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Eremeevna undergrowth characteristics. The image and characterization of Eremeevna in the comedy Nerosl Fonvizin essay. Good Comedy Heroes |
The surname Eremeev comes from the name Eremey. This is the Russian folk form of the ancient Hebrew name Jeremiah, which means “God will exalt” or “Exalted by God.” Yiermeyah is a Latin derivative. In the article “Family Tree” it is written: “Some Eremeevs are untitled Russian and Little Russian nobility from Andrei Eremeev.” The name Andrey cannot be traced further. Yakov (name) Tikhonovich Eremeev - killed in 1634 during the siege of Smolensk. This family of Eremeevs was included in the VI part of the “Genealogical Book” of the Kazan and Pskov provinces. The other two families of the Eremeevs are recorded in part VI of the “Genealogical Book” of the Tver province (XVII century). The remaining 15 genera are of late origin. In "Orthodox church calendar" - Jeremiah, prophet – Exalted by God (Jewish). The days of celebration of the saint's memory are indicated (according to the old style): Signs associated with the name Eremey. And for your information, Lenka Panteleev, who wrote “The Republic of Shkid” is none other than Alexey Ivanovich Eremeev, i.e. namesake But that is not all. While browsing the Internet, I came across Lyudmila Eremeeva from Krasnoyarsk. She has been studying the history of the family for ten years now. Her grandson is the fifteenth generation of Eremeevs that she has tracked down. Lyudmila is writing a book about this. And here are excerpts from L. Bezyazykov’s book “Primordial Krasnoyarsk” - But let’s return to the book “Mediterranean Rus' and the Mysteries of the Bible.” This book tells the story of the “promised land” in the last two thousand years before the birth of Christ. The history of the Jewish people is considered as part of a global process. The influence can be traced ancient civilization(Sumerian, Egyptian, Aryan) on the development of the Jewish ethnos and the formation of its culture and religion. Readers are offered many examples proving the existence in the Bible of a huge layer of Indo-European images brought to the Mediterranean by immigrants from Europe, including from the Russian Plain. In this regard, many biblical myths and legends are explained in a completely new light, and known facts European history receives a deeper interpretation. “The name “Rus”, it seems to us, is not mentioned here by chance. The country of Rusen covered the whole of Canaan, and not just it southern part- Judea. From the Biblical Encyclopedia "The Canaanite land covered both the northern Phoenician cities and the southern coastal lands. In the Encyclopedia of the Bible, on page 547, there is a map of Palestine or the land of Canaan. Palestine lay at the very center ancient world and as close as it was to the inhabited parts of Africa, it was just as close to the states of Europe and Asia. Therefore the Lord himself says: I have set Jerusalem among the nations and the land around it." The first family coats of arms of the nobility appeared in Russia at the end of the 17th - beginning of the 18th century. The fashion for them came from Poland. Under Paul I, the beginning of the unification of noble family coats of arms was laid. By decree of January 20, 1797, Emperor Paul I ordered the compilation of the “General Armorial of the noble families of the All-Russian Empire.” With this act, Paul, prone to knightly romance, wanted to raise the class spirit of the nobility, focusing on the heroic examples of the past. U K A Z By God's Grace ... The families of the Princely Empire of OUR for the most part descended from the sons of the Grand Duke Vladimir Svyatoslavovich, who illuminated Russia with the light of the Gospel from the Princely families many families of the Nobility originated, therefore, such families come from Rurik, and therefore in their antiquity they are not inferior to the most ancient Princely and Noble States of other States. PAUL A total of 20 volumes of the Armorial Book were published. The last 20th volume was approved by Nicholas II in February 1917. And the 21st volume - by the Senate under the Provisional Government from June 1 to November 22, 1917. The surname Eremeev appears in three volumes: In the first volume, probably Eremeev Andrey. And in Encyclopedic Dictionary Brockhaus and Efron found the following entry: Eremey Konstantinovich - Prince of Dorogobuzh, son of Konstantin Mikhailovich, Prince of Tver (1346-1372). After the death of his brother Semion, who bequeathed his inheritance to the Grand Duke of Tver Mikhail Alexandrovich, he fought over this inheritance until 1368, and when, thanks to the intervention of Moscow, he received part of the inheritance - Gorodok. A family is a stream that forms a river, and the history of each family creates the history of the Fatherland. It is not for nothing that every genus is called a tree. And every tree has a crown and roots. Interesting? So start finding your roots. Believe me, then the crown will not let you down. Most of my direct blood ancestors are from the main branch of the family tree with the surname Katsyn, who came to the Krasnoyarsk prison in the middle XVII century, as well as some side branches - the Laletins, Lenivtsevs, Rostovtsevs, Roskashchikovs, Khudyakovs, were Cossacks, both on foot and on horseback. Over time, due to various circumstances, representatives of some branches changed their place of residence and occupation. After I 1st revision 1719-22 many of them were classified as commoners and peasants and moved to the south of the Krasnoyarsk district. From the above list of surnames, the Eremeev branch stands out noticeably, since the beginning of this ancient Russian family goes back to the Moscow boyar children. The founder of the Krasnoyarsk dynasty, Vasily Ivanov, son of Eremeev, is recorded in the early documents I found as the Moscow son of a boyar exiled clerk of the Ambassadorial Prikaz. Note - The Ambassadorial Prikaz is the central government agency in XVI - XVIII centuries in charge of relations with foreign states, ransom and exchange of prisoners. At the head of the Order was the Ambassadorial or Prikazny clerk. The staff of the Order consisted of his “comrades” - clerks and interpreters. Under Peter I The Ambassadorial Order was transformed into the Collegium of Foreign Affairs. Why Vasily was exiled to Siberia is not known for certain, although some researchers cite bribery as the reason for his exile, others point to certain mistakes (voluntary or involuntary) made by clerk Eremeev when preparing important government documents. Moreover, Vasily Eremeev was first sent to Yeniseisk, and then transferred to the Krasnoyarsk prison, maintaining the status of the son of a boyar. He lived with his sons Tryphon and Matvey in the village of Matu near Krasnoyarsk. The RGADA and GAKK store many documents that mention Vasily Eremeev and his sons. For example, it is described as in 1664, Pentecostal Trifon Vasiliev Eremeev, accompanied by two Cossacks, went to negotiate with Lojan. In numerous petitions of Krasnoyarsk servicemen to the sovereign, the signature of Trifon Eremeev is also found. In Name BooksAmong the meeting huts of clerks, the first (apparently senior in rank) is Vasily Ivanov, son of Eremeev, with an annual salary of 12 rubles, and in the detachment of Cherkasy and Moscow archers, his son, Pentecostal Trifon Vasilyev Eremeev, is listed as the main one with a salary of 6 rubles per year. Trifon Eremeev is mentioned in the battle of Krasnoyarsk servicemen with the army of Prince Yerenyak in the year 175. Documentation testify that “Pentecostal Trifon Eremeev was at the battle and in full force,” i.e. was captured by the Kirghiz. There is information about the Pentecostal Trifon Eremeev and. Below is the signature of Vasily Eremeev in the petition of 175. Written: Vasily Eremeev had a hand in this petition from the clerk From numerous archival materials it is clear that Trifon Eremeev was a very authoritative person, a brave and successful warrior, an experienced military leader of the Krasnoyarsk servicemen. The crowning achievement of Trifon Eremeev’s military career can be considered his appointment in 1709 (at the age of about 71) as the first Krasnoyarsk Cossack head. Like all Krasnoyarsk boyar sons of that time, Tryphon was a large landowner. From the RGADA document “Information on documents of Krasnoyarsk servicemen for arable land, hay and other real estate in 1701.” it follows that Trifon Eremeev owned the village Trifonova(aka Eremeeva, belonging to the village of Balchuzhsky) according to the deed of sale of 1675:
In the Krasnoyarsk census of 1671, Trifon Vasiliev son of Eremeev is recorded. With him are his father Vasily and his brother Matyushka, 16 years old. Yes, they bought people from the Mugal yard Matyushka, Ivashko, and Matyushka, newly baptized. And here is information from the census of Krasnoyarsk and the district in 1713: Village Eremeeva In the courtyard of the Moscow list, the nobleman Trifan Eremeev is eighty years old; his wife Nastasya is fifty years old; his children are Stepan, twenty-five years old. people Kirilo, thirty years old, his wife Anna, twenty eight years old, Ignateus, thirty-four years old, his wife, Khavronya, twenty-two years old, Ivan shtinatsati, Semyon, nine years old, Ignatya, daughter Marfa, twelve years old, Lukerya, five years old In the courtyard of the unfathomable son Yakov Eremeev, thirty-seven years old, his wife Marya, twenty-seven years old, children, his son Vasily, three years old, daughter Anna, osmi years old, Oksinya, seven years old, Matryona, five years old. The courtyard of the unfathomable son of the boyar Fyodor Eremeev, he is Fyodor, thirty-five years old, his brother Alexey is in the horse service, twenty-five years old, their mother is a widow, Domna, fifty years old, his sisters, Fekla, twenty-two years old, Matryona, osmnatny years old, Tatyana, fourteen years old, a domestic, Semyon, forty years old, of foreign breed. In the courtyard of the unfathomable boyar's son Mikhailo Eremeev, fifty years old, his wife is Matryona, thirty years old, his son, Grigory, three years old, a yard man, Philip, his wife is Ulita, thirty-two years old. According to the census of 1719-22. Trifon Eremeev's age is shown to be 84 years old, from which it can be assumed that he was born around 1638; in total, according to the 1st revision, five Eremeev families are recorded: Village Trifonova 1. Nobleman of the Moscow list Trifan Eremeev, 84 years old. He has children - Ivan 28, Timofey 12, grandson Ivan 3. Dvorovs - Ignatey 50, Semyon 18, Ivan 24. 2. Son of the boyar Yakov Matveev (surname not indicated, but undoubtedly Eremeev) 46 years old. He has children - Vasily 6, Timofey 2. 3. Son of the boyar Fyodor Eremeev, 38 years old. He has a brother Alexey 32, a yard man Semyon 50, a nephew Ivan 2. Village Buzimskoye 4.Moscow list nobleman Andrei Eremeev, 47 years old. His [boyar children] include Efim 12, Egor 7, Ivan 6. A man lives with him, Ivan 20, another […]. Simonova village 5. Posad man Kuzma Eremeev, 60 years old. He has children: Egor 20, Semyon 8, Volodymer 7, Miron 5. In the Abakan prison Village Eremeevskaya L. 53. 409. Courtyard of the undisputed noble son Mikhail Trifanov. And he, Mikhailo, under fear of the death penalty, said: he, Mikhailo, - fifty years. He has children: son Grigory - ten years old, Peter - five years. He feeds Evo Vasily - five years old. Yes, the yard man Philip is thirty-five years old. Him son Timofey – one year old. Yes, he has Mikhail as a street cleaner. Walking people Leontey Teterin - twenty-three years old, Alexey Semenov - twenty years old. And if he, Mikhailo, said what was false, and for such [his] false helmet [decree] would be executed by the Great Sovereign by death.] To this[skaske…………………………………………. put his hand]. L. 53 rev. 410 Courtyard of the never-before-seen noble son Stepan Trifanov. And he, Stepan, under fear of the death penalty, said: he, Ste= sir, thirty-three years old. His son Andrei is two years old. He has servants: Kirilo - thirty years old. Children have him, Kirila: son Andrey - six years old, Ivan - three years old, Ivan is two years old. And if he, Stepan, said that it was false, and for such a false tale the Great Sovereign would point out execute by death. To this skask Andrey Eremeev at the behest I put my hand in with my brother Stepan Trifanov. And here is information from the 2nd revision of 1747 about some residents of the village of Trifanova: The villages of Eremeeva and Trifanova: commoners 3301 written in the previous census Peter Mikhailov son of Trifanov 29 He has children born after the census 3302 Peter 8 3303 Matvey 8 weeks The courtyard people listed in the previous census after him were included in the raznochintsy after the decree because of him. 3304 Philip 51 3305 Philip has children Timofey 25 Born after the census 3306 Gavrilo 24 recruited in 747 3307 Vasily 19 3308 Jacob 15 3309 Prokopei 11 3310 Fedor 6 3311 Lavrentey 15 weeks 3312 Written in the previous census Andrei Stepanov son Trifanov 26 3313 he has a brother Peter 22 3314 Andrey has children Fedor 6 3315 Jacob 2 3316 Peter's son Matvey is 15 weeks old Those who came by themselves from different places of the same department ...From the village of Trifanova 3319 Written in the previous census Ivan Trifanov son Eremeev 52 He has children in the previous census 3320 written by Ivan 24 Born after the census 3321 Mikhailo 18 3322 Alexey 12 The courtyard people written down in the previous census after him by Eremeev who, by force of the decree, were included in the raznochintsy because of him 3323 Semyon 42 3324 Ivan 48 3325 Written in the previous census Yakov Matveev 40 3326 He has a son in the previous census written by Timothy 26 He has grandchildren of his son Vasily, who died in the previous census, and children born after the census 3327 Mikhailo 7 3328 Peter 4 From the village of Buzimskogo Written in the previous census 3329 Efim Andreev son of Eremeev 36 he has brothers in the previous census written 3330 Egor 31 3331 Ivan 30 Villages of Trifanova, Tyumentsov and Raznochintsy 5799 written in the previous census Fedor Eremeev 62 In the previous census written for him 5800 he has a brother Andrey 56 5801 Andrey has children Ivan 28 Born after the census 5802 Peter 20 5803 Andrey 17 5804 Ivan has a son Yakov 7 5805 Peter has a son Dmitry It should be noted that there were two villages with the name Trifonova in the Krasnoyarsk district: The first is the village of Eremeeva (Trifanova, Volosatikova, Tyumentsova), which belongs to the village of Balchuzhskoye and is located 12 versts below the village of Shiverskaya. One verst from Eremeeva was the village of Atamanov, apparently later these villages merged. In the census of Krasnoyarsk and the district of 1719-22. this village of Trifonova is recorded on L. 109-110. She is also mentioned in the diaries of G.F. Miller and Messrs. The second is the village of Eremeevskaya (aka Trifonova). It belonged to the Karaulny prison, then to the Novoselovskaya volost. Mentioned by G.D. Messerschmidt in the diaries for February 19, 1722, from the same G.F. Miller and in the census of Krasnoyarsk and the district of 1719-22. (L. 53-53 vol.). In both villages lived the Eremeevs, who were descendants of the exiled clerk Ambassadorial Order Vasily Ivanov Eremeev. In Trifonova of the Guard fortress, some families were recorded as Trifonovs, not Eremeevs. My family tree line for the Eremeevs comes from a resident of the village of TrifonovaGuard prisonIvan Trifonov Eremeev (Bigger). The village of Trifonova, Novoselovskaya volost on the map of 1893 Sources and literature: RGADA. F.214. Op. 3. Stb. 623. L. 110, 111, 113. Personalized books of the Krasnoyarsk prison for the children of the boyars and clerk atamans and horse and foot Cherkassy and Moscow archery warrior and obrochnik with cash salaries by 7170 // RGADA. F. 214. Op. 3. Stb. 438. L. 312-326. RGADA. F.214. Op. 3. Stb. 814. L. 208-217. RGADA. F. 214. Op. 1. book. 566. L. 162-213. RGADA. F. 214. Op. 5. D. 2242. L. 44 ob, 45. RGADA. F. 350. Op. 2. D. 1601. Tales of townspeople, commoners of Krasnoyarsk, commoners and state, monastic peasants and exiled peasants of the Krasnoyarsk district.//RGADA. F. 350. Op. 2. D. 1602. L. 1-313. Messerschmidt D.G., Expedition to Siberia 1720-1727. T. 1., Diaries 1721-1722. Berlin, 1962, 380 pp. (in German). Characteristics of minor characters in the comedy “Minor”All his thoughts and interests are connected only with his barnyard. Gogol says about him: “Pigs became for him what an art gallery is for an art lover! He only shows warmth and tenderness towards his pigs. Skotinin is a ferocious serf owner, a master of “ripping off” rent from the peasants. Skotinin is greedy. Having learned that he will bring his husband a fortune that will give him ten thousand in income, he is ready to destroy his rival, Mitrofan. With a big artistic power drawn by Eremeevna, Mitrofan's nanny. Fonvizin convincingly shows what corrupting influence had serfdom on the courtyard servants, how it disfigures, perverts their inherent good human qualities, develops and instills in them slavish humiliation. Eremeevna has served Prostakov-Skotinin for forty years. She is selflessly devoted to them, slavishly attached to home, and has a highly developed sense of duty. Without sparing herself, she protects Mitrofan. When Skotinin wants to kill Mitrofan, Eremeevna, “shielding Mitrofan, going berserk and raising her fists,” as Fonvizin pointed out, shouts: “I’ll die on the spot, but I won’t give up the child. Show up, sir, just kindly show up. I’ll scratch out those thorns.” But this devotion and sense of duty acquires a distorted, slavish character in Eremeevna. She has no sense of human dignity. There is not only hatred for one’s inhuman oppressors, but even protest. Serving her tormentors, “without sparing her life”, Eremeevna lives in constant fear, trembling before her fierce mistress. “Oh, he’s leaving him! Where should my head go? - she screams with despair and fear, seeing how Skotinin approaches Mitrofan with threats. And when Milon pushes Eremeevna away from Sofia, Eremeevna screams: “My little head is gone!” And for such selfless and faithful service, Eremeevna receives only beatings and hears only such appeals from Prostakova and Mitrofan as a beast, a dog’s daughter, an old witch, an old bastard. The fate of Eremeevna is difficult and tragic, forced to serve the monster landowners who are unable to appreciate her faithful service. The images of Mitrofan’s home teachers: Tsyfirkin, Kuteikin, Vralman are truthful and vitally convincing in the comedy. Retired soldier Tsyfirkin is a man with a number of good qualities. He is hardworking: “I don’t like to live idlely,” he says. In the city, he helps clerks “either check the meter or summarize the results,” and “teach the guys in his spare time.” (Fonvizin painted the image of Tsyfirkin with obvious sympathy. In a different light, Fonvizin gives the teacher of Russian and Church Slavonic languages Kuteikin. This is a half-educated seminarian who left the first classes of the theological seminary, “fearing the abyss of wisdom.” But he is not without cunning. Reading the Book of Hours with Mitrofan, he It is not without intent that he chooses the text: “I am a worm, not a man, a slander against men,” and he also interprets the word worm as “that is, an animal, a cattle." Like Tsyfirkin, he sympathizes with Eremeevna. But Kuteikin sharply differs from Tsyfirkin in his greed for money.Kuteikin’s language strongly emphasizes Church Slavonicisms, which he brought from the spiritual environment and theological school. The comedy portrays the German Vralman, a rogue teacher, a man with a lackey's soul, and Starodum's former coachman, in a satirical light. Having lost his job as a result of Starodum's departure to Siberia, he became a teacher because he could not find a position as a coachman. Naturally, such an ignorant “teacher” could not teach his student anything. He did not teach, indulging Mitrofan’s laziness and taking advantage of Prostakova’s complete ignorance. Destructive and merciless satire fills all the scenes depicting the way of life of the Prostakova family. In the scenes of Mitrofan's teaching, in the revelations of his uncle about his love for pigs, in the greed and arbitrariness of the mistress of the house, the world of the Prostakovs and Skotinins is revealed in all the ugliness of their spiritual squalor. An equally destructive verdict on this world is pronounced by the group of positive nobles present on stage, contrasted with the bestial existence of Mitrofan’s parents. Dialogues between Starodum and Pravdin. which touch upon deep, sometimes national problems, are passionate journalistic speeches reflecting author's position. The pathos of the speeches of Starodum and Pravdin also performs an accusatory function, but here the exposure merges with the affirmation of the positive ideals of the author himself. Two problems that especially worried Fonvizin lie at the heart of “The Minor.” This is primarily the problem of the moral decay of the nobility. In the words of Starodum. indignantly denouncing the nobles, in whom nobility, one might say, was “buried with their ancestors,” in his reported observations from the life of the court, Fonvizin not only states the decline of the moral foundations of society, he seeks the reasons for this decline. Starodum’s final remark, which ends “”: “These are the worthy fruits of evil!” - in the context of the ideological provisions of Fonvizin’s treatise, gives the entire play a special political sound. The unlimited power of landowners over their peasants, in the absence of a proper moral example on the part of the highest authorities, became a source of arbitrariness; this led to the nobility forgetting their duties and the principles of class honor, that is, to the spiritual degeneration of the ruling class. In the light of Fonvizin’s general moral and political concept, the exponents of which in the play are positive characters, the world of simpletons and brutes appears as an ominous realization of the triumph of evil. Another problem of "Undergrown" is the problem of education. Understood quite broadly, education in the minds of thinkers of the 18th century was considered as the primary factor determining the moral character of a person. In Fonvizin’s ideas, the problem of education acquired national significance, because the only reliable, in his opinion, source of salvation from the evil threatening society - the spiritual degradation of the nobility - was rooted in correct education. A significant part of the dramatic action in “The Minor” is, to one degree or another, subordinated to the problems of education. Both the scenes of Mitrofan’s teaching and most of Starodum’s moral teachings are subordinated to it. The culminating point in the development of this theme is undoubtedly the scene of Mitrofon's examination in Act IV of the comedy. This satirical picture, deadly in terms of the power of the accusatory and sarcasm contained in it, serves as a verdict on the system of education of simpletons and brutes. The passing of this verdict is ensured not only through the self-disclosure of Mitrofan’s ignorance, but also through the demonstration of examples of a different upbringing. These are, for example, scenes in which Starodum talks with Sophia and Milo. - A son of his time, Fonvizin, with all his appearance and the direction of his creative quest, belonged to that circle of advanced Russian people of the 18th century who formed the camp of enlighteners. All of them were writers, and their work is permeated with the pathos of affirming the ideals of justice and humanism. Satire and journalism were their weapons. Courageous protest against the injustices of autocracy and angry accusations against the serf owners were heard in their works. This was the historical merit of Russian satire of the 18th century, one of the most prominent representatives which was Fonvizin. Pushkin highly valued the work of Denis Ivanovich Fonvizin, who wrote under Catherine II. He saw Gogol as his successor. Main character Fonvizin - the undergrown Mitrofanushka - brought Alexander Sergeevich into complete delight. Herzen and Belinsky spoke highly of the artistic and social style of this comedian. Gogol immortalized the image of his teacher, Fonvizin (though without specifying his name), in the story “The Night Before Christmas.” Remember, when the blacksmith Vakula turned to the empress, she turned the conversation to a middle-aged man with a plump, pale face and invited him to reflect “this folk innocence” in his next essay. The man was wearing a poor caftan with mother-of-pearl buttons. This is what Fonvizin looked like. So, a comedy created according to classical canons (Fonvizin, “The Minor”). The characterization of the heroes, however, turned out to be innovative for the 18th century. This article is dedicated to the characters of the play. Negative imagesUndoubtedly, the characterization of the heroes presented by Denis Ivanovich Fonvizin lays down the traditions of Russian national comedy. “The Minor” boldly and openly castigates the tyranny of the feudal landowners. The most negative image of comedy is Mrs. Prostakova. She rules her serfs with a firm hand, rather even cruelly. The heroine does not disdain to be ignorant and vindictive. And talking in a raised voice with the servants is a common thing for her. The landowner habitually addresses her serf Trishka: “cattle”, “thief’s mug”, “blockhead”, “swindler”. To her son’s nanny, Eremeevna, who is in this idiot, the “grateful” mother says “scumbag,” “dog’s daughter,” “beast.” And this is for the closest people, the “yard” people! Her conversation with the others is even shorter. Prostakova threatens to “flog them to death.” She is confident in herself because the laws are always on the side of the landowners. True, this vixen has an outlet in her soul: she loves her 16-year-old son. True, this feeling is blind, for which Mrs. Prostakova paid at the end of the comedy. The author’s, “Fonvizin’s”, characterization of the heroes is truly original. “Minor” is a comedy where each hero uses his own unique vocabulary and a certain vocabulary. Mr. Prostakov is a quiet, calm henpecked man. He submits to his wife in everything; not having his own, follows her opinion. However, he is not cruel, he loves his son. But in fact, it doesn’t affect anything in the house, including raising a child. Fonvizin created the characterization of the heroes in an original and interesting way, respecting individual vocabulary. It is not by chance that the undergrowth wears it. After all, in Greek it sounds like “like a mother.” By the way, regarding the name of the comedy. In Rus', young nobles who did not have a written certificate of education were called ignoramuses. Mitrofanushka avoids studying, he is rude to people who treat him kindly. Eremeevna says: “Old Khrychovka.” To teacher Tsifirkin - “garrison rat.” The catchphrase of the young dunce - that he does not want to study, but wants to get married - is undoubtedly Fonvizin’s creative find; it really has become popular. The minor is narrow-minded, rude and ignorant. His laziness is indulged by everyone in the house. Prostakova's brother, Mr. Skotinin, is caricatured in the comedy. He treats the lower class with contempt, but for him it is a real passion and purpose in life. His entire horizons are limited to the problems of the pigsty. He never tires of talking about these animals. On top of that, he wants to marry Sophia. Good Comedy HeroesHowever, no less in comedy positive images. The government official Pravdin, sent to check the Prostakova estate, is the embodiment of justice, legality and reason. He is outraged when people who “have power” over serfs use it “evilly and inhumanely.” He strives to help “worthy people” and promote proper upbringing. As a result of his inspection, Prostakova’s property is requisitioned by the state. Starodum is also positive, having imbibed an honest attitude to service since the time of Peter I. Service in the army, and then his bureaucratic share not only brought him a fortune, but also molded him into an honest, decent person. He equally considers unacceptable both pleasing those in power and violating the human rights of the disadvantaged. His niece Sophia is honest and educated. She has a discerning mind, so she is going to build her life in such a way as to earn the trust of “worthy people.” Sophia's fiancé, the young officer Milon, is honest, modest and open. He showed his courage in combat. The young man has a truly knightly upbringing. The war did not turn him into a martinet. He considers his love for Sophia his greatest wealth. Among the minor characters there are also positive ones - the decent and straightforward Tsyfirkin, a former soldier; and negative ones - the cunning and greedy Kuteikin, the seminarian - a dropout, Adam Adamovich Vralman - with a vile lackey essence, praising Mitrofan in order to earn mercy from Prostakova. conclusionsFonvizin was undoubtedly a wise and observant person. In the comedy they are given a devastatingly accusatory description of the heroes. “Undergrowth” makes you think about the need to stop bullying of serfs. Therefore, Fonvizin’s comedy is not abstract, not for the amusement of Catherine’s nobles and favorites, but sharply satirical, socially oriented. For the comedian himself, working on such works was thankless and required nerves. Denis Ivanovich resigned due to a serious illness - paralysis. Even Empress Catherine II, a progressive woman, did not like caustic satire Fonvizina did not always meet the requests of the classic. Eremeevna is a minor heroine in Denis Ivanovich Fonvizin’s play “The Minor.” She was Mitrofan's wet nurse and nanny. The author speaks of Eremeevna as a serf peasant woman, strongly devoted to her masters. Fonvizin clearly showed us that the owners did not value them in serfs. good qualities, but only instilled in them slavish obedience. Eremeevna served the Prostakovs for almost forty years. She listened to a lot of insults from her owners and was paid a small salary - she received five slaps a day and five rubles a year. Eremeevna nursed Mitrofanushka from his very birth and practically replaced him my own mother. Without sparing herself, she constantly protected and protected him. When Skotinin wanted to attack the boy, she shielded him with her body and angrily shouted at Uncle Mitrofan that she was ready to give her life for the sake of Mitrofanushka, and if Skotinin did not leave him, then Eremeevna threatened to “tear off his thorns.” But the lazy Mitrofan treated his nanny not as a person, but as an “old bastard” about whom she could always complain to her mother so that she would threaten her. Many felt sorry for poor Eremeevna, but could not help her. But she never felt sorry for herself. Eremeevna was devoted to her masters like a slave, she had no sense of her dignity, which is what the author emphasized: “I am not zealous for you, mother! You don’t know how to serve anymore... I would be glad not only... you don’t regret your stomach... but you don’t want everything.” Eremeevna was not angry and did not hate the Prostakovs, she unquestioningly carried out all their orders, not paying attention to the fact that the landowner and her son Mitrofanushka called her “a dog’s daughter”, “a beast”, “an old witch” and other nicknames that were offensive to her. However, despite all this, she was very afraid of her mistress, because it was Eremeevna who bore all responsibility for Mitrofanushka, and if something happened to him, then only she would be to blame for everything. Once there was such a case when Eremeevna, in addition to Mitrofan, thought about herself. This happened at the moment when Milon pushed her away from Sophia, and she exclaimed: “My little head is gone!” Thus, we can conclude that Eremeevna’s fate is quite tragic and difficult, because all her life she served her monster masters, but they never said a kind word to her, and besides this, she will never receive gratitude from them for her loyalty and affection. Option 2This comedy character shows the qualities that a servile life and reluctance to develop form in a person. Eremeevna is a nanny who has been raising Mitrofanushka since infancy. She is sincerely attached to the undergrowth, despite all his ingratitude. She protects him from Skotinin with her breasts, ready to get into a fight, but not to let her over-aged pupil be offended. Using the image of Eremeevna, the author shows how people's good feelings turn into their opposite. Her love for her pupil, a natural affection caused by the fact that he grew up under her supervision, turns into overprotection. Having good feelings for Mitrofanushka, she, to the same extent as his parents, pampers her pupil, contributing to his transformation into a useless member of society to himself and those around him. Eremeevna continues to consider Mitrofan, already an adult according to the concepts of that time, a child. This reflects her natural kindness and conservatism. The nurse, just like her pupil, does not want to study in the broad sense of the word. Eremeevna is much more comfortable living in a world that does not change, since in this case there is no need to make efforts, at least to comprehend the current situation. The nanny turns out to be not only the protector of the undergrowth, but also, to some extent, his spiritual twin. The wet nurse's tolerance of beatings and humiliation is also caused, to a large extent, by her unwillingness to do anything to change her situation. Eremeevna’s personal efforts cause much more stress than the usual everyday humiliation. Eremeevna continues to faithfully serve the family and her masters, despite the rudeness and beatings to which she is constantly subjected. Fonvizin emphasizes this in the scenes where the heroine appears. He, like many advanced Russian people, was outraged by the slavish obedience of representatives of the Russian people. Its reason was the limitations of Eremeevna, who spent her entire life in the role of a servant, with nothing to compare with. The nurse's servility is combined with her diligence and conscientiousness. One with the other is inextricably intertwined. Fonvizin seeks to show how dangerous such boundless devotion and conscientiousness are. Eremeevna finds herself involved in the dark affairs of her masters. She helps kidnap Sophia. Moreover, Eremeevna does this simply following the habit of obeying everything that the owners order. In this case, Eremeevna personifies the worst qualities that a number of writers and publicists saw in the Russian people - boundless patience and willingness to obey the most cruel rulers. Fulfilling their every whim, people with a slavish essence further corrupt their masters. A supporter of enlightenment, knowledge and improvement of the world, the author of the work sharply condemned laziness, regardless of whether it was caused by a rich and idle life or simply by habit and way of life. In the spiritual servility shown by him in the image of Eremeevna, the writer saw fertile ground for the development of vices that destroy both society as a whole and the lives of individual people. Essay about EremeevnaFonvizin Denis Ivanovich ridiculed the characteristics of the nobility in his work “The Minor.” With his eternal servants who worked for nothing without bending their humps. He didn’t like that this fictional intelligentsia was robbing people and living happily ever after. Therefore, he created characters that were as similar as possible to the era of that time. Through rather weak images of people, he deduced his own harmony of hatred of landowners. Eremeevna, an old woman of unknown years, was the nurse and nanny of the fifteen-year-old Mitrofanushka. Despite the fact that he was already at a decent age, they coddled him like a little baby who always needed to be indulged. The nanny constantly runs after her “master” and follows all his instructions, as if she were his personal slave. She is unrequitedly attached to the Skotinin family, which makes her even more pathetic. When a situation occurs that she has to protect her owner, she rushes to the defense so that no one has the right to harm him. On the one hand, these are good maternal qualities that she could use on her children, but God only gave her the right to raise strangers. This deprives her of all adequate feelings, showing that she does not even respect her dignity. She even decides to commit a crime and watches over Sophia at night to help her masters kidnap her. The only thing Eremeevna gets in return is beatings and poor respect. Considering that she is a minor character, she is contrasting and stands out noticeably from the others. In order for the image to turn out to be key, Denis Ivanovich Fonvizin had to expose the vices of that society. The image really came out very alive, as evidenced by the letters of Gogol, who said that the comedy amazes with its realism and tragedy of the events that take place in the most remote corners of the country. And in reality, everything minor characters were expressed very clearly, which enlivened the general mood of the work. To ensure that the work was filled with the power of realism, all the topics that worried society were raised. This endowed the comedy with its indescribable spirit and bold satire. You need to be able to be merciful and be able to maintain balance in difficult moments of life. What does Dostoevsky’s novel “Crime and Punishment” make you think about? Great philosopher, a seventeenth-century psychologist, is, of course, Fyodor Mikhailovich Dostoevsky, who, having written the famous novel “Crime and Punishment” All works of Pushkin are brilliant and are considered highest degree human culture and education. This includes “The Tale of Tsar Saltan.” Fairy tale in verses that good triumphs over evil. |
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