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Proverbs for Ilya's epic Three Little Trips. Poetic text of the epic “Ilya’s three trips.” fabulous character of the epic. Arrangement of the epic “Three Trips of Ilya Muromets” |
Ilya rode across an open field, defending Rus' from enemies from his youth to old age. The good old horse was good, his Burushka-Kosmatushka. Burushka has a tail of three saplings, a mane up to the knees, and wool of three spans. He did not look for a ford, he did not wait for transportation, he jumped over the river with one bound. He saved old Ilya Muromets from death hundreds of times. It is not the fog that rises from the sea, it is not the white snow in the field that turns white, it is Ilya Muromets who is riding across the Russian steppe. His head and his curly beard turned white, his clear gaze became clouded: Oh, you old age, you old age! You caught Ilya in an open field and swooped down like a black raven! Oh, youth, youthful youth! Flew away Ilya drives up to three paths, at the intersection there is a stone, and on that stone it is written: “Whoever goes to the right will be killed, whoever goes to the left will become rich, and whoever goes straight will be married.” Ilya Muromets thought: What do I, an old man, need wealth for? I have no wife, no children, no one to wear a colored dress, no one to spend the treasury. Should I go, where should I be married? Why should I, an old man, marry? It’s not good for me to take a young woman, but to take an old woman and lie on the stove and slurp jelly. This old age is not for Ilya Muromets. I’ll go along the path where the dead man should be. I will die in an open field, like a glorious hero! And he drove along the road where the dead man should be. As soon as he had driven three miles, forty robbers attacked him. They want to pull him off his horse, they want to rob him, kill him to death. And Ilya shakes his head and says: Hey you, robber, you have nothing to kill me for and nothing to rob from me. All I have is a marten coat worth five hundred rubles, a sable hat worth three hundred rubles, a bridle worth five hundred rubles, and a Cherkassy saddle worth two thousand. Well, another blanket of seven silks, embroidered with gold and large pearls. Yes, Burushka has a gemstone between her ears. On autumn nights it burns like the sun; three miles away it is light. Moreover, perhaps, there is a horse Burushka - so he has no price in the whole world. Is it worth cutting off an old man’s head for such a small thing?! The chieftain of the robbers got angry: He's the one making fun of us! Oh, you old devil, gray wolf! You talk a lot! Hey guys, cut off his head! Ilya jumped off Burushka-Kosmatushka, grabbed the hat from his gray head, and began waving his hat: where he waves, there will be a street, and where he waves, there will be a side street. In one swing, ten robbers are down, in the second - not even twenty in the world! The chieftain of the robbers prayed: Don't beat us all, old hero! Take from us gold, silver, colored clothes, herds of horses, just leave us alive! Ilya Muromets grinned: If I took the gold treasury from everyone, I would have full cellars. If I took a colored dress, there would be high mountains behind me. If I took good horses, great herds would follow me. The robbers tell him: One red sun in this world - one such hero in Rus', Ilya Muromets! You come to us, hero, as a comrade, you will be our chieftain! Oh, brother robbers, I will not go to be your comrade, and you too will go to your places, to your homes, to your wives, to your children, you will stand by the roads, shedding innocent blood. Ilya turned his horse and galloped away. He returned to the white stone, erased the old inscription, and wrote a new one: “I drove in the right lane - I was not killed!” Well, I’ll go now, where should a married man be! Ilya drove three miles and came out into a forest clearing. There are golden-domed towers, silver gates are wide open, and roosters are crowing on the gates. Ilya drove into a wide courtyard, twelve girls ran out to meet him, among them the beautiful princess. Welcome, Russian hero, come to my high tower, drink sweet wine, eat bread and salt, roasted swan! The princess took him by the hand, led him into the mansion, and sat him down at the oak table. They brought Ilya sweet honey, overseas wine, fried swans, grainy rolls... She gave the hero something to drink and feed, and began to persuade him: You are tired from the road, tired, lie down, rest on a plank bed, on a feather bed. The princess took Ilya to the sleeping quarters, and Ilya goes and thinks: “It’s not without reason that she’s being kind to me: what’s more important to the princess than a simple Cossack, an old grandfather! Apparently, she has something planned.” Ilya sees that there is a chiseled gilded bed against the wall, painted with flowers, and he guesses that the bed is tricky. Ilya grabbed the princess and threw her onto the bed against the plank wall. The bed turned and a stone cellar opened up, and the princess fell into it. Ilya got angry: Hey you, nameless servants, bring me the keys to the cellar, otherwise I’ll cut off your heads! Oh, unknown grandfather, we have never even seen the keys, we will show you the passages to the cellars. They took Ilya into deep dungeons; Ilya found the cellar doors; they were covered with sand and littered with thick oak trees. Ilya dug up the sands with his hands, pushed the oak trees with his feet, and opened the cellar doors. And there sit forty kings-princes, forty tsars-princes and forty Russian heroes. That’s why the princess invited the golden-domed ones into her mansion! Ilya says to the kings and heroes: You, kings, go through your lands, and you, heroes, go to your places and remember Ilya of Muromets. If it weren't for me, you would have laid your heads in a deep cellar. Ilya pulled the queen's daughter out into the world by her braids and cut off her wicked head. And then Ilya returned to the white stone, erased the old inscription, wrote a new one: “I went straight - I was never married.” Well, now I’ll go on the road where the rich can be. As soon as he drove three miles, he saw a large stone of three hundred pounds. And on that stone it is written: “Whoever is able to roll a stone will be rich.” Ilya strained himself, rested his feet, went knee-deep into the ground, gave in with his mighty shoulder and rolled the stone out of place. A deep cellar opened under the stone - untold riches: silver, gold, large pearls, and yachts! Ilya Burushka loaded her with expensive treasury and took her to Kyiv-grad. There he built three stone churches so that there would be a place to escape from enemies and to sit out from the fire. He distributed the rest of the silver, gold, and pearls to widows, orphans, and did not leave a single half for himself. Then he sat down on Burushka, went to the white stone, erased the old inscription, wrote a new inscription: “I went to the left - I was never rich.” Here Ilya’s glory and honor went forever, and our story reached its end. Topic: Epics. "Ilya's three trips."Lesson objectives: Introduce the contents of the epic “Ilya’s Three Trips” and the rules for performing the epic; Improve the skills of listening and expressive, conscious, competent reading: teach awareness of what is read through the creation of images and the establishment of associations with the content of the studied works. To introduce the heroic personality, the symbol of Russian power, its defender, a native of the Nizhny Novgorod land - Ilya Muromets, and his unusual childhood. To develop imaginative thinking, cognitive interest in the history of the native land based on the emotional perception of what is read, to form a culture of expressing feelings, to develop imagination and ideas about the peculiarities of the way of peasant life in the conditions of patriarchal Russia, arbitrary attention to the folk word. To cultivate interest in the native melodic and expressive language, the heroic history of our small homeland, a sense of pride in its glorious and brave sons; the desire to continue the traditions and mentality of our ancestors in defending the independence of the Motherland. Contribute to the formation of universal learning activities; Promote the use of Internet resources; Equipment: textbook L.F. Klimanova “Literary reading” part 1, grade 4; reproduction of a painting by V.M. Vasnetsov “Bogatyrs”; collections of epics; self-assessment cards; historical map “Ancient Rus'”. During the classes: There is a guslar on the screen. The harp is heard. Hello, good people. Sit down and listen. You and I have gathered for a good and harmonious conversation. So that we have peace and harmony. I also want to wish you to participate in the conversation and listen carefully to everything. Everything you hear may be useful to you. 2. Checking homework (Communicative: participation in discussion. Cognitive: ability to structure knowledge; model) 3. Preparation for perception. (Cognitive: information search, semantic reading.) How did this poem make you feel? U: What is an epic? Muromets gloomy Murmansk Murom walled up What connection could there be between Ilya Muromets and the city of Murom? Y L W: What epics do you know? W: What qualities must a person have to be called a hero? (Fearlessly fight enemies, be strong, wise, protect and love your native land). 4. Studying new material. (Regulatory: goal setting, as setting an educational task; planning, forecasting. Communicative: cooperation; ability to express one’s thoughts.) PHYSMINUTE 3) Reading the text. Bogatyr - 1. A hero of Russian epics who performs feats in the name of the Motherland. How many meanings does this word have? What can we say about him? (it's ambiguous) It was believed that heroes were mighty knights, endowed by God with an extraordinary mind and ingenuity. 5. Consolidation of the studied material. (Cognitive: modeling. Regulatory: control) Working with an interactive whiteboard: 6. Lesson summary. Reflection on learning activities. (Personal: moral and ethical assessment of the content being learned.) Compiling a syncwine: U: Homework: (Cognitive: reflection on the methods and conditions of action; control and evaluation of the process and results of activity; Personal: self-assessment based on the criterion of success; adequate understanding of the reasons for success/failure in educational activities.) 1) Re-read the epic “Ilya’s Three Trips” and answer the questions. T: You did a good job in class and deserve grades. Evaluate your own work. Showcase your grades. (Self-esteem on cards) Epic "Three trips of Ilya Muromets" ("Ilya's three trips") Cycle: Kyiv The main characters of the epic “The Three Trips of Ilya Muromets” and their characteristics
The hero does not need wealth, he does not need a wife, because his family is the entire Russian people, because his job is to beat enemies and defend the Motherland. What does the epic “Three Trips of Ilya Muromets” teach? Review of the epic "Three Trips of Ilya Muromets" Proverbs for the epic "Three Trips of Ilya Muromets" Summary, brief retelling of the epic "Three Trips of Ilya Muromets" Drawings and illustrations for the epic "Three Trips of Ilya Muromets" To use presentation previews, create a Google account and log in to it: https://accounts.google.com Slide captions:TOPIC: Epic genre of oral folk art. “Ilya’s three trips” 1 Ilya Muromets Alyosha Popovich Guess the names and tell me what unites them? Dobrynya Nikitich Bodnyyar Kinichti Shalya Pochivop Iyal Rumotsem 2 V. Vasnetsov. Bogatyrs 1881-1898, oil on canvas, 295.3x446 cm State Tretyakov Gallery, Moscow 3 About the painting “Bogatyrs” by V. M. Vasnetsov The field stretches wide and wide. Boundless, irresistible. The free wind hums in the feather grass steppe. High in the summer afternoon sky, wisps of clouds float slowly and proudly. Eagles guard the mounds. A gusty whirlwind picked up, scattered the manes of the mighty horses, and brought the bitter smell of wormwood. The eye of the frantic Burushka, the beloved horse of Ilya Muromets, sparkled. A stern hero. A spear has been made. The heavy right hand is raised. Looks far, far into the distance. His friends are wary - Dobrynya Nikitich, Alyosha Popovich. There is a formidable force in this silent expectation. Sleepless squad. Not a single creature, not even a winged one, will break through. Vasnetsov worked on this painting for many years. He painfully searched for people from whom he could write epic heroes. The prototype of Ilya Muromets was the peasant Ivan Petrov, who worked as a cab driver in Moscow in the winter. In the face of Dobrynya Nikitich there are features of Vasnetsov himself, his father and uncle. The artist based Alyosha Popovich on the young son of Savva Mamontov. In the Russian epic tradition there are many heroes. But Vasnetsov chose these three. Probably because they successfully complement each other. Powerful, stern Ilya Muromets, noble Dobrynya and savvy, resourceful Alyosha Popovich all together form the image of a good force - the defender of Russian borders. This picture is so well known that, wherever the conversation turns to the epic knights, everyone remembers these three, standing at the outpost in a wind-swept field. It seems that they are the most popular and beloved heroes of the Russian people of all times. 4 In the world of Russian epics “The epic is a story about what happened, what happened, a non-fictional and truthful story” V.I. Dahl “The Russian people created a huge oral literature: wise proverbs and cunning riddles, funny songs, solemn epics - spoken in a chant, to the sound of strings - about the glorious exploits of heroes, defenders of the earth...” L.N. Tolstoy EPIC is a folk epic song, a genre characteristic of the Russian tradition. The basis of the plot of the epic is a heroic event, or a remarkable episode of Russian history (hence the popular name of the epic - “old man”, “old woman”, implying that the action in question took place in the past). The term “epic” was introduced into scientific use in the 40s of the 19th century. In ancient times, people composed epics. They were performed by folk storytellers to the accompaniment of an ancient stringed instrument called the gusli. V. M. Vasnetsov. "Boyan" Origin of the word “hero” Where does the word “hero” come from? There is an opinion that it was borrowed from the Turkic languages, where it appears in various forms - baghatur, bagadur, batur, batyr, bator. Scientists (Shchepkin, Buslaev) directly derived “hero” from “God” through “rich” Scientists classify heroes into older and younger. The older heroes include Svyatogor, Volga Svyatoslavich, Samson, Sukhan, Polkan, Kolyvan Ivanovich, Don Ivanovich, Danube Ivanovich and others. The younger ones include Dobrynya Nikitich, Ivan Danilovich, Alyosha Popovich, Ilya Muromets, Mikula Selyaninovich, Churila Plenkovich, Duke Stepanovich, Danil Lovchenin and others. Images of heroes are the people's standard of courage, justice, patriotism and strength (it is not for nothing that one of the first Russian aircraft, which had an exceptional carrying capacity at that time, was named by its creators “Ilya Muromets”). "Ilya Muromets". Reconstruction using the Gerasimov method MONUMENT TO ILYA MUROMETS IN THE CITY OF MUROM The image of the ancient Russian hero embodied folk concepts of the high moral qualities that a true hero should have. One of the most important qualities of Ilya Muromets is a sense of justice and awareness of his duty - to stand for the truth. He is ready to go into direct conflict with the prince, with the boyars, when he sees that they are not doing the truth. He is a national, all-Russian hero. “I am going to serve for the Christian faith and for the Russian land, and for the capital city of Kyiv-grad, for widows, for orphans, for poor people.” Healing of Ilya Muromets; Ilya Muromets and the Nightingale the Robber; Ilya Muromets and the robbers; Ilya Muromets on the Falcon-ship; Ilya Muromets and Svyatogor; Ilya Muromets and Sokolnik; Ilya Muromets and Kalin the Tsar; Ilya Muromets and Idolishche; Ilya Muromets and son. epic “Ilya’s three trips” 17 Vocabulary work Flint - Damask armor - Decoration - Estimate - Mace - Fathom - made of flint. steel and patterned. decoration, external decoration. untold, uncountable wealth. a heavy club with a thickened end. 2.134 meters (3 arshin) 18 Vocabulary work To cover up - To overwhelm - Don’t be a sucker - Bashlyks - Raven - Barns - convert to the Catholic faith. lock in the basement. Don't be deceived. a warm headdress over a hat. Cloth hood with long ends. black. sheds for storing crops, supplies, goods. 19 Physical exercise 20 We stood up together - one, two, three. We are now heroes. We will put our palms to our eyes, we will spread our strong legs. Turning to the right Let's look around majestically. And you also need to look to the left from under your palms. And to the right, and also Over the left shoulder. Let's spread our legs in the letter L, like in a dance, with our hands on our sides. Leaned to the left, to the right, It turns out great! Conversation 21 -How is an epic similar to a fairy tale? What is the difference? -Does the epic look like a poem? How? -Can Ilya Muromets’ actions be called exploits? Why do you think so? In ancient times, storytellers played along with themselves on the harp; later, epics were performed in recitative. Epic poems are characterized by a special pure-tonic epic verse. Although the storytellers used only a few melodies when performing epics, they enriched the singing with a variety of intonations and also changed the timbre of their voices. Viktor Mikhailovich Vasnetsov “Guslars” V. Vasnetsov. Ilya Muromets. (Fragment of the painting “Bogatyrs”) Ivan Petrov, peasant of the Vladimir province Study for the figure of Ilya Muromets in the painting “Bogatyrs” 1883, oil on canvas, State Tretyakov Gallery, Moscow. Ilya's three trips 23 V. Vasnetsov. The Knight at the Crossroads Oil on canvas. 1882 Moscow, Russia. State Tretyakov Gallery 24 The plot of a stone at a fork in the road is found in many fairy tales and epics. The stone shows the traveler what fate awaits him on each of the diverging paths. Vasnetsov, having chosen such a plot for the picture, tried to make it as believable as possible. He wanted to convince the audience that everything told in the epics actually happened, albeit in the distant past. The artist was well acquainted with the archaeological research of his time, so he accurately recreated the appearance of the knight of epic times. The landscape is also shown with great historical accuracy - a wild steppe strewn with boulders that were brought here by the last glacier. On one of the stones there are strange half-erased letters. Whose hand knocked them out? In what time immemorial did this happen? What kind of power begins to control the destinies of travelers as soon as they read letters promising death, or marriage, or the loss of a horse? The knight is alone in the endless steppe, and there is no one to tell him which road to choose. Under the stone lie two skulls, a human and a horse. This is the only clue. If you take too long to choose, you can lay down your head right here without ever setting foot on any of the roads. 25 Lesson summary. Reflection 26 Name the distinctive features of epics. absence of rhyme melodiousness rhythmic narration of exploits hyperbole-exaggeration repetition... Three trips of Ilya Muromets is a Russian folk epic that is loved by both adults and children. It describes how Ilya Muromets travels along different roads. One day he sees the Alatyr stone at a crossroads. It indicates what fate awaits the traveler if he goes straight, right or left. What did Ilya learn when he experienced travel on all roads? Read or listen to the epic itself with your children. She teaches justice, fearlessness, compassion, service to people and one’s homeland. Ilya rode across an open field, defending Rus' from enemies from his youth to old age. The good old horse was good, his little Burushka-Kosmatushka. Burushka's tail is three fathoms long, his mane is knee-length, and his fur is three spans long. He did not look for a ford, he did not wait for transportation, he jumped over the river with one bound. He saved old Ilya Muromets from death hundreds of times. It is not the fog that rises from the sea, it is not the white snow in the field that turns white, it is Ilya Muromets who is riding across the Russian steppe. His head and his curly beard turned white, his clear gaze became clouded. Oh, you old age, you old age! You caught Ilya in an open field and swooped down like a black raven! Oh, youth, youthful youth! You flew away from me like a clear falcon! Ilya drives up to three paths, at the intersection there is a stone, and on that stone it is written: “Whoever goes to the right will be killed, whoever goes to the left will be rich, and whoever goes straight will be married.” Ilya Muromets thought: What do I, an old man, need wealth for? I have no wife, no children, no one to wear a colored dress, no one to spend the treasury. Should I go, where should I be married? Why should I, an old man, marry? It’s not good for me to take a young woman, but to take an old woman and lie on the stove and slurp jelly. This old age is not for Ilya Muromets. I’ll go along the path where the dead man should be. I will die in an open field, like a glorious hero! And he drove along the road where the dead man should be. As soon as he had driven three miles, forty robbers attacked him. They want to pull him off his horse, they want to rob him, kill him to death. And Ilya shakes his head and says: Hey you robbers, you have nothing to kill me for and nothing to rob from me. All I have is a marten coat worth five hundred rubles, a sable hat worth three hundred rubles, a bridle worth five hundred rubles, and a Cherkassy saddle worth two thousand. Well, another blanket of seven silks, embroidered with gold and large pearls. Yes, Burushka has a gemstone between her ears. On autumn nights it burns like the sun; three miles away it is light. Moreover, perhaps, there is a horse Burushka - so he has no price in the whole world. Is it worth cutting off an old man’s head for such a small thing?! The chieftain of the robbers got angry: He's the one making fun of us! Oh, you old devil, gray wolf! You talk a lot! Hey guys, cut off his head! Ilya jumped off Burushka-Kosmatushka, grabbed the hat from his gray head and began waving his hat: where he waves, there will be a street, and where he waves, there will be a side street. In one swing, ten robbers are down, in the second - not even twenty in the world! The chieftain of the robbers prayed: Don't beat us all, old hero! Take from us gold, silver, colored clothes, herds of horses, just leave us alive! Ilya Muromets grinned: If I took the gold treasury from everyone, I would have full cellars. If I took a colored dress, there would be high mountains behind me. If I took good horses, great herds would follow me. The robbers tell him: One red sun in this world - one such hero in Rus', Ilya Muromets! You come to us, hero, as a comrade, you will be our chieftain! Oh, brother robbers, I will not go to be your comrade, and you too will go to your places, to your homes, to your wives, to your children, you will stand by the roads, shedding innocent blood! Ilya turned his horse and galloped away. He returned to the white stone, erased the old inscription, and wrote a new one: “I drove in the right lane - I was not killed!” Well, I’ll go now, where should a married man be! Ilya drove three miles and came out into a forest clearing. There are golden-domed mansions there, silver gates are wide open, and roosters are crowing on the gates. Ilya drove into a wide courtyard, twelve girls ran out to meet him, among them the beautiful princess. Welcome, Russian hero, come to my high tower, drink sweet wine, eat bread and salt, roasted swan! The princess took him by the hand, led him into the mansion, and sat him down at the oak table. They brought Ilya sweet honey, overseas wine, fried swans, grainy rolls... She gave the hero something to drink and feed, and began to persuade him: You are tired from the road, tired, lie down and rest on a plank bed, on a feather bed. The princess took Ilya to the sleeping quarters, and Ilya walked and thought: It’s not for nothing that she is affectionate with me: that the prince is not a simple Cossack, an old grandfather. Apparently she has something planned. Ilya sees that there is a chiseled, gilded bed against the wall, painted with flowers, and he guesses that the bed is tricky. Ilya grabbed the princess and threw her onto the bed against the plank wall. The bed turned and a stone cellar opened up, and the princess fell into it. Ilya got angry: Hey you, nameless servants, bring me the keys to the cellar, otherwise I’ll cut off your heads! Oh, unknown grandfather, we have never even seen the keys, but we will show you the passages to the cellars. They took Ilya into deep dungeons; Ilya found the doors of the cellar: they were covered with sand and covered with thick oak trees. Ilya dug up the sands with his hands, pushed the oak trees with his feet, and opened the cellar doors. And there sits forty kings-princes, forty tsars-princes and forty Russian heroes. That’s why the princess invited the golden-domed ones into her mansion! Ilya says to the kings and heroes: You, kings, go through your lands, and you, heroes, go to your places and remember Ilya of Muromets. If it weren't for me, you would have laid your heads in a deep cellar. Ilya pulled the queen's daughter out into the world by her braids and cut off her wicked head. And then Ilya returned to the white stone, erased the old inscription, wrote a new one: “I went straight - I was never married.” Well, now I’ll go on the road where the rich can be. As soon as he drove three miles, he saw a large stone of three hundred pounds. And on that stone it is written: “Whoever can roll a stone will be rich.” Ilya strained himself, braced himself with his feet, went knee-deep into the ground, gave in with his mighty shoulder and rolled the stone out of place. A deep cellar opened under the stone - untold riches: silver, gold, large pearls, and yachts! Ilya Burushka loaded her with expensive treasury and took her to Kyiv-grad. There he built three stone churches so that there would be a place to escape from enemies and to sit out from the fire. He distributed the rest of the silver, gold, and pearls to widows, orphans, and did not leave a single half for himself. Then he sat down on Burushka, went to the white stone, erased the old inscription, and wrote a new inscription: “I went to the left - I was never rich.” Here Ilya’s glory and honor went forever, and our story reached its end. |
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