(August 26, old style) 1870 in the city of Narovchat, Penza province, in the family of a minor official. The father died when his son was two years old.

In 1874, his mother, who came from an ancient family of Tatar princes Kulanchakov, moved to Moscow. From the age of five, due to his difficult financial situation, the boy was sent to the Moscow Razumovsky orphanage, famous for its harsh discipline.

In 1888, Alexander Kuprin graduated cadet corps, in 1890 - Alexander Military School with the rank of second lieutenant.

After graduating from college, he was enrolled in the 46th Dnieper Infantry Regiment and sent to serve in the city of Proskurov (now Khmelnitsky, Ukraine).

In 1893, Kuprin went to St. Petersburg to enter the Academy of the General Staff, but was not allowed to take the exams due to a scandal in Kiev, when in a barge restaurant on the Dnieper he threw overboard a tipsy bailiff who was insulting a waitress.

In 1894, Kuprin left military service. He traveled a lot in the south of Russia and Ukraine, tried himself in various fields of activity: he was a loader, storekeeper, forest walker, land surveyor, psalm-reader, proofreader, estate manager and even a dentist.

The writer's first story, "The Last Debut," was published in 1889 in the Moscow "Russian Satirical Sheet."

He described army life in the stories of 1890-1900 “From the Distant Past” (“Inquiry”), “Lilac Bush”, “Overnight”, “Night Shift”, “Army Ensign”, “Campaign”.

Kuprin's early essays were published in Kyiv in the collections "Kyiv Types" (1896) and "Miniatures" (1897). In 1896, the story “Moloch” was published, which brought the young author wide fame. This was followed by "Night Shift" (1899) and a number of other stories.

During these years, Kuprin met writers Ivan Bunin, Anton Chekhov and Maxim Gorky.

In 1901, Kuprin settled in St. Petersburg. For some time he headed the fiction department of the Magazine for Everyone, then became an employee of the World of God magazine and the Znanie publishing house, which published the first two volumes of Kuprin’s works (1903, 1906).

Alexander Kuprin entered the history of Russian literature as the author of the stories and novels “Olesya” (1898), “Duel” (1905), “The Pit” (part 1 - 1909, part 2 - 1914-1915).

He is also known as a great master of storytelling. Among his works in this genre are “At the Circus”, “Swamp” (both 1902), “Coward”, “Horse Thieves” (both 1903), “Peaceful Life”, “Measles” (both 1904), “Staff Captain Rybnikov " (1906), "Gambrinus", "Emerald" (both 1907), "Shulamith" (1908), " Garnet bracelet"(1911), "Listrigons" (1907-1911), "Black Lightning" and "Anathema" (both 1913).

In 1912, Kuprin traveled through France and Italy, the impressions of which were reflected in the series of travel essays “Côte d'Azur”.

During this period, he actively mastered new activities that were previously unknown to anyone - he ascended in a hot air balloon, flew on an airplane (almost ended tragically), and went underwater in a diving suit.

In 1917, Kuprin worked as editor of the newspaper Free Russia, published by the Left Socialist Revolutionary Party. From 1918 to 1919, the writer worked at the World Literature publishing house, created by Maxim Gorky.

After the arrival of white troops in Gatchina (St. Petersburg), where he lived since 1911, he edited the newspaper "Prinevsky Krai", published by Yudenich's headquarters.

In the fall of 1919, he emigrated with his family abroad, where he spent 17 years, mainly in Paris.

During the emigrant years, Kuprin published several collections of prose: “The Dome of St. Isaac of Dolmatsky”, “Elan”, “The Wheel of Time”, the novels “Zhaneta”, “Junker”.

Living in exile, the writer lived in poverty, suffering both from lack of demand and from isolation from his native soil.

In May 1937, Kuprin returned with his wife to Russia. By this time he was already seriously ill. Soviet newspapers published interviews with the writer and his journalistic essay “Native Moscow.”

On August 25, 1938, he died in Leningrad (St. Petersburg) from esophageal cancer. He was buried on the Literary Bridge of the Volkov Cemetery.

Alexander Kuprin was married twice. In 1901, his first wife was Maria Davydova (Kuprina-Iordanskaya), the adopted daughter of the publisher of the magazine "World of God". Subsequently, she married the editor of the magazine "Modern World" (which replaced "World of God"), publicist Nikolai Iordansky, and she herself worked in journalism. In 1960, her book of memoirs about Kuprin, “Years of Youth,” was published.

The life and work of Kuprin present an extremely complex and motley picture. It is difficult to summarize them briefly. All life experience taught him to call for humanity. All Kuprin's stories and stories have the same meaning - love for a person.

Childhood

In 1870 in the dull and waterless town of Narovchat, Penza province.

Orphaned very early. When he was one year old, his father, a small clerk, died. There was nothing remarkable in the city, except for the artisans who made sieves and barrels. The baby’s life went on without joy, but there were plenty of grievances. He and his mother visited acquaintances and obsequiously begged for at least a cup of tea. And the “benefactors” stuck their hand in for a kiss.

Wanderings and studies

Three years later, in 1873, the mother and her son left for Moscow. She was taken to a widow's house, and her son from the age of 6, in 1876, to an orphanage. Kuprin would later describe these establishments in the stories “The Runaways” (1917), “Holy Lies,” and “At Rest.” These are all stories about people whom life has mercilessly thrown out. This is how the story about the life and work of Kuprin begins. It's difficult to talk about this briefly.

Service

When the boy grew up, he was able to be placed first in a military gymnasium (1880), then in a cadet corps and, finally, in a cadet school (1888). The training was free, but painful.

So the long and joyless 14 war years dragged on with their senseless drills and humiliations. The continuation was adult service in the regiment, which was stationed in small towns near Podolsk (1890-1894). The first story that A. I. Kuprin published, opening the military theme, was “Inquiry” (1894), then “Lilac Bush” (1894), “Night Shift” (1899), “Duel” (1904-1905) and others .

Years of wandering

In 1894, Kuprin decisively and dramatically changed his life. He retires and lives very meagerly. Alexander Ivanovich settled in Kyiv and began writing feuilletons for newspapers, in which he depicts the life of the city with colorful strokes. But knowledge of life was lacking. What did he see except military service? He was interested in everything. And Balaklava fishermen, and Donetsk factories, and the nature of Polesie, and unloading watermelons, and a hot air balloon flight, and circus performers. He thoroughly studied the life and way of life of the people who made up the backbone of society. Their language, jargons and customs. It is almost impossible to briefly convey Kuprin’s life and work, rich in impressions.

Literary activity

It was during these years (1895) that Kuprin became a professional writer, constantly publishing his works in various newspapers. He meets Chekhov (1901) and everyone around him. And earlier he became friends with I. Bunin (1897) and then with M. Gorky (1902). One after another, stories come out that make society shudder. “Moloch” (1896) is about the severity of capitalist oppression and the lack of rights of workers. "The Duel" (1905), which is impossible to read without anger and shame for the officers.

The writer chastely touches on the theme of nature and love. “Olesya” (1898), “Shulamith” (1908), “Garnet Bracelet” (1911) is known throughout the world. He also knows the life of animals: “Emerald” (1911), “Starlings”. Around these years, Kuprin can already support his family on literary earnings and gets married. His daughter is born. Then he gets divorced, and in his second marriage he also has a daughter. In 1909, Kuprin was awarded the Pushkin Prize. Kuprin's life and work, briefly described, can hardly fit into a few paragraphs.

Emigration and return to homeland

Kuprin did not accept the October Revolution with the instinct and heart of an artist. He is leaving the country. But, publishing abroad, he yearns for his homeland. Age and illness fail. Finally, he finally returned to his beloved Moscow. But, after living here for a year and a half, he, seriously ill, died in 1938 at the age of 67 in Leningrad. This is how Kuprin’s life and work end. The summary and description do not convey the bright and rich impressions of his life, reflected on the pages of the books.

About the writer's prose and biography

The essay briefly presented in our article suggests that everyone is the master of their own destiny. When a person is born, he is caught up in the flow of life. It carries some people into a stagnant swamp and leaves them there, some flounder, trying to somehow cope with the current, and some simply float with the flow - wherever it takes them. But there are people, like Alexander Ivanovich Kuprin, who stubbornly row against the tide all their lives.

Born in a provincial, unremarkable town, he will love it forever and will return to this simple, dusty world of harsh childhood. He will love the bourgeois and meager Narovchat inexplicably.

Maybe for the carved frames and geraniums on the windows, maybe for the vast fields, or maybe for the smell of dusty earth washed down by the rain. And maybe this poverty will draw him in his youth, after the army drill that he experienced for 14 years, to recognize Rus' in all the fullness of its colors and dialects. Wherever his paths will take him. And to the Polesie forests, and to Odessa, and to metallurgical plants, and to the circus, and to the skies on an airplane, and to unload bricks and watermelons. Everything is learned by a person full of inexhaustible love for people, for their way of life, and he will reflect all his impressions in novels and stories that will be read by his contemporaries and that are not outdated even now, a hundred years after they were written.

How can the young and beautiful Shulamith, the beloved of King Solomon, become old, how can the forest witch Olesya stop loving the timid townsman, how can Sashka the musician from “Gambrinus” (1907) stop playing. And Artaud (1904) is still devoted to his owners, who love him endlessly. The writer saw all this with his own eyes and left us on the pages of his books, so that we could be horrified by the heavy tread of capitalism in “Moloch”, the nightmarish life of young women in “The Pit” (1909-1915), the terrible death of the beautiful and innocent Emerald .

Kuprin was a dreamer who loved life. And all the stories passed through his attentive gaze and sensitive, intelligent heart. While maintaining friendship with writers, Kuprin never forgot workers, fishermen, or sailors, that is, those who are called ordinary people. They were united by inner intelligence, which is given not by education and knowledge, but by the depth of human communication, the ability to sympathize, and natural delicacy. He had a hard time emigrating. In one of his letters he wrote: “The more talented a person is, the more difficult it is for him without Russia.” Without considering himself a genius, he simply missed his homeland and, upon returning, died after a serious illness in Leningrad.

Based on the presented essay and chronology, you can write short essay“The life and work of Kuprin (briefly).”

The work of Alexander Ivanovich Kuprin was formed during the years of revolutionary upsurge. All his life he was close to the theme of the epiphany of a simple Russian man who greedily sought the truth of life. Kuprin devoted all his work to the development of this complex psychological topic. His art, as his contemporaries put it, was characterized by a special vigilance in seeing the world, concreteness, and a constant desire for knowledge. The educational pathos of Kuprin's creativity was combined with a passionate personal interest in the victory of good over all evil. Therefore, most of his works are characterized by dynamics, drama, and excitement.

Kuprin's biography is like an adventure novel. In terms of the abundance of meetings with people and life observations, it was reminiscent of Gorky’s biography. Kuprin traveled a lot, did a variety of work: he served at a factory, worked as a loader, played on stage, sang in a church choir.

On early stage Kuprin's creativity was strongly influenced by Dostoevsky. It manifested itself in the stories “In the Dark,” “On a Moonlit Night,” and “Madness.” He writes about fateful moments, the role of chance in a person’s life, and analyzes the psychology of human passions. Some stories of that period say that the human will is helpless in the face of natural chance, that the mind cannot comprehend the mysterious laws that govern man. Decisive role In overcoming literary cliches coming from Dostoevsky, direct acquaintance with the lives of people, with real Russian reality, played a role.

He begins to write essays. Their peculiarity is that the writer usually had a leisurely conversation with the reader. They clearly showed clear storylines, a simple and detailed depiction of reality. Greatest influence Kuprin the essayist was influenced by G. Uspensky.

Kuprin's first creative quests culminated in the largest thing that reflected reality. It was the story “Moloch”. In it, the writer shows the contradictions between capital and forced human labor. He was able to grasp the social characteristics of the newest forms of capitalist production. An angry protest against the monstrous violence against man, on which the industrial flourishing in the world of “Moloch” is based, a satirical demonstration of the new masters of life, an exposure of the shameless predation in the country of foreign capital - all this cast doubt on the theories of bourgeois progress. After essays and short stories, the story was an important stage in the writer’s work.

In search of moral and spiritual ideals of life, which the writer contrasted with the ugliness of modern human relations, Kuprin turns to the lives of vagabonds, beggars, drunken artists, starving unrecognized artists, and children of the poor urban population. This is a world of nameless people who form the mass of society. Among them, Kuprin tried to find his positive heroes. He writes the stories “Lidochka”, “Lokon”, “ Kindergarten”, “At the Circus” - in these works Kuprin’s heroes are free from the influence of bourgeois civilization.

In 1898, Kuprin wrote the story “Olesya”. The plot of the story is traditional: an intellectual, an ordinary and urban person, in a remote corner of Polesie meets a girl who grew up outside of society and civilization. Olesya is distinguished by spontaneity, integrity of nature, and spiritual richness. Poetizing life unconstrained by modern social cultural frameworks. Kuprin sought to show the clear advantages of the “natural man,” in whom he saw spiritual qualities lost in civilized society.

In 1901, Kuprin came to St. Petersburg, where he became close to many writers. During this period his story “Night Shift” appears, where main character- a simple soldier. The hero is not an aloof person, not the forest Olesya, but a completely real person. From the image of this soldier, threads stretch to other heroes. It was at this time that the new genre: novella.

In 1902, Kuprin conceived the story “The Duel.” In this work, he undermined one of the main pillars of the autocracy - the military caste, in the features of the decomposition and moral decline of which he showed signs of the decomposition of the entire social system. The story reflects the progressive sides of Kuprin’s work. The basis of the plot is the fate of an honest Russian officer, whom the conditions of army barracks life made him feel the illegality of people's social relations. Once again, Kuprin is not talking about an outstanding personality, but about a simple Russian officer Romashov. The regimental atmosphere torments him; he does not want to be in the army garrison. He was disappointed in army service. He begins to fight for himself and his love. And the death of Romashov is a protest against the social and moral inhumanity of the environment.

With the onset of reaction and the aggravation of social life in society, Kuprin’s creative concepts also change. During these years, his interest in the world of ancient legends, history, and antiquity intensified. An interesting fusion of poetry and prose, the real and the legendary, the real and the romance of feelings arises in creativity. Kuprin gravitates toward the exotic and develops fantastic plots. He returns to the themes of his earlier novella. The motives of the inevitability of chance in a person’s fate are heard again.

In 1909, the story “The Pit” was published from the pen of Kuprin. Here Kuprin pays tribute to naturalism. It shows the inmates of a brothel. The whole story consists of scenes, portraits and clearly breaks down into individual parts everyday life

However, in a number of stories written in the same years, Kuprin tried to point out real signs of high spiritual and moral values ​​in reality itself. “Garnet Bracelet” is a story about love. This is what Paustovsky said about it: this is one of the most “fragrant” stories about love.

In 1919, Kuprin emigrated. In exile, he writes the novel “Zhanette”. This work is about tragic loneliness a person who has lost his homeland. This is a story about the touching affection of an old professor, who found himself in exile, for a little Parisian girl - the daughter of a street newspaper girl.

Kuprin's emigrant period is characterized by withdrawal into himself. Large autobiographical work of that period - the novel “Junker”.

In exile, the writer Kuprin did not lose faith in the future of his Motherland. At the end of his life's journey, he still returns to Russia. And his work rightfully belongs to Russian art, the Russian people.

Military career

He was born into the family of a minor official who died when his son was in his second year. The mother, from a Tatar princely family, became poor after the death of her husband and was forced to send her son to an orphan school for minors (1876), then a military gymnasium, later transformed into a cadet corps, which he graduated from in 1888. In 1890 he graduated from the Alexander Military School. Then he served in the 46th Dnieper Infantry Regiment, preparing for a military career. Without entering the Academy of the General Staff (this was prevented by a scandal associated with the violent, especially drunk, temper of a cadet who threw a policeman into the water), Lieutenant Kuprin resigned in 1894.

Life style

Kuprin was an extremely colorful figure. Greedy for impressions, he led a wandering lifestyle, trying different professions - from a loader to a dentist. Autobiographical life material formed the basis of many of his works.

There were legends about his turbulent life. Possessing remarkable physical strength and explosive temperament, Kuprin greedily rushed towards any new life experience: he went underwater in a diving suit, flew on an airplane (this flight ended in a disaster that almost cost Kuprin his life), organized an athletic society... During the First World War in his Gatchina He and his wife set up a private infirmary in the house.

The writer was interested in people of various professions: engineers, organ grinders, fishermen, card sharpers, beggars, monks, businessmen, spies... In order to get to know the person he was interested in more reliably, to feel the air he breathed, he was ready, without sparing himself, to go into the most unimaginable adventure. According to his contemporaries, he approached life as a true researcher, seeking the most complete and detailed knowledge possible.

Kuprin also willingly practiced journalism, publishing articles and reports in various newspapers, and traveled a lot, living in Moscow, near Ryazan, in Balaklava, and in Gatchina.

Writer and revolution

Dissatisfaction with the existing social order attracted the writer to revolution, so Kuprin, like many other writers, his contemporaries, paid tribute to revolutionary sentiments. However, he reacted sharply negatively to the Bolshevik revolution and the power of the Bolsheviks. At first, he still tried to cooperate with the Bolshevik authorities and even intended to publish the peasant newspaper “Earth,” for which he met with Lenin.

But soon he unexpectedly went over to the side of the White movement, and after its defeat he left first for Finland and then for France, where he settled in Paris (until 1937). There he actively participated in the anti-Bolshevik press and continued his literary activities (novels “The Wheel of Time”, 1929; “Junker”, 1928-32; “Zhaneta”, 1932-33; articles and stories). But living in exile, the writer was terribly poor, suffering both from lack of demand and isolation from his native soil, and shortly before his death, believing Soviet propaganda, in May 1937 he returned with his wife to Russia. By this time he was already seriously ill.

Sympathy to the common man

Almost all of Kuprin’s work is imbued with the traditional Russian literature pathos of sympathy for the “little” person, doomed to drag out a miserable fate in an inert, wretched environment. In Kuprin, this sympathy was expressed not only in the depiction of the “bottom” of society (the novel about the life of prostitutes “The Pit”, 1909-15, etc.), but also in the images of his intelligent, suffering heroes. Kuprin was inclined precisely to such reflective, nervous to the point of hysteria, characters not devoid of sentimentality. Engineer Bobrov (story “Moloch”, 1896), endowed with a trembling soul, responsive to the pain of others, worries about the workers wasting their lives in back-breaking factory work, while the rich are fattening on ill-gotten money. Even characters from a military environment like Romashov or Nazansky (the story “The Duel”, 1905) have a very high pain threshold and a small reserve of mental strength to withstand the vulgarity and cynicism of their environment. Romashov is tormented by the stupidity of military service, the depravity of the officers, and the downtroddenness of the soldiers. Perhaps none of the writers made such a passionate accusation against the army environment as Kuprin. True, in the image ordinary people Kuprin differed from the populist-oriented writers inclined to people-worship (although he received the approval of the venerable populist critic N. Mikhailovsky). His democracy was not limited to a tearful demonstration of their “humiliation and insult.” Kuprin’s simple man turned out to be not only weak, but also capable of standing up for himself, possessing an enviable inner strength. People's life was presented in his works in its free, spontaneous, natural flow, with its own circle of ordinary worries - not only sorrows, but also joys and consolations ("Listrigons", 1908-11).

At the same time, the writer saw not only its bright sides and healthy beginnings, but also outbursts of aggressiveness and cruelty, easily guided by dark instincts (the famous description of the Jewish pogrom in the story “Gambrinus”, 1907).

The Joy of Being In many of Kuprin’s works, the presence of an ideal, romantic principle is clearly felt: it is both in his craving for heroic plots and in his desire to see the highest manifestations of the human spirit - in love, creativity, kindness... It is no coincidence that he often chose heroes who were outliers, breaking out of the usual rut of life, seeking the truth and seeking some other, more complete and living being, freedom, beauty, grace... and who in the literature of that time, wrote so poetically, like Kuprin, about love, tried to restore its humanity and romance. “The Garnet Bracelet” (1911) has become for many readers just such a work, where a pure, unselfish, ideal feeling is glorified.

A brilliant depicter of the most morals different layers society, Kuprin vividly, with particular attention, described the environment and everyday life (for which he received criticism more than once). There was also a naturalistic tendency in his work.

At the same time, the writer, like no one else, knew how to feel from the inside the flow of natural, natural life - his stories “Barbos and Zhulka” (1897), “Emerald” (1907) were included in the golden fund of works about animals. The ideal of natural life (the story “Olesya”, 1898) is very important for Kuprin as a kind of desirable norm; he often highlights it modern life, finding in it sad deviations from this ideal.

For many critics, it was precisely this natural, organic perception of Kuprin’s life, the healthy joy of being, that was the main distinguishing quality of his prose with its harmonious fusion of lyricism and romance, plot-compositional proportionality, dramatic action and accuracy in descriptions.

Literary mastery Kuprin is an excellent master not only of literary landscape and everything related to the external, visual and olfactory perception of life (Bunin and Kuprin competed to see who could more accurately determine the smell of a particular phenomenon), but also of a literary nature: portrait, psychology, speech - everything is worked out to the smallest nuances. Even the animals that Kuprin loved to write about reveal complexity and depth in him.

The narration in Kuprin’s works, as a rule, is very spectacular and is often addressed - unobtrusively and without false speculativeness - precisely to existential problems. He reflects on love, hatred, the will to live, despair, strength and weakness of man, recreates the complex spiritual world man at the turn of the era.

Alexander Ivanovich Kuprin and Russian literature of the early 20th century are inseparable. This happened because the writer, in his own works, covered contemporary life, discussed topics and sought answers to questions that are usually classified as eternal. All his work is based on life prototypes. Alexander Ivanovich drew plots from life, he only refracted this or that situation into artistically. According to generally accepted opinion, the work of this author belongs to literary direction realism, but there are pages that are written in the style of romanticism.

In 1870, a boy was born in one of the cities of the Penza province. They named him Alexander. Sasha's parents were poor nobles.

The boy's father served as a secretary in court, and his mother was in charge of household. Fate decreed that after Alexander was one year old, his father died suddenly from illness.

After this sad event, the widow and children go to live in Moscow. Alexander's further life, one way or another, will be connected with Moscow.

Sasha studied at a cadet boarding school. Everything indicated that the boy’s fate would be connected with military affairs. But in reality it turned out completely wrong. The theme of the army became firmly entrenched in Kuprin’s literary work. Such works as “Army Ensign”, “Cadets”, “Duel”, “Junkers” are dedicated to military service. It is worth noting that the image of the main character of “The Duel” is autobiographical. The author admits that he created the image of the second lieutenant based on the experience of his own service.

The year 1894 was marked for the future prose writer by his resignation from military service. This happened thanks to his explosive nature. At this time, the future prose writer is looking for himself. He tries to write, and his first attempts are successful.

Some stories from his pen are published in magazines. This period until 1901 can be called a fruitful period literary creativity Kuprina. The following works were written: “Olesya”, “Lilac Bush”, “ Wonderful doctor" and many others.

In Russia during this period of time, popular unrest was brewing due to opposition to capitalism. The young author reacts creatively to these processes.

The result was the story “Moloch”, where he turns to ancient Russian mythology. Under the guise mythological creature it shows the soulless power of capitalism.

Important! When “Moloch” was published, its author began to closely communicate with the luminaries of Russian literature of that period. These are Bunin, Chekhov, Gorky.

In 1901, Alexander met his only one and tied the knot. After marriage, the couple moved to St. Petersburg. At this time, the writer was active both in the literary field and in public life. Works written: “White Poodle”, “Horse Thieves” and others.

In 1911, the family moved to Gatchina. At this time, a new theme appears in creativity - love. He writes, "Shulamith".

A. I. Kuprin “Garnet Bracelet”

In 1918, the couple emigrated to France. Abroad, the writer continues to work fruitfully. More than 20 stories have been written. Among them are “Blue Star”, “Yu-Yu” and others.

1937 became a landmark year in that Alexander Ivanovich was allowed to return to his homeland. The sick writer returns to Russia. He lives in his homeland for only a year. The ashes rest in the Volkovsky cemetery in Leningrad.

The most important thing you need to know about the life and work of this outstanding author is located in the chronological table:

The most important thing about Kuprin

A brief biography of the writer can be summarized in several main milestones of his life. Alexander Ivanovich comes from an impoverished noble family. It so happened that the boy was left without a father early on. For this reason, the formation of personality was quite difficult. After all, as you know, a boy needs a father. The mother, having moved to Moscow, decides to send her son to study at a military school. Therefore, the army structure quite strongly influenced Alexander Ivanovich and his worldview.

Main stages of life:

• Until 1894, that is, until he retired from military service, the aspiring author tried his hand at writing.
• After 1894, he realized that writing was his calling, so he devoted himself entirely to creativity. Makes acquaintance with Gorky, Bunin, Chekhov and other writers of that time.
• The revolution of 1917 confirmed Kuprin in the idea that perhaps they were right in their views on power. Therefore, the writer and his family cannot stay in Russia and are forced to emigrate. Alexander Ivanovich has been living in France for almost 20 years and working fruitfully. A year before his death, he was allowed to return to his homeland, which he did.
• In 1938, the writer’s heart stopped beating forever.

Useful video: the early period of creativity of A. I. Kuprin

Biography for children

Children become acquainted with the name Kuprin while studying in elementary school. Below is biographical information about the writer that students need.

For younger children school age It is important to know that Alexander Ivanovich turned to the topic of children and childhood for a reason. He writes on this topic simply and naturally. In this cycle he creates a large number of stories about animals. In general, in works of this orientation, Kuprin expresses a humane attitude towards all living things.

In stories whose heroes are children, the theme of orphanhood is acutely expressed. Perhaps this is due to the fact that their author himself was left without a father early on. But it is worth noting that he shows orphanhood as social problem. Works about children and for children include “The Wonderful Doctor”, “Yu-Yu”, “Taper”, “Elephant”, “White Poodle” and many others.

Important! Undoubtedly, the contribution of this outstanding writer to the development and formation of children's literature is extremely great.

A. I. Kuprin in Gatchina

Kuprin's last years

Kuprin had many difficulties in his childhood, not less problems it was in last years life. In 1937 he was allowed to return to the Soviet Union. He was greeted solemnly. Among those greeting the famous prose writer were many famous poets and writers of that time. In addition to these people, there were a lot of fans of Alexander Ivanovich’s work.

By this time, Kuprin was diagnosed with cancer. This disease greatly undermined the resources of the writer’s body. Returning to his homeland, the prose writer hoped that staying in his native land would only benefit him. Unfortunately, the writer's hopes were not destined to come true. A year later, the talented realist passed away.

last years of life

Kuprin in videos

IN modern world informatization, a lot of biographical information about creative people digitized. The TV channel “My Joy” broadcasts a series of programs “My Live Journal”. In this series there is a program about the life and work of Alexander Kuprin.

On the TV channel “Russia. Culture" broadcasts a series of lectures about writers. The duration of the video is 25 minutes. Moreover, lectures about Alexander Ivanovich also form a cycle. There are those that tell about childhood and adolescence and the period of emigration. Their duration is approximately the same.

There are collections of videos about Kuprin on the Internet. Even an entire virtual page is dedicated to the famous Russian writer. This page also contains links to audiobooks. Reader reviews are posted at the very end.

Homecoming

Wikipedia about Kuprin

The electronic encyclopedia Wikipedia contains a voluminous information article about Alexander Ivanovich. It talks in detail about life path prose writer. Detailed descriptions of his main works are given. The information concerning the writer’s family is covered quite fully. This text is accompanied by personal photographs of Kuprin.

After the basic information, the author's bibliography is presented, with electronic links to almost all books. Anyone who is truly interested in his work can read what interests them. There are also links to videos with filmed works of Alexander Ivanovich. At the end of the article, memorable places associated with the name of Alexander Ivanovich Kuprin are listed, many are illustrated with photographs.

Useful video: biography of A.I. Kuprina

Conclusion

70 years have passed since Kuprin's death. This is a fairly long time period. But, despite this, the popularity of Alexander Ivanovich’s works does not decrease. This is due to the fact that they contain things that are understandable to everyone. The works of Alexander Ivanovich Kuprin must be read by everyone who wants to better understand the nature of relationships and the motives driving by different people. They are a kind of encyclopedia of moral qualities and deep experiences of any person.

In contact with

A bright representative of realism, a charismatic personality and simply a famous Russian writer of the early 20th century is Alexander Kuprin. His biography is eventful, quite difficult and filled with an ocean of emotions, thanks to which the world came to know his best creations. “Moloch”, “Duel”, “Garnet Bracelet” and many other works that have replenished the golden fund of world art.

The beginning of the way

Born on September 7, 1870 in the small town of Narovchat, Penza District. His father is civil servant Ivan Kuprin, whose biography is very short, since he died when Sasha was only 2 years old. After which he stayed with his mother Lyubov Kuprina, who was a Tatar of princely blood. They suffered hunger, humiliation and deprivation, so his mother made the difficult decision to send Sasha to the department for young orphans at the Alexander Military School in 1876. A student of the military school, Alexander graduated from it in the second half of the 80s.

In the early 90s, after graduating from military school, he became an employee of the Dnieper Infantry Regiment No. 46. A successful military career remained a dream, as Kuprin’s disturbing, eventful and emotional biography tells. A brief summary of the biography states that Alexander was unable to enter a higher military educational institution due to a scandal. And all because of his hot temper, under the influence of alcohol, he threw a police officer from a bridge into the water. Having risen to the rank of lieutenant, he retired in 1895.

Writer's temperament

A personality with an incredibly bright color, greedily absorbing impressions, a wanderer. He tried many crafts: from laborer to dental technician. A very emotional and extraordinary person is Alexander Ivanovich Kuprin, whose biography is filled with bright events, which became the basis of many of his masterpieces.

His life was quite stormy, there were many rumors about him. An explosive temperament, excellent physical shape, he was drawn to try himself, which gave him invaluable life experience and strengthened his spirit. He constantly strived for adventure: he dived underwater in special equipment, flew on an airplane (he almost died due to a disaster), was the founder of a sports society, etc. During the war years, together with his wife, he equipped an infirmary in his own house.

He loved to get to know a person, his character and communicated with people of a wide variety of professions: specialists with higher technical education, wandering musicians, fishermen, card players, the poor, clergy, entrepreneurs, etc. And in order to get to know a person better, to experience his life for himself, he was ready for the craziest adventure. A researcher whose spirit of adventurism was simply off the charts is Alexander Kuprin, the writer’s biography only confirms this fact.

He worked with great pleasure as a journalist in many editorial offices, published articles and reports in periodicals. He often went on business trips, lived in the Moscow region, then in the Ryazan region, as well as in the Crimea (Balaklava region) and in the city of Gatchina, Leningrad region.

Revolutionary activities

He was not satisfied with the then social order and the reigning injustice, and therefore, as a strong personality, he wanted to somehow change the situation. However, despite his revolutionary sentiments, the writer had a negative attitude towards the October revolution led by representatives of the Social Democrats (Bolsheviks). Bright, eventful and various difficulties - this is the Biography of Kuprin. Interesting facts from the biography say that Alexander Ivanovich nevertheless collaborated with the Bolsheviks and even wanted to publish a peasant publication called “Earth,” and therefore often saw the head of the Bolshevik government, V.I. Lenin. But soon he suddenly went over to the side of the “whites” (anti-Bolshevik movement). After they were defeated, Kuprin moved to Finland, and then to France, namely to its capital, where he stayed for some time.

In 1937, he took an active part in the press of the anti-Bolshevik movement, while continuing to write his works. Troubled, filled with the struggle for justice and emotions, this is exactly what Kuprin’s biography was. A brief summary of the biography states that in the period from 1929 to 1933 the following famous novels were written: “The Wheel of Time”, “Junker”, “Zhaneta”, and many articles and stories were published. Emigration had a negative effect on the writer; he was unclaimed, suffered hardships and missed his native land. In the second half of the 30s, believing the propaganda in the Soviet Union, he and his wife returned to Russia. The return was overshadowed by the fact that Alexander Ivanovich suffered from a very serious illness.

People's life through the eyes of Kuprin

Kuprin's literary activity is imbued with the classic manner of Russian writers of compassion for the people who are forced to live in poverty in a wretched living environment. Strong-willed personality with a strong desire for justice - Alexander Kuprin, whose biography says that he expressed his sympathy in his creativity. For example, the novel “The Pit,” written at the beginning of the 20th century, tells about the hard life of prostitutes. And also images of intellectuals suffering from the hardships they are forced to endure.

His favorite characters are just like that - reflective, a little hysterical and very sentimental. For example, the story “Moloch”, where the representative of this image is Bobrov (engineer) - a very sensitive character, compassionate and worried about ordinary factory workers who work hard while the rich ride like cheese in butter on other people’s money. Representatives of such images in the story “The Duel” are Romashov and Nazansky, who are endowed with great physical strength, as opposed to a tremulous and sensitive soul. Romashov was very irritated by military activities, namely vulgar officers and downtrodden soldiers. Probably no writer has condemned the military environment as much as Alexander Kuprin.

The writer was not one of the tearful, people-worshipping writers, although his works were often approved by the famous populist critic N.K. Mikhailovsky. His democratic attitude towards his characters was expressed not only in the description of their difficult lives. Alexander Kuprin’s man of the people not only had a trembling soul, but was also strong-willed and could give a worthy rebuff at the right moment. The life of the people in Kuprin’s works is a free, spontaneous and natural flow, and the characters have not only troubles and sorrows, but also joy and consolation (the cycle of stories “Listrigons”). A man with a vulnerable soul and a realist is Kuprin, whose biography according to dates says that this work took place between 1907 and 1911.

Its realism was expressed in the fact that the author described not only good features of his characters, but also did not hesitate to show their dark side (aggression, cruelty, rage). A striking example is the story “Gambrinus,” where Kuprin described the Jewish pogrom in great detail. This work was written in 1907.

Perception of life through creativity

Kuprin is an idealist and romantic, which is reflected in his work: heroic deeds, sincerity, love, compassion, kindness. Most of his characters are emotional people, those who have fallen out of the usual rut of life, they are in search of truth, a freer and fuller existence, something beautiful...

The feeling of love, the fullness of life, this is what Kuprin’s biography is imbued with, Interesting Facts from which they say that no one else could write about feelings as poetically. This is clearly reflected in the story “The Garnet Bracelet,” written in 1911. It is in this work that Alexander Ivanovich exalts true, pure, free, ideal love. He very accurately depicted the characters of various layers of society, described in detail the situation surrounding his characters, their way of life. It was for his sincerity that he often received reprimands from critics. Naturalism and aesthetics are the main features of Kuprin’s work.

His stories about animals “Barbos and Zhulka” and “Emerald” fully deserve a place in the collection of world art of words. short biography Kuprin says that he is one of the few writers who could so feel the flow of natural, real life and so successfully display it in their works. A striking embodiment of this quality is the story “Olesya,” written in 1898, where he describes the deviation from the ideal of natural existence.

Such an organic worldview, healthy optimism are the main distinctive properties of his work, in which lyricism and romance, proportionality of the plot and compositional center, dramatic action and truth harmoniously merge.

Master of Literary Arts

Virtuoso of the word - Alexander Ivanovich Kuprin, whose biography says that he could very accurately and beautifully describe the landscape in literary work. His external, visual and, one might say, olfactory perception of the world was simply excellent. I.A. Bunin and A.I. Kuprin often competed to determine the smell of different situations and phenomena in their masterpieces and not only... In addition, the writer could display true image his characters are very meticulous down to the smallest detail: appearance, disposition, communication style, etc. He found complexity and depth, even when describing animals, and all because he really loved writing on this topic.

A passionate lover of life, a naturalist and a realist, this is exactly what Alexander Ivanovich Kuprin was. The writer's short biography states that all his stories are based on real events, and therefore unique: natural, bright, without obsessive speculative constructions. He thought about the meaning of life, described true love, talked about hatred, strong-willed and heroic deeds. Emotions such as disappointment, despair, struggle with oneself, the strengths and weaknesses of a person became the main ones in his works. These manifestations of existentialism were typical of his work and reflected the complex inner world man at the turn of the century.

Writer in transition

He truly is a representative of the transitional stage, which undoubtedly affected his work. A striking type of the “off-road” era is Alexander Ivanovich Kuprin, whose brief biography suggests that this time left an imprint on his psyche, and, accordingly, on the author’s works. His characters are in many ways reminiscent of the heroes of A.P. Chekhov, the only difference is that Kuprin’s images are not so pessimistic. For example, technologist Bobrov from the story “Moloch”, Kashintsev from “Zhidovka” and Serdyukov from the story “Swamp”. Main characters Chekhov's works are sensitive, conscientious, but at the same time broken, exhausted people who are lost in themselves and disillusioned with life. They are shocked by aggression, they are very compassionate, but they can no longer fight. Realizing their helplessness, they perceive the world only through the prism of cruelty, injustice and meaninglessness.

A short biography of Kuprin confirms that, despite the writer’s gentleness and sensitivity, he was a strong-willed person, loving life, and therefore his heroes are somewhat similar to him. They have a strong thirst for life, which they grasp very tightly and do not let go. They listen to both the heart and the mind. For example, drug addict Bobrov, who decided to kill himself, listened to the voice of reason and realized that he loved life too much to end everything once and for all. The same thirst for life lived in Serdyukov (the student from the work “Swamp”), who was very sympathetic to the forester and his family, dying of an infectious disease. He spent the night at their house and during this short time he almost went crazy from pain, anxiety and compassion. And when morning comes, he strives to quickly get out of this nightmare in order to see the sun. It was as if he was running from there in a fog, and when he finally ran up the hill, he simply choked on an unexpected surge of happiness.

Passionate lover of life - Alexander Kuprin, whose biography suggests that the writer was very fond of happy endings. The ending of the story sounds symbolic and solemn. It says that the fog was spreading at the guy’s feet, about the clear blue sky, about the whisper of green branches, about the golden sun, the rays of which “ringed with the jubilant triumph of victory.” Which sounds like the victory of life over death.

The exaltation of life in the story “The Duel”

This work is the true apotheosis of life. Kuprin, whose short biography and work are closely related, described the cult of personality in this story. The main characters (Nazansky and Romashev) - prominent representatives individualism, they declared that the whole world would perish when they were gone. They firmly believed in their beliefs, but were too weak in spirit to bring their idea to life. It was this disproportion between the exaltation of one’s own personalities and the weakness of its owners that the author caught.

A master of his craft, an excellent psychologist and realist, these are precisely the qualities the writer Kuprin possessed. The author’s biography says that he wrote “The Duel” at a time when he was at the peak of his fame. It was in this masterpiece that they united best qualities Alexandra Ivanovich: an excellent writer of everyday life, psychologist and lyricist. The military theme was close to the author, given his background, and therefore no effort was required to develop it. The bright general background of the work does not overshadow the expressiveness of its main characters. Each character is incredibly interesting and is a link in the same chain, without losing their individuality.

Kuprin, whose biography says that the story appeared during the Russian-Japanese conflict, criticized the military environment to the nines. The work describes military life, psychology, and reflects the pre-revolutionary life of Russians.

In the story, as in life, an atmosphere of deadness and impoverishment, sadness and routine reigns. A feeling of absurdity, disorder and incomprehensibility of existence. It was these feelings that overwhelmed Romashev and were familiar to the inhabitants of pre-revolutionary Russia. In order to drown out the ideological “impossibility”, Kuprin described in “The Duel” the dissolute morality of the officers, their unfair and cruel attitude towards each other. And of course, the main vice of the military is alcoholism, which flourished among the Russian people.

Characters

You don’t even need to draw up a plan for Kuprin’s biography to understand that he is spiritually close to his heroes. These are very emotional, broken individuals who sympathize, are indignant at the injustice and cruelty of life, but cannot fix anything.

After the “Duel,” a work appears called “River of Life.” In this story, completely different moods reign; many liberation processes took place. He is the embodiment of the finale of the drama of the intelligentsia, which the writer narrates. Kuprin, whose work and biography are closely connected, does not betray himself; the main character is still a kind, sensitive intellectual. He is a representative of individualism, no, he is not indifferent, having thrown himself into the whirlwind of events, he understands that new life not for him. And glorifying the joy of being, he still decides to die, because he believes that he does not deserve it, which he writes about in his suicide note to his comrade.

The theme of love and nature are those areas in which the writer’s optimistic moods are clearly expressed. Kuprin considered such a feeling as love to be a mysterious gift that is sent only to a select few. This attitude is reflected in the novel “The Garnet Bracelet,” just like Nazansky’s passionate speech or Romashev’s dramatic relationship with Shura. And Kuprin’s narratives about nature are simply fascinating; at first they may seem overly detailed and ornate, but then this multicoloredness begins to delight, as the realization comes that these are not standard turns of phrase, but the personal observations of the author. It becomes clear how he was captivated by the process, how he absorbed impressions, which he later reflected in his work, and it is simply enchanting.

Kuprin's mastery

A virtuoso of the pen, a man with excellent intuition and an ardent lover of life, this is exactly what Alexander Kuprin was. A brief biography tells that he was an incredibly deep, harmonious and internally filled person. He subconsciously felt secret meaning things, could connect causes and understand consequences. As an excellent psychologist, he had the ability to highlight the main thing in a text, which is why his works seemed ideal, from which nothing could be removed or added. These qualities are displayed in “The Evening Guest”, “River of Life”, “Duel”.

Alexander Ivanovich did not add much to the sphere of literary techniques. However, in the author’s later works, such as “River of Life” and “Staff Captain Rybnikov,” there is a sharp change in the direction of art; he is clearly drawn to impressionism. Stories become more dramatic and concise. Kuprin, whose biography is eventful, later returns to realism. This refers to the chronicle novel “The Pit”, in which he describes the life of brothels, he does this in the usual manner, everything is just as natural and without hiding anything. Because of this, it periodically receives condemnation from critics. However, this did not stop him. He did not strive for something new, but tried to improve and develop the old.

Results

Biography of Kuprin (briefly about the main things):

• Kuprin Alexander Ivanovich was born on September 7, 1870 in the town of Narovchat, Penza District in Russia.
• He died on August 25, 1938 at the age of 67 in St. Petersburg.
• The writer lived at the turn of the century, which invariably affected his work. Survived the October Revolution.
• The direction of art is realism and impressionism. The main genres are short story and story.
• Since 1902 he lived in marriage with Davydova Maria Karlovna. And since 1907 - with Heinrich Elizaveta Moritsovna.
• Father - Kuprin Ivan Ivanovich. Mother - Kuprina Lyubov Alekseevna.
• He had two daughters - Ksenia and Lydia.

The best sense of smell in Russia

Alexander Ivanovich was visiting Fyodor Chaliapin, who called him the most sensitive nose in Russia when visiting. A perfumer from France was present at the evening and decided to test this by asking Kuprin to name the main components of his new development. To the great surprise of everyone present, he completed the task.

In addition, Kuprin had a strange habit: when meeting or meeting, he sniffed people. Many were offended by this, and some were delighted, they argued that thanks to this gift he recognized human nature. Kuprin's only competitor was I. Bunin, they often organized competitions.

Tatar roots

Kuprin, like a real Tatar, was very hot-tempered, emotional and very proud of his origin. His mother is from a family of Tatar princes. Alexander Ivanovich often dressed in Tatar attire: a robe and a colored skullcap. In this form, he loved to visit his friends and relax in restaurants. Moreover, in this vestment he sat down like a real khan and squinted his eyes for greater resemblance.

Universal Man

Alexander Ivanovich changed a large number of professions before he found his true calling. He tried his hand at boxing, teaching, fishing and acting. He worked in the circus as a wrestler, land surveyor, pilot, traveling musician, etc. Moreover, his main goal was not money, but invaluable life experience. Alexander Ivanovich stated that he would like to become an animal, a plant or a pregnant woman in order to experience all the delights of childbirth.

Beginning of writing activity

He received his first writing experience at a military school. It was the story “The Last Debut”, the work was quite primitive, but still he decided to send it to the newspaper. This was reported to the school management, and Alexander was punished (two days in a punishment cell). He promised himself to never write again. However, he did not keep his word, as he met the writer I. Bunin, who asked him to write a short story. Kuprin was broke at the time, so he agreed and used the money he earned to buy food and shoes. It was this event that pushed him to serious work.

That's how he is famous writer Alexander Ivanovich Kuprin, a physically strong man with a tender and vulnerable soul and his own quirks. A great lover of life and experimenter, compassionate and with a great desire for justice. Naturalist and realist Kuprin left a legacy of a large number of magnificent works that fully deserve the title of masterpieces.