome by insane rage, she even threatens to “poison Latunsky.” But the love of these lonely souls continues to live its own life.

Test of love

In the novel “The Master and Margarita,” love is stronger than death, stronger than the master’s disappointment and Margarita’s anger, stronger than Woland’s tricks and the condemnation of others.

This love is destined to pass through the flames of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

The characters are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita, on the other hand, is strong and sharp; more than once Bulgakov uses the word “flame” to describe her. Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the backdrop of a black coat and slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready to do anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.

The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness; after parting, they would never have learned to live separately from each other. That is why, probably, Bulgakov decides to end the lives of his heroes, in return giving them eternal peace and solitude.

conclusions

On the background biblical history about Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is the love for which Margarita is ready to give her soul, since she is empty without her loved one. Being insanely lonely before they met, the characters gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is precisely this that helps them find eternal freedom and eternal peace.

Descriptions of love experiences and the history of relationships between the main characters of the novel can be used by 11th grade students when writing an essay on the topic “The Love of the Master and Margarita”

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The novel “The Master and Margarita” is dedicated to the history of the master - creative personality, opposed to the surrounding world. The master's story is inextricably linked with the story of his beloved. In the second part of the novel, the author promises to show “true, faithful, eternal love.” The love of the master and Margarita was just like that.

What does “true love” mean, according to M. Bulgakov? The meeting of the Master and Margarita was accidental, but the feeling that connected them until the end of their days was not accidental. It’s not for nothing that they recognize each other by the “deep loneliness” in their gaze. This means that even without knowing each other, they felt a great need for each other. That is why a miracle happened - they met.

“Love struck us both at once,” says the master. True love powerfully invades the life of those who love and transforms it! Everything everyday and ordinary becomes bright and significant. When Margarita appeared in the master’s basement, all the little things in his meager life began to glow from within, and everything faded when she left.

True love is selfless love. Before meeting the master, Margarita had everything that necessary for a woman to be happy: a handsome, kind husband who adored his wife, a luxurious mansion, finance. “In a word... was she happy? - the writer asks. - Not a single minute!.. Well necessary was this woman?.., she needed him, the master, not a Gothic mansion at all, and not a separate garden, and not money.” All material benefits turn out to be insignificant compared to the opportunity to be close to your loved one. When Margarita had no love, she was even ready to commit suicide. But at the same time, she does not want to harm her husband and, having made a decision, acts honestly: she leaves him a farewell note, where she explains everything.

True love, therefore, cannot harm anyone; it will not build its happiness at the expense of the misfortune of another person.

And I didn’t read it - whether in history, or in a fairy tale, -
May the path of true love be smooth.
W. Shakespeare

M. Bulgakov believed that life is love and hate, courage and passion, the ability to appreciate beauty and kindness. But love... comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, his beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps, most of his, the Master’s, terrible burden, and became his Margarita.

The story of the Master and Margarita is not one of the lines of the novel, but its most important theme. All events, all the diversity of the novel, converge towards it.

They didn’t just meet, fate collided with them on the corner of Tverskaya and Lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of them, like a killer jumps out of the ground in an alley...” - this is how Bulgakov describes the emergence of love among his heroes. These comparisons already foreshadow the future tragedy of their love. But at first everything was very calm.

When they first met, they talked as if they had known each other a long time ago. A violently flared love seemed like it should burn people to the ground, but she turned out to have a domestic and quiet character. In the Master's basement apartment, Margarita, wearing an apron, took charge while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, and laughed. It was not the disgusting yellow flowers that were placed in the vase, but the roses they both loved. Margarita was the first to read the finished pages of the novel, hurried the author, promised him fame, and began to call him Master. She repeated the phrases of the novel that she especially liked loudly and in a sing-song voice. She said that this novel was her life. This was an inspiration for the Master; her words strengthened his faith in himself.

Bulgakov very carefully and chastely talks about the love of his heroes. She was not killed by the dark days when the Master's novel was destroyed. Love was with them even during the Master’s serious illness. The tragedy began when the Master disappeared for many months. Margarita thought about him tirelessly; not for a minute did her heart leave him. Even when it seemed to her that her beloved was no longer there. The desire to find out at least something about his fate overcomes reason, and then the devilish war begins, in which Margarita participates. In all her demonic adventures, she is accompanied by the loving gaze of the writer. The pages dedicated to Margarita are Bulgakov’s poem in honor of his beloved, Elena Sergeevna. With her, the writer was ready to make “his last flight.” This is what he wrote to his wife on a gifted copy of his collection “Diaboliad”. Material from the site

With the power of her love, Margarita returns the Master from oblivion. Bulgakov did not invent a happy ending for all the heroes of his novel: everything remained as it was before the invasion of the satanic team in Moscow. And only for The Master and Margarita Bulgakov, as he believed, wrote a happy ending: Eternal peace awaits them in the eternal home that the Master was given as a reward. Lovers will enjoy the silence, those they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The Master silently walked with her and listened. His restless memory began to fade,” - this is how the story of this tragic love ends.

And although in last words- the sadness of death, but there is also the promise of immortality and eternal life. It is coming true these days: The Master and Margarita, like their creator, are destined long life. Many generations will read this satirical, philosophical, but most importantly, lyrical love novel, which confirmed that the tragedy of love is the tradition of all Russian literature.

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The story of the Master and Margarita is known even to those who have never read the work of Mikhail Bulgakov. One of the eternal, timeless themes, the theme of love in the novel “The Master and Margarita” by Bulgakov attracts with its depth and sincerity.

Heroes before they meet each other

Through the mouth of the Master himself, Bulgakov tells us about his life before meeting the heroine. A historian by training, the hero worked in one of the museums in the capital, sometimes “doing translations” (he knew several languages). He was lonely and had few acquaintances in Moscow. Having won a lot of money on a bond received at work, he rented basement rooms in a small house, bought the necessary books and began writing a novel about Pontius Pilate. The master, who then had a name, was experiencing his “golden age.” The coming spring was beautiful, the novel about Pilate was “flying to its end.”

One day “something much more delightful happened” than big win– The master met a woman, very beautiful, with “an extraordinary, unprecedented loneliness in her eyes,” and from that moment his life became complete.

This woman was beautiful, wealthy, married to a young successful specialist, and, by the standards of the people around her, completely prosperous. Talking about it, the author exclaims: “Gods, my gods! What did this woman need! The heroine is lonely and unhappy - there is no love in her life. Together with the Master, meaning came to Margarita’s life.

So with the story about, it would seem, chance meeting The theme of love begins to be heard among the heroes in the novel “The Master and Margarita”.

The problem of love in the novel

Love did not make the heroes better or worse - it, like a true feeling, made them different.

The Master and Margarita realized that “fate itself” brought them together and that they were created for each other forever. Love “struck us instantly”, “struck us both at once! - exclaims the Master, talking with the poet Bezdomny, - this is how lightning strikes, this is how a Finnish knife strikes! - forever and irrevocably.

The master was now creating great novel, he was inspired by his beloved. Margarita found happiness by becoming the writer’s “secret wife,” friend and like-minded person. And just as there was “not a soul” in the alley along which, when they first met, the heroes walked, so in their new life there was no place for anyone: only two and their common cause - a romance created by the Master.

The novel was completed, and “the hour came when I had to leave the secret shelter and go out into life.”

The world of literature, the reality into which the Master plunges - the world of opportunism, mediocrity and denial of talent - breaks him.

The heroes have to confront the world around them. Following the fate of the writer and his beloved, we see how the problem of love is solved in many ways in the novel “The Master and Margarita.”

Love of the Master and Margarita: dedication and selflessness

Bulgakov writes a selfless and selfless love story.

Margarita accepts the hero’s interests as her own, she does everything to make her beloved happy and calm, this is now the meaning of her existence, she inspires the writer, helps him create and makes him a Master. Their life becomes one.

Not feeling happy for a minute in the Gothic mansion, Margarita nevertheless cannot hurt her husband, leave without explaining anything, because he “did no harm” to her.

The master who created a brilliant but “untimely” novel is broken. “I’m nobody now.” He wants nothing more than to see his beloved, but he considers himself not to have the right to ruin her life.

Mercy and compassion in the love of heroes

Love in the novel “The Master and Margarita” is merciful and compassionate.

The feeling that the heroine experiences for her chosen one is inextricably linked with her love for people. With dignity, fulfilling the role of queen at Satan's ball, she bestows love and attention on all the great sinners. Her own suffering prompts her to save others from the suffering: without even thinking about whether she is a “person of exceptional kindness” or a “highly moral person”, she asks Woland not for herself, but for the forgiveness of Frida, the repentant killer of her own child.

Even in a fit of revenge, love allows Margarita to remain a woman, sensitive and merciful. The “wild destruction” caused by the heroine stopped as soon as she saw a frightened baby in one of the windows. Thirsty for reprisals against the critic Latunsky, who killed the Master, Margarita is unable to condemn him to death. Turning her into a witch does not deprive her of the main thing - true femininity.

Lovers take the last step before dissolving into eternity together. Margarita demands to release the soul of Pilate, tormented by his conscience for so long, but the Master gets the opportunity to do this by ending the novel with one phrase: “Free! Free! He is waiting for you!"

Faithful and eternal love of the Master and Margarita

Left alone, without any news about her beloved, Margarita preserves her feeling and hope of meeting. She doesn’t care how or where it will take place, or who will arrange it.

It is in the work “The Master and Margarita” that the theme of eternal love and fidelity as a saving force human soul is revealed to us by the author. What a person is capable of to keep his love - the story makes us think about this.

Finding out about the Master is the only desire of desperate Margarita, for the sake of which you can believe in anything, turn into a witch, become the hostess of Satan’s own ball. For her, the boundaries of Light and Darkness are blurred: “otherworldly or not otherworldly – ​​it doesn’t matter,” she is sure. Yeshua read the novel, asks to give peace to the writer and his beloved, and the “prince of darkness” “arranges” peace. Margarita will remain with her beloved forever; next to him, death is not scary. “I will take care of your sleep,” she says, walking with the Master to their eternal home.

The power of love saves the Master from suffering, makes him strong (“I will never allow cowardice again,” he promises the heroine) and returns his brilliant novel to the world.

The theme of love in Bulgakov’s work is perhaps so poignant and authentic because the author had the good fortune to love himself and be loved by a woman, who was embodied in the image of Margarita.
Time passes, the story of eternal love, told on the pages of “The Master and Margarita,” does not age, convincing that true love exists.

Many contemporaries tried to give their analysis of love in the novel and the reasons for its appearance; the above arguments are intended to help 11th graders when writing an essay on the topic “Love in the novel “The Master and Margarita” by Bulgakov.”

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