The most important feature of the amazing talent of I.S. Turgenev - a keen sense of his time, which is the best test for an artist. The images he created continue to live, but in another world, the name of which is the grateful memory of descendants who learned love, dreams and wisdom from the writer.

The clash of two political forces, liberal nobles and raznochintsy revolutionaries, found artistic expression in a new work, which was created during a difficult period of social confrontation.

The idea for “Fathers and Sons” is the result of communication with the staff of the Sovremennik magazine, where the writer worked for a long time. The writer had a hard time leaving the magazine, because the memory of Belinsky was connected with him. The articles of Dobrolyubov, with whom Ivan Sergeevich constantly argued and sometimes disagreed, served as a real basis for depicting ideological differences. The radically minded young man was not on the side of gradual reforms, like the author of Fathers and Sons, but firmly believed in the path of revolutionary transformation of Russia. The editor of the magazine, Nikolai Nekrasov, supported this point of view, so the classics of fiction - Tolstoy and Turgenev - left the editorial office.

The first sketches for the future novel were made at the end of July 1860 on the English Isle of Wight. The image of Bazarov was defined by the author as the character of a self-confident, hard-working, nihilist person who does not recognize compromises or authorities. While working on the novel, Turgenev involuntarily develops sympathy for his character. In this he is helped by the diary of the main character, which is kept by the writer himself.

In May 1861, the writer returned from Paris to his Spasskoye estate and made his last entry in the manuscripts. In February 1862, the novel was published in the Russian Bulletin.

Main problems

After reading the novel, you understand its true value, created by the “genius of proportion” (D. Merezhkovsky). What did Turgenev love? What did you doubt? What did you dream about?

1. Central to the book is the moral problem of intergenerational relationships. "Fathers" or "children"? The fate of everyone is connected with the search for an answer to the question: what is the meaning of life? For new people it lies in work, but the old guard sees it in reasoning and contemplation, because crowds of peasants work for them. In this fundamental position there is a place for irreconcilable conflict: fathers and children live differently. In this discrepancy we see the problem of misunderstanding of opposites. The antagonists cannot and do not want to accept each other, this impasse is especially evident in the relationship between Pavel Kirsanov and Evgeny Bazarov.
2. The problem of moral choice is also acute: on whose side is the truth? Turgenev believed that the past cannot be denied, because only thanks to it the future is built. In the image of Bazarov, he expressed the need to preserve the continuity of generations. The hero is unhappy because he is lonely and understood, because he himself did not strive for anyone and did not want to understand. However, changes, whether people of the past like it or not, will still come, and we must be prepared for them. This is evidenced by the ironic image of Pavel Kirsanov, who lost his sense of reality while putting on ceremonial tailcoats in the village. The writer calls for a sensitive response to changes and trying to understand them, and not indiscriminately criticize, like Uncle Arkady. Thus, the solution to the problem lies in the tolerant attitude of different people towards each other and an attempt to understand the opposite life concept. In this sense, the position of Nikolai Kirsanov, who was tolerant of new trends and was never in a hurry to judge them, won. His son also found a compromise solution.
3. However, the author made it clear that there is a high purpose behind Bazarov’s tragedy. It is precisely such desperate and self-confident pioneers who pave the way forward for the world, so the problem of recognizing this mission in society also occupies an important place. Evgeniy repents on his deathbed that he feels useless, this realization destroys him, but he could have become a great scientist or a skilled doctor. But the cruel mores of the conservative world are pushing him out, because they feel threatened by him.
4. The problems of the “new” people, the diverse intelligentsia, and difficult relationships in society, with parents, and in the family are also obvious. The commoners do not have profitable estates and a position in society, so they are forced to work and become embittered when they see social injustice: they work hard for a piece of bread, while the nobles, stupid and mediocre, do nothing and occupy all the upper floors of the social hierarchy, where the elevator simply does not reach . Hence the revolutionary sentiments and the moral crisis of an entire generation.
5. Problems of eternal human values: love, friendship, art, attitude to nature. Turgenev knew how to reveal the depths of human character in love, to test the true essence of a person with love. But not everyone passes this test; an example of this is Bazarov, who breaks down under the onslaught of feeling.

All the interests and plans of the writer were entirely focused on the most important tasks of the time, moving towards the most pressing problems of everyday life.

Characteristics of the characters in the novel

Evgeny Vasilievich Bazarov- comes from the people. Son of a regimental doctor. My grandfather on my father’s side “plowed the land.” Evgeniy makes his own way in life and receives a good education. Therefore, the hero is careless in clothes and manners; no one raised him. Bazarov is a representative of the new revolutionary-democratic generation, whose task is to destroy the old way of life and fight against those who hinder social development. A complex man, doubtful, but proud and adamant. Evgeniy Vasilyevich is very vague about how to correct society. Denies the old world, accepts only what is confirmed by practice.

• The writer portrayed in Bazarov the type of young man who believes exclusively in scientific activity and denies religion. The hero has a deep interest in natural sciences. From childhood, his parents instilled in him a love of work.
• He condemns the people for illiteracy and ignorance, but is proud of his origin. Bazarov's views and beliefs do not find like-minded people. Sitnikov, a talker and phrase-monger, and the “emancipated” Kukshina are worthless “followers”.
• A soul unknown to him is rushing about in Evgeny Vasilyevich. What should a physiologist and anatomist do with it? It is not visible under a microscope. But the soul hurts, although it – a scientific fact – does not exist!
• Turgenev spends most of the novel exploring the “temptations” of his hero. He torments him with the love of old people - his parents - what to do with them? What about love for Odintsova? The principles are in no way compatible with life, with the living movements of people. What remains for Bazarov? Just die. Death is his final test. He accepts her heroically, does not console himself with the spells of a materialist, but calls his beloved.
• The spirit conquers the enraged mind, overcomes the errors of the schemes and postulates of the new teaching.

Pavel Petrovich Kirsanov - bearer of noble culture. Bazarov is disgusted by Pavel Petrovich’s “starched collars” and “long nails”. But the hero’s aristocratic manners are an internal weakness, a secret consciousness of his inferiority.

• Kirsanov believes that respecting yourself means taking care of your appearance and never losing your dignity, even in the village. He organizes his daily routine in the English manner.
• Pavel Petrovich retired, indulging in love experiences. This decision of his became a “retirement” from life. Love does not bring joy to a person if he lives only by its interests and whims.
• The hero is guided by principles taken “on faith”, corresponding to his position as a gentleman - a serf owner. The Russian people are honored for their patriarchy and obedience.
• In relation to a woman, strength and passion of feelings are manifested, but he does not understand them.
• Pavel Petrovich is indifferent to nature. Denial of her beauty speaks of his spiritual limitations.
• This man is deeply unhappy.

Nikolai Petrovich Kirsanov- Arkady's father and Pavel Petrovich's brother. He failed to make a military career, but he did not despair and entered the university. After the death of his wife, he devoted himself to his son and the improvement of the estate.

• The characteristic features of the character are gentleness and humility. The hero's intelligence evokes sympathy and respect. Nikolai Petrovich is a romantic at heart, loves music, recites poetry.
• He is an opponent of nihilism and tries to smooth out any emerging disagreements. Lives in accordance with his heart and conscience.

Arkady Nikolaevich Kirsanov- a person who is not independent, deprived of his life principles. He completely obeys his friend. He joined Bazarov only because of his youthful enthusiasm, since he did not have his own views, so in the finale there was a break between them.

• Subsequently, he became a zealous owner and started a family.
• “A nice fellow,” but “a soft, liberal gentleman,” Bazarov says about him.
• All the Kirsanovs are “more children of events than fathers of their own actions.”

Odintsova Anna Sergeevna- an “element” “related” to Bazarov’s personality. On what basis can this conclusion be made? The firmness of her outlook on life, “proud loneliness, intelligence - make her “close” to the main character of the novel. She, like Evgeny, sacrificed personal happiness, so her heart is cold and fearful of feelings. She herself trampled on them by marrying for convenience.

Conflict between "fathers" and "children"

Conflict – “clash”, “serious disagreement”, “dispute”. To say that these concepts have only a “negative connotation” means to completely misunderstand the processes of social development. “Truth is born in dispute” - this axiom can be considered a “key” that lifts the curtain on the problems posed by Turgenev in the novel.

Disputes are the main compositional device that allows the reader to determine his point of view and take a certain position in his views on a particular social phenomenon, area of ​​development, nature, art, moral concepts. Using the “technique of debate” between “youth” and “old age,” the author affirms the idea that life does not stand still, it is multifaceted and multifaceted.

The conflict between “fathers” and “children” will never be resolved; it can be described as a “constant”. However, it is the conflict of generations that is the engine of development of everything on earth. On the pages of the novel there is a heated debate caused by the struggle of revolutionary democratic forces with the liberal nobility.

Main topics

Turgenev managed to saturate the novel with progressive thought: protest against violence, hatred of legalized slavery, pain for the suffering of the people, the desire to found their happiness.

The main themes in the novel “Fathers and Sons”:

1. Ideological contradictions of the intelligentsia during the preparation of the reform on the abolition of serfdom;
2. “Fathers” and “sons”: relationships between generations and the theme of family;
3. A “new” type of person at the turn of two eras;
4. Immense love for the homeland, parents, woman;
5. Human and nature. The world around us: workshop or temple?

What is the point of the book?

Turgenev’s work sounds an alarming alarm bell over all of Russia, calling on fellow citizens to unite, sanity, and fruitful activity for the good of the Motherland.

The book explains to us not only the past, but also the present day, reminds us of eternal values. The title of the novel does not mean the older and younger generations, not family relationships, but people of new and old views. “Fathers and Sons” is valuable not only as an illustration of history; the work touches on many moral issues.

The basis of the existence of the human race is the family, where everyone has their own responsibilities: the elders (“fathers”) look after the younger ones (“children”), pass on to them the experience and traditions accumulated by their ancestors, and instill moral feelings in them; the younger ones honor adults, adopt from them everything important and best that is necessary for the formation of a person of a new formation. However, their task is also the creation of fundamental innovations, impossible without some denial of past misconceptions. The harmony of the world order lies in the fact that these “connections” are not broken, but not in the fact that everything remains the old fashioned way.

The book has great educational value. Reading it at the time of forming your character means thinking about important life problems. “Fathers and Sons” teaches a serious attitude towards the world, an active position, and patriotism. They teach from a young age to develop strong principles, engaging in self-education, but at the same time honor the memory of their ancestors, even if it does not always turn out to be right.

Criticism about the novel

• After the publication of Fathers and Sons, a fierce controversy erupted. M.A. Antonovich in the Sovremennik magazine interpreted the novel as a “merciless” and “destructive criticism of the younger generation.”
• D. Pisarev in “Russian Word” highly appreciated the work and the image of a nihilist created by the master. The critic emphasized the tragedy of character and noted the firmness of a person who does not retreat from trials. He agrees with other writers of criticism that the “new” people may cause resentment, but it is impossible to deny them “sincerity.” The appearance of Bazarov in Russian literature is a new step in highlighting the social and public life of the country.

Can you agree with the critic on everything? Probably no. He calls Pavel Petrovich “a small-sized Pechorin.” But the dispute between the two characters gives reason to doubt this. Pisarev claims that Turgenev does not sympathize with any of his heroes. The writer considers Bazarov his “favorite child.”

What is "nihilism"?

For the first time, the word “nihilist” is heard in the novel from the lips of Arkady and immediately attracts attention. However, the concept of “nihilist” is in no way connected with Kirsanov Jr.

The word “nihilist” was taken by Turgenev from N. Dobrolyubov’s review of a book by the Kazan philosopher, conservative professor V. Bervy. However, Dobrolyubov interpreted it in a positive sense and assigned it to the younger generation. The word was introduced into widespread use by Ivan Sergeevich, which became synonymous with the word “revolutionary.”

The “nihilist” in the novel is Bazarov, who does not recognize authorities and denies everything. The writer did not accept the extremes of nihilism, caricaturing Kukshina and Sitnikov, but sympathized with the main character.

Evgeny Vasilyevich Bazarov still teaches us about his fate. Every person has a unique spiritual image, whether he is a nihilist or a simple layman. Respect and reverence for another person consists of respect for the fact that in him there is the same secret flicker of a living soul that is in you.

Evgeny Vasilyevich Bazarov is a nihilist, a student, studying to become a doctor. In nihilism, he is Arkady's mentor, protests against the liberal ideas of the Kirsanov brothers and the conservative views of his parents. Revolutionary-democrat, commoner. By the end of the novel, he falls in love with Odintsova, betraying his nihilistic views on love. Love turned out to be a test for Bazarov. Dies of blood poisoning at the end of the novel.

Nikolai Petrovich Kirsanov - landowner, liberal, father of Arkady, widower. Loves music and poetry. Interested in progressive ideas, including in agriculture. At the beginning of the novel, he is ashamed of his love for Fenechka, a woman from the common people, but then marries her.

Pavel Petrovich Kirsanov is the elder brother of Nikolai Petrovich, a retired officer, an aristocrat, proud, self-confident, an ardent supporter of liberalism. He often argues with Bazarov about love, nature, aristocracy, art, and science. Lonely. In his youth he experienced tragic love. He sees in Fenechka Princess R., with whom he was in love. He hates Bazarov and challenges him to a duel, in which he is slightly wounded in the leg.

Arkady Nikolaevich Kirsanov is a recent graduate of St. Petersburg University and a friend of Bazarov. He becomes a nihilist under the influence of Bazarov, but then abandons these ideas.

Vasily Ivanovich Bazarov - Bazarov's father, a retired army surgeon. Not rich. Manages his wife's estate. Moderately educated and enlightened, he feels that rural life has left him isolated from modern ideas. He holds generally conservative views, is religious, loves his son.

Arina Vlasevna is Bazarov's mother. It is she who owns the village of the Bazarovs and 22 souls of serfs. A devout follower of Orthodoxy. Very superstitious. She is suspicious and sentimentally sensitive. She loves her son and is deeply concerned about his renunciation of faith.

Anna Sergeevna Odintsova is a rich widow who welcomes nihilistic friends to her estate. He sympathizes with Bazarov, but after his confession he does not reciprocate.

Ekaterina Sergeevna Lokteva is the sister of Anna Sergeevna Odintsova, a quiet girl, invisible in her sister’s shadow, plays the clavichord. Arkady spends a lot of time with her, languishing in love with Anna. But later he realizes his love for Katya. At the end of the novel, Catherine marries Arkady.

Fenechka is the mother of Nikolai Petrovich’s child. Lives with him in the same house. At the end of the work she marries Nikolai Petrovich.

Source:

Villains, monsters and other fictional creatures from movies, literature, cartoons, myths, legends and comics
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The heroes of the work are fathers and sons

I.S. Turgenev "Fathers and Sons": description, characters, analysis of the novel

Turgenev’s novel “Fathers and Sons” reveals several problems at once. One reflects the conflict of generations and clearly demonstrates a way to get out of it while preserving the main thing - the value of family. The second demonstrates the processes taking place in the society of that time. Through dialogues and skillfully developed images of heroes, a type of public figure that has barely begun to emerge is presented, denying all the foundations of the existing statehood and ridiculing such moral and ethical values ​​as love feelings and sincere affections.

Ivan Sergeevich himself does not take either side in the work. As an author, he condemns both the nobility and representatives of new socio-political movements, clearly showing that the value of life and sincere affections is much higher than rebellion and political passions.

Of all Turgenev’s works, the novel “Fathers and Sons” was the only one written in a short time. Only two years passed from the inception of the idea to the first publication of the manuscript.

The writer’s first thoughts regarding the new story came in August 1860 during his stay in England on the Isle of Wight. This was facilitated by Turgenev’s acquaintance with a young provincial doctor. Fate pushed them into bad weather on an iron road and, under the pressure of circumstances, they communicated with Ivan Sergeevich all night. New acquaintances were shown those ideas that the reader could later observe in Bazarov’s speeches. The doctor became the prototype of the main character.

In the autumn of the same year, upon returning to Paris, Turgenev worked out the plot of the novel and began writing chapters. Within six months, half of the manuscript was ready, and he finished it after arriving in Russia, in the middle of the summer of 1861.

Until the spring of 1862, reading his novel to friends and giving the manuscript to the editor of the Russian Messenger to read, Turgenev made corrections to the work. In March of the same year, the novel was published. This version was slightly different from the edition that was released six months later. In it, Bazarov was presented in a more unsightly light and the image of the main character was a little repulsive.

The main character of the novel, the nihilist Bazarov, together with the young nobleman Arkady Kirsanov, arrives at the Kirsanov estate, where the main character meets his comrade’s father and uncle.

Pavel Petrovich is a sophisticated aristocrat who does not like Bazarov at all or the ideas and values ​​he displays. Bazarov also does not remain in debt, and no less actively and passionately, he speaks out against the values ​​and morality of the old people.

After this, the young people meet the recently widowed Anna Odintsova. They both fall in love with her, but temporarily hide it not only from the object of their adoration, but also from each other. The main character is ashamed to admit that he, who vehemently opposed romanticism and love affection, now himself suffers from these feelings.

The young nobleman begins to be jealous of the lady of his heart for Bazarov, omissions occur between friends and, as a result, Bazarov tells Anna about his feelings. Odintsova prefers him a quiet life and a marriage of convenience.

Gradually, the relationship between Bazarov and Arkady deteriorates, and Arkady himself becomes interested in Anna's younger sister Ekaterina.

Relations between the older generation of the Kirsanovs and Bazarovs are heating up, it comes to a duel, in which Pavel Petrovich is wounded. This puts an end to it between Arkady and Bazarov, and the main character has to return to his father’s house. There he becomes infected with a fatal disease and dies in the arms of his own parents.

In the finale of the novel, Anna Sergeevna Odintsova gets married by convenience, Arkady and Ekaterina, as well as Fenechka and Nikolai Petrovich get married. They have their weddings on the same day. Uncle Arkady leaves the estate and goes to live abroad.

Bazarov is a medical student, by social status, a simple man, the son of a military doctor. He is seriously interested in natural sciences, shares the beliefs of nihilists and denies romantic attachments. He is self-confident, proud, ironic and mocking. Bazarov doesn’t like to talk a lot.

In addition to love, the main character does not share admiration for art, and has little faith in medicine, despite the education he receives. Not considering himself a romantic person, Bazarov loves beautiful women and, at the same time, despises them.

The most interesting moment in the novel is when the hero himself begins to experience those feelings whose existence he denied and ridiculed. Turgenev clearly demonstrates intrapersonal conflict, at a moment when a person’s feelings and beliefs diverge.

One of the central characters of Turgenev's novel is a young and educated nobleman. He is only 23 years old and barely graduated from university. Due to his youth and character, he is naive and easily falls under the influence of Bazarov. Outwardly, he shares the beliefs of the nihilists, but in his soul, and this is evident later in the plot, he appears as a generous, gentle and very sentimental young man. Over time, the hero himself understands this.

Unlike Bazarov, Arkady loves to talk a lot and beautifully, he is emotional, cheerful and values ​​affection. He believes in marriage. Despite the conflict between fathers and children demonstrated at the beginning of the novel, Arkady loves both his uncle and his father.

Anna Sergeevna Odintsova is an early widowed rich person who at one time married not out of love, but out of calculation, in order to protect herself from poverty. One of the main heroines of the novel loves peace and her own independence. She never loved anyone or became attached to anyone.

For the main characters, she looks beautiful and inaccessible, since she does not reciprocate anyone. Even after the death of the hero, she marries again, and again for convenience.

The widow Odintsova's younger sister, Katya, is very young. She is only 20 years old. Catherine is one of the sweetest and most pleasant characters in the novel. She is kind, sociable, observant and at the same time demonstrates independence and stubbornness, which only beauty the young lady. She comes from a family of poor nobles. Her parents died when she was only 12 years old. Since then, she was raised by her older sister Anna. Ekaterina is afraid of her and feels awkward under Odintsova’s gaze.

The girl loves nature, thinks a lot, she is direct and not flirtatious.

Father of Arkady (brother of Pavel Petrovich Kirsanov). Widower. He is 44 years old, a completely harmless person and an undemanding owner. He is soft, kind, attached to his son. He is a romantic by nature, he likes music, nature, poetry. Nikolai Petrovich loves a quiet, calm, measured life in the wilderness of the village.

At one time, he married for love and lived happily in marriage until his wife died. For many years he could not come to his senses after the death of his beloved, but over the years he found love again and it became Fenechka, a simple and poor girl.

A sophisticated aristocrat, 45 years old, Arkady's uncle. At one time he served as a guard officer, but because of Princess R. his life changed. A former socialite, a heartthrob who easily won the love of women. All his life he built in the English style, read newspapers in a foreign language, conducted business and everyday life.

Kirsanov is a clear supporter of liberal views and a man of principles. He is self-confident, proud and mocking. Love at one time crippled him, and from a lover of noisy companies, he became an ardent misanthrope who avoided the company of people in every possible way. At heart the hero is unhappy and at the end of the novel he finds himself far from his loved ones.

The main plot of Turgenev's novel, which has become a classic, is Bazarov's conflict with the society in which he found himself by the will of fate. A society that does not support his views and ideals.

The conventional plot of the plot is the appearance of the main character in the Kirsanovs' house. In the course of communication with other characters, conflicts and clashes of views are demonstrated that test Evgeniy’s beliefs for stability. This also happens within the framework of the main love line - in the relationship between Bazarov and Odintsova.

Contrast is the main technique that the author used when writing the novel. It is reflected not only in its title and demonstrated in the conflict, but is also reflected in the repetition of the protagonist’s route. Bazarov twice ends up at the Kirsanovs’ estate, twice visits Odintsova, and also returns twice to his parents’ house.

The denouement of the plot is the death of the main character, with which the writer wanted to demonstrate the collapse of the thoughts expressed by the hero throughout the novel.

In his work, Turgenev clearly showed that in the cycle of all ideologies and political disputes there is a large, complex and diverse life, where traditional values, nature, art, love and sincere, deep affections always win.

Source:
The heroes of the work are fathers and sons
Analysis of the novel by I.S. Turgenev "Fathers and Sons" with a description of the main characters and characters
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Summary of “Fathers and Sons”

Turgenev's novel "Fathers and Sons" was written in 1861. He was immediately destined to become a symbol of the era. The author especially clearly expressed the problem of the relationship between two generations.

To understand the plot of the work, we suggest reading “Fathers and Sons” in a chapter-by-chapter summary. The retelling was done by a teacher of Russian literature, it reflects all the important points of the work.

Average reading time is 8 minutes.

Evgeny Bazarov- a young man, a medical student, a bright representative of nihilism, a trend when a person denies everything in the world.

Arkady Kirsanov– a recent student who arrived at his parents’ estate. Under the influence of Bazarov, he becomes interested in nihilism. At the end of the novel, he realizes that he cannot live like this and abandons the idea.

Kirsanov Nikolay Petrovich- landowner, widower, father of Arkady. He lives on the estate with Fenechka, who bore him a son. Adheres to progressive ideas, loves poetry and music.

Kirsanov Pavel Petrovich- aristocrat, former military man. Brother of Nikolai Kirsanov and uncle of Arkady. A prominent representative of the liberals.

Bazarov Vasily Ivanovich– retired army surgeon, Evgeniy’s father. Lives on his wife's estate, is not rich. He is engaged in medical practice.

Bazarova Arina Vlasevna- Evgeniy’s mother, a pious and very superstitious woman. Poorly educated.

Odintsova Anna Sergeevna- a rich widow who sympathizes with Bazarov. But he values ​​peace in his life more.

Lokteva Katya- Anna Sergeevna’s sister, a modest and quiet girl. Marries Arkady.

Fenechka- a young woman who has a small son from Nikolai Kirsanov.

Victor Sitnikov- an acquaintance of Arkady and Bazarov.

Evdokia Kukshina- an acquaintance of Sitnikov, who shares the beliefs of nihilists.

Matvey Kolyazin- city official

The action begins in the spring of 1859. At the inn, the small landowner Nikolai Petrovich Kirsanov is waiting for the arrival of his son. He is a widower, lives on a small estate and has 200 souls. In his youth, he was destined for a military career, but a minor leg injury prevented him. He studied at the university, got married and began to live in the village. 10 years after the birth of his son, his wife dies, and Nikolai Petrovich throws himself into farming and raising his son. When Arkady grew up, his father sent him to St. Petersburg to study. There he lived with him for three years and returned to his village again. He is very worried before the meeting, especially since his son is not traveling alone.

Arkady introduces his father to his friend and asks him not to stand on ceremony. Evgeny is a simple person, and you don’t have to be shy about him. Bazarov decides to ride in a tarantass, and Nikolai Petrovich and Arkady sit in the carriage.

During the journey, the father cannot calm down his joy from meeting his son; he always tries to hug him and asks about his friend. Arkady is a little shy. He tries to show his indifference and speaks in a cheeky tone. He constantly turns to Bazarov, as if he is afraid that he will hear his thoughts about the beauty of nature, that he is interested in the affairs of the estate.

Nikolai Petrovich says that the estate has not changed. Hesitating a little, he tells his son that Fenya’s girlfriend lives with him, and immediately hurries to say that she can leave if Arkady wants it. The son replies that this is not necessary. Both feel awkward and change the topic of conversation.

Looking at the desolation that reigned all around, Arkady thinks about the benefits of transformations, but he does not understand how to implement them. The conversation smoothly flows into the beauty of nature. Kirsanov Sr. is trying to recite a poem by Pushkin. He is interrupted by Evgeniy, who asks Arkady for a cigarette. Nikolai Petrovich falls silent and remains silent until the end of the journey.

At the manor's house no one met them, only an old servant and a girl who appeared for a moment. Having left the carriage, the elder Kirsanov leads the guests into the living room, where he asks the servant to serve dinner. At the door they encounter a handsome and very well-groomed elderly man. This is Nikolai Kirsanov’s older brother, Pavel Petrovich. His impeccable appearance stands out strongly against the background of the unkempt-looking Bazarov. An acquaintance took place, after which the young people went to clean up before dinner. In their absence, Pavel Petrovich begins to ask his brother about Bazarov, whose appearance he did not like.

During the meal, the conversation did not go well. Everyone said little, especially Evgeniy. After eating, everyone immediately went to their rooms. Bazarov told Arkady his impressions of the meeting with his relatives. They quickly fell asleep. The Kirsanov brothers did not sleep for a long time: Nikolai Petrovich kept thinking about his son, Pavel Petrovich looked thoughtfully at the fire, and Fenechka looked at her little sleeping son, whose father was Nikolai Kirsanov. The summary of the novel “Fathers and Sons” does not convey all the feelings that the characters experience.

Waking up earlier than everyone else, Evgeniy goes for a walk to explore the surroundings. The boys follow him and everyone goes to the swamp to catch frogs.

The Kirsanovs are going to drink tea on the veranda. Arkady goes to see Fenechka, who is said to be ill, and learns about the existence of his little brother. He rejoices and blames his father for hiding the fact of the birth of another son. Nikolai Kirsanov is touched and does not know what to answer.

The older Kirsanovs are interested in Bazarov’s absence and Arkady talks about him, says that he is a nihilist, a person who does not take principles for granted. Bazarov returned with the frogs, which he took to the experiment room.

While having morning tea together, a serious argument breaks out between Pavel Petrovich and Evgeniy. Both do not try to hide their dislike for each other. Nikolai Kirsanov tries to take the conversation in a different direction and asks Bazarov to help him with the choice of fertilizers. He agrees.

In order to somehow change Evgeny’s ridicule towards Pavel Petrovich, Arkady decides to tell his friend his story.

Pavel Petrovich was a military man. Women adored him, and men envied him. At 28, his career was just beginning and he could go far. But Kirsanov fell in love with a princess. She had no children, but had an old husband. She led the life of a flighty coquette, but Pavel fell deeply in love and could not live without her. After the separation, he suffered greatly, quit his service and followed her all over the world for 4 years.

Returning to his homeland, he tried to lead the same lifestyle as before, but, having learned about the death of his beloved, he went to the village to live with his brother, who at that time became a widower.

Pavel Petrovich does not know what to do with himself: he is present during the conversation between the manager and Nikolai Kirsanov, and comes to Fenechka to look at little Mitya.

The story of how Nikolai Kirsanov and Fenechka met: three years ago he met her in a tavern, where things were going badly for her and her mother. Kirsanov took them to the estate, fell in love with the girl, and after the death of her mother began to live with her.

Bazarov meets Fenechka and the child, says that he is a doctor, and if the need arises, they can contact him without hesitation. Hearing Nikolai Kirsanov play the cello, Bazarov laughs, which causes Arkady's disapproval.

In two weeks, everyone got used to Bazarov, but they treated him differently: the servants loved him, Pavel Kirsanov hated him, and Nikolai Petrovich doubted his influence on his son. One day, he overheard a conversation between Arkady and Eugene. Bazarov called him a retired man, which greatly offended him. Nikolai complained to his brother, who decided to fight back against the young nihilist.

An unpleasant conversation took place during evening tea. By calling one landowner a “rubbish aristocrat,” Bazarov displeased the elder Kirsanov, who began to argue that by following principles, a person benefits society. Eugene responded by accusing him of living meaninglessly, like other aristocrats. Pavel Petrovich objected that the nihilists, with their denial, are only aggravating the situation in Russia.

A serious argument broke out, which Bazarov called senseless, and the young people left. Nikolai Petrovich suddenly remembered how a long time ago, when he was just as young, he quarreled with his mother, who did not understand him. Now the same misunderstanding arose between him and his son. The parallel between fathers and children is the main thing the author draws attention to.

Before going to bed, all the inhabitants of the estate were busy with their thoughts. Nikolai Petrovich Kirsanov goes to his favorite gazebo, where he remembers his wife and reflects on life. Pavel Petrovich looks at the night sky and thinks about his own things. Bazarov invites Arkady to go to the city and visit an old friend.

The friends went to the city, where they spent time in the company of a friend of the Bazarov family, Matvey Ilyin, visited the governor and received an invitation to the ball. Bazarov’s longtime acquaintance Sitnikov invited them to visit Evdokia Kukshina.

They didn’t like visiting Kukshina, because the hostess looked untidy, had meaningless conversations, asked a lot of questions, but did not expect answers to them. In conversation she constantly jumped from subject to subject. During this visit, the name of Anna Sergeevna Odintsova was heard for the first time.

Arriving at the ball, friends meet Odintsova, a sweet and attractive woman. She shows attention to Arkady, asking him about everything. He talks about his friend and Anna Sergeevna invites them to visit.

Odintsova interested Evgeny because she was different from other women, and he agreed to visit her.

Friends come to visit Odintsova. The meeting made an impression on Bazarov and he, unexpectedly, became embarrassed.

Odintsova's story makes an impression on the reader. The girl's father lost the game and died in the village, leaving his two daughters a ruined estate. Anna was not at a loss and took up housekeeping. I met my future husband and lived with him for 6 years. Then he died, leaving his young wife his fortune. She did not like city society and most often lived on the estate.

Bazarov behaved differently than always, which greatly surprised his friend. He talked a lot, talked about medicine and botany. Anna Sergeevna willingly supported the conversation, as she understood the sciences. She treated Arkady like a younger brother. At the end of the conversation, she invited the young people to her estate.

In Nikolskoye, Arkady and Bazarov met other inhabitants. Anna's sister Katya was shy and played the piano. Anna Sergeevna talked a lot with Evgeniy and walked with him in the garden. Arkady, who liked her, seeing her passion for her friend, became a little jealous. A feeling arose between Bazarov and Odintsova.

While living on the estate, Bazarov began to change. He fell in love, despite the fact that he considered this feeling a romantic billbird. He could not turn away from her and imagined her in his arms. The feeling was mutual, but they did not want to open up to each other.

Bazarov meets his father’s manager, who says that his parents are waiting for him, they are worried. Evgeniy announces his departure. In the evening, a conversation takes place between Bazar and Anna Sergeevna, where they try to understand what each of them dreams of getting from life.

Bazarov confesses his love to Odintsova. In response, he hears: “You didn’t understand me,” and feels extremely awkward. Anna Sergeevna believes that without Evgeny she will be calmer and does not accept his confession. Bazarov decides to leave.

There was a not entirely pleasant conversation between Odintsova and Bazarov. He told her that he was leaving, he could stay only on one condition, but it was unrealistic and Anna Sergeevna would never love him.

The next day, Arkady and Bazarov leave for Evgeny’s parents. Saying goodbye, Odintsova expresses hope for a meeting. Arkady notices that his friend has changed a lot.

They were received well in the house of the elder Bazarovs. The parents were very happy, but knowing that their son did not approve of such a manifestation of feelings, they tried to remain more restrained. During lunch, the father talked about how he runs the household, and the mother just looked at her son.

After dinner, Evgeniy refused to talk to his father, citing fatigue. However, he did not fall asleep until the morning. In the novel "Fathers and Sons" the description of relations between generations is shown better than in other works.

Bazarov spent very little time at his parents’ house, as he was bored. He believed that with their attention they were interfering with his work. There was an argument between friends that almost escalated into a quarrel. Arkady tried to prove that it was impossible to live like this, Bazarov did not agree with his opinion.

Parents, having learned about Evgeniy’s decision to leave, were very upset, but tried not to show their feelings, especially his father. He reassured his son that if he had to leave, then he had to do it. After leaving, the parents were left alone and were very worried that their son had abandoned them.

On the way, Arkady decided to take a detour to Nikolskoye. Friends were greeted very coldly. Anna Sergeevna did not come down for a long time, and when she appeared, she had a dissatisfied expression on her face and from her speech it was clear that they were not welcome.

The elder Kirsanovs' estate was delighted with them. Bazarov began to engage in wholesale and his own frogs. Arkady helped his father manage the estate, but constantly thought about the Odintsovs. Finally, having found correspondence between his mothers and Odintsova’s, he finds an excuse to go visit them. Arkady is afraid that he will not be welcome, but he alone was greeted warmly and cordially.

Bazarov understands the reason for Arkady’s departure and devotes himself completely to work. He retires and no longer argues with the inhabitants of the house. He treats everyone badly, making an exception only for Fenechka.

One day in the gazebo they talked a lot, and, deciding to test their thoughts, Bazarov kissed her on the lips. This was seen by Pavel Petrovich, who silently went into the house. Bazarov felt awkward, his conscience awoke.

Pavel Petrovich Kirsanov is offended by Bazarov's behavior and challenges him to a duel. They don’t want to admit to their family the true reasons and say that they shot because of political differences. Evgeny wounds Kirsanov in the leg.

Having completely ruined his relationship with the elder Kirsanovs, Bazarov leaves for his parents, but on the way he turns to Nikolskoye.

Arkady becomes more and more interested in Anna Sergeevna's sister, Katya.

Katya talks to Arkady and convinces him that without his friend’s influence he is completely different, sweet and kind. They try to declare their love to each other, but Arkady gets scared and hurriedly leaves. In his room he finds Bazarov, who has arrived, who told him about what happened in Maryino in his absence. Having met with Odintsova, Bazarov admits his mistakes. They tell each other that they want to remain just friends.

Arkady confesses his love to Katya, asks for her hand in marriage and she agrees to become his wife. Bazarov says goodbye to his friend, angrily accusing him of being unsuitable for decisive matters. Evgeniy goes to his parents' estate.

Living in his parents' house, Bazarov does not know what to do. Then he begins to help his father, treating the sick. While opening up a peasant who died of typhus, he accidentally injures himself and becomes infected with typhus. A fever begins, he asks to send for Odintsova. Anna Sergeevna arrives and sees a completely different person. Before his death, Evgeniy tells her about his real feelings, and then dies.

Six months have passed. Two weddings took place on the same day, Arkady and Katya and Nikolai Petrovich and Fenya. Pavel Petrovich went abroad. Anna Sergeevna also got married, becoming a companion not out of love, but out of conviction.

Life went on and only two old people constantly spent time at their son’s grave, where two Christmas trees grew.

This brief retelling of “Fathers and Sons” will help you understand the main idea and essence of the work; for deeper knowledge, we recommend that you read the full version.

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Novel “Fathers and Sons”

Turgenev

- one of the most famous works of Russian literature of the 19th century.

This article presents the characteristics of the heroes of the novel “Fathers and Sons” in the table: a description of the main and secondary characters.

Characteristics of the characters in the novel “Fathers and Sons” in the table

This was a description of the heroes of the novel “Fathers and Sons” by Turgenev in the table: a description of the main and secondary characters.

See: All materials on the novel “Fathers and Sons”

"Fathers and Sons"(Russian doref. Fathers and Children) - a novel by the Russian writer Ivan Sergeevich Turgenev (1818-1883), written in the 60s of the 19th century.

The novel became iconic for its time, and the image of the main character Evgeniy Bazarov was perceived by young people as an example to follow. Ideals such as uncompromisingness, lack of admiration for authorities and old truths, the priority of the useful over the beautiful were accepted by the people of that time and were reflected in Bazarov’s worldview.

Plot

The actions in the novel take place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

Evgeny Bazarov and Arkady Kirsanov come to Maryino and spend some time staying with the Kirsanovs (father Nikolai Petrovich and uncle Pavel Petrovich). Tensions with the elder Kirsanovs force Bazarov to leave Maryino and go to the provincial town of ***. Arkady goes with him. Bazarov and Arkady spend time in the company of local “progressive” youth - Kukshina and Sitnikov. Then, at the governor’s ball, they meet Odintsova. Bazarov and Arkady go to Nikolskoye, Odintsova’s estate, and Mrs. Kukshina, wounded by them, remains in the city. Bazarov and Arkady, infatuated with Odintsova, spend some time in Nikolskoye. After an unsuccessful declaration of love, Bazarov, who frightened Odintsova, is forced to leave. He goes to his parents (Vasily and Arina Bazarov), and Arkady goes with him. Bazarov and Arkady are visiting his parents. Tired of the manifestations of parental love, Bazarov leaves his discouraged father and mother, and together with Arkady he goes back to Maryino. On the way, they accidentally stop at Nikolskoye, but, having met a cold reception, they return to Maryino. Bazarov lives for some time in Maryino. A surge of passion spills out into a kiss with Fenechka, the mother of Nikolai Petrovich Kirsanov’s illegitimate son, and because of her he fights in a duel with Pavel Petrovich. Arkady, having returned to Maryino, leaves alone for Nikolskoye and stays with Odintsova, becoming more and more carried away by her sister Katya. Having completely ruined relations with the older Kirsanovs, Bazarov also goes to Nikolskoye. Bazarov apologizes to Odintsova for his feelings. Odintsova accepts the apology, and Bazarov spends several days in Nikolskoye. Arkady declares his love to Katya. Having said goodbye to Arkady forever, Bazarov returns to his parents. Living with his parents, Bazarov helps his father treat the sick and dies from blood poisoning, accidentally cutting himself during an autopsy of a man who died of typhus. Before his death, he sees Odintsova for the last time, who comes to him at his request. Arkady Kirsanov marries Katya, and Nikolai Petrovich marries Fenechka. Pavel Petrovich is leaving abroad forever.

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, a final break was outlined between two social camps: liberal and revolutionary-democratic. In his work, Turgenev showed a man of a new era. This is the democrat commoner Bazarov. Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and by social status, they belong to different social classes. According to his convictions, Bazarov is “a democrat to the core.” The friends study together at university and have been friends for several years.

At first, Arkady falls under the influence of Bazarov, he wants to be like Evgeny, and at the same time he sincerely shares the views of his older and more authoritative comrade. Arkady is forced to join the nihilists by “young courage and youthful enthusiasm.” But he is not guided by Bazarov’s ideas in life. They do not become an organic part of him, which is why he will so easily abandon them later. Later, Bazarov says to Arkady: “Our dust will eat your eyes, our dirt will stain you.” That is, Arkady is not ready for the “tart, bitter botanical life” of a revolutionary.

Bazarov, assessing the life of a revolutionary, is both right and wrong. The destruction of established foundations, traditions, and views always causes fierce resistance from the old world, and it is hard for the progressive fighters. The revolutionary democratic ideal of happiness is revolutionary activity for the benefit of the people, despite personal adversity.

Arkady, of course, is not ready for this, since he is, in Evgeniy’s words, “a soft liberal barich.” In their “youthful enthusiasm,” liberals do not go beyond noble ebullience, but for Bazarov this is “nonsense.” Liberals do not “fight,” but “imagine themselves to be great; revolutionaries want to fight.” Giving an assessment of Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady “involuntarily admires himself,” he enjoys “scolding himself.” This is boring for Bazarov, he “needs to break others.” Arkady just wanted to seem like a revolutionary; there was a lot of youthful posturing in him, but in his soul he always remained a “liberal gentleman.”

But Arkady doesn’t understand this yet. For the time being, he considers himself a “fighter” and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanov estate, Bazarov is initially received cordially. Arkady asks his family to take care of Bazarov. But Bazarov’s revolutionary democracy does not at all fit in with the liberal aristocracy of the Kirsanov house. He does not fit into their life, full of idleness. And here, as a guest, Bazarov continues to work. The way of life of friends on the estate is expressed in the author’s phrase: “Arkady was a sybaritist, Bazarov worked.” Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov, work is a necessary condition of life. Arkady is never shown at work. Here, on the estate, Bazarov’s attitude to both nature and the people is also revealed.

Bazarov considers nature not a temple, but a workshop, and a person in it as a worker. For Arkady, as for the rest of the Kirsanovs, nature is an object of admiration and contemplation. For Bazarov, such an attitude means lordship. He objects to prayerful contemplation of nature, meaningless from his point of view, enjoying its beauty. It requires an active attitude towards nature and the surrounding world. Himself. treats nature as a caring owner. Nature pleases him when he sees the fruits of active intervention in it. And here, too, the points of view of Arkady and Bazarov diverge, although Arkady is not talking about this yet.

Bazarov and Arkady have different attitudes towards both love and women. Bazarov is skeptical about love. He says that only a fool can feel free with a woman. But meeting Odintsova changes his views on love. She impresses Bazarov with her beauty, charm, and ability to carry herself with dignity and tact. He develops feelings for her when spiritual communication begins between them.

Odintsova is smart, able to understand Bazarov’s originality. Evgeny, despite his outward cynicism, discovers in love an aesthetic feeling, high spiritual needs, and respect for the woman he loves. But Odintsova is essentially an epicurean lady. Peace is above all else for her. Therefore, she extinguishes the emerging feeling for Bazarov. And in this situation, Bazarov behaves with dignity, does not become limp and continues to work. The mention of love for Odintsova causes Bazarov to admit that he is “broken,” and he does not want to talk about it,

Arkady's acquaintance with Katya, Odintsova's younger sister, reveals that his ideal is “closer,” that is, he is in the family, on the estate. Arkady realized that he was “no longer that arrogant boy”, that he was still “asking himself tasks that were beyond his strength,” that is, Arkady admits that the life of a revolutionary is not for him. And Katya herself says that Bazarov is “predatory”, and Arkady is “tame”.

Bazarov is close to serfs. For them he is “a brother, not a master.” This is confirmed by Bazarov’s speech, which contains many folk proverbs and sayings, and his simplicity in communicating with ordinary people. Although on his father’s estate the peasants treat Bazarov as a master, in all other episodes of the novel he is more “at home” with the people than any of the Kirsanovs. Arkady remains to a greater extent a gentleman, a master for people. True, it also happens that some unfamiliar man mistook Bazarov for an eccentric when he wanted to “talk to the people.” But this didn't happen often.

In addition, Bazarov is demanding, one might even say too demanding, of himself. He tells Arkady that “every person must educate himself.” His commitment to nihilism leads him to become ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence some of Bazarov’s dryness, even in relation to the people closest to him. But to Arkady’s question whether Bazarov loves his parents, he answers simply and sincerely: “I love you, Arkady!”

However, it should be noted that Bazarov’s parents are hopelessly “behind” their son. They cannot not only keep up with him, but also follow him. True, this “backwardness” of the old Bazarovs does not deserve Enyushka’s less than respectful, and sometimes simply disregarding, attitude towards them. Is it possible to demand from old people that they think and act like young people? Is it not thanks to the efforts of his parents that Bazarov receives an education? In this case, Bazarov’s maximalism looks very unattractive; Arkady loves his loved ones, but seems to be embarrassed by this love. Bazarov gives an apt, comprehensive, but at the same time rather evil characterization of Arkady’s father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings. Arkady flared up only when Bazarov called his uncle an “idiot” behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship between friends.

It should be noted that Bazarov’s nihilism, unfortunately, leads to the denial of old and new art. For him, “Raphael is not worth a penny, and they (that is, the new artists) are no better than him.” He declares that “at forty-four years old it’s stupid to play the cello,” and reading Pushkin in general “is no good.” Bazarov considers art a form of profit. For him, “a decent chemist is more useful than any poet,” and art is not capable of changing anything in life. This is the extreme of Bazarov's nihilism. Bazarov emphasizes the importance of scientists for Russia, since Russia at that time lagged behind the West in science. But Arkady actually loves poetry, and he would read Pushkin if Bazarov were not around.

Arkady and Bazarov seem to be opposing each other; At first this confrontation is completely imperceptible, but gradually, as the action develops, it intensifies and reaches open conflict and the rupture of friendly relations. This reveals one of the aspects of the novel’s conflict, expressed through the use of contrast. Let us note that in this case it is no longer “fathers” and “children” who are in conflict, but, so to speak, “children” with “children”. Thus, the breakup between Bazarov and Arkady is inevitable.

Arkady is not ready for the “tart, bitter botanical life” of a revolutionary. Bazarov and Arkady say goodbye forever. Evgeny breaks up with Arkady without saying a single friendly word to him, and for Bazarov to express them is “romanticism,”

Arkady finds the ideal of life in a family. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady did not instill nihilistic beliefs. He understands that the life of a revolutionary democrat is not for him. Bazarov dies a nihilist, and Arkady remains a “liberal gentleman.” And at the end of the novel, Arkady refuses to remember his former friend at the common table.

The problem of relationships between fathers and children is eternal. The reason lies in differences in life views. Each generation has its own truth, and it is extremely difficult to understand each other, and sometimes there is no desire. Contrasting worldviews- this is the basis of the work Fathers and Sons, a summary of which we will consider.

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About the product

Creation

The idea of ​​​​creating the work “Fathers and Sons” arose from the writer Ivan Turgenev in August 1860. The author writes to Countess Lambert about his intention to write a new big story. In the fall he goes to Paris, and in September he writes to Annenkov about the final drawing up a plan and serious intentions in creating a novel. But Turgenev works rather slowly and doubts a good result. However, having received an approving opinion from the literary critic Botkin, he plans to complete the creation in the spring.

Early winter - period of active work writer, within three weeks the third part of the work was written. Turgenev asked to describe in detail in his letters how things were in the life of Russia. This happened before, and in order to be privy to the events of the country, Ivan Sergeevich decides to return.

Attention! The history of writing ended on July 20, 1861, when the author was in Spassky. In the fall, Turgenev again goes to France. There, during a meeting, he shows his creation to Botkin and Sluchevsky and receives many comments that push him to make changes to the text.

Next spring the novel will be published in magazine "Russian Herald" and he immediately became the object of polemical discussion. The controversy did not subside even after the death of Turgenev.

Genre and number of chapters

If we characterize the genre of the work, then “Fathers and Sons” is 28 chapter novel, showing the socio-political situation in the country before the abolition of serfdom.

main idea

What are we talking about? In his creation “fathers and sons” Turgenev describes contradiction and misunderstanding of different generations, and also wants to find a way out of the current situation, ways to get rid of the problem.

The struggle between the two camps is a confrontation between everything that is established and what is radically new, era of democrats and aristocrats, or helplessness and determination.

Turgenev is trying to show what has come time for a change and instead of people of the outdated system, nobles, active, energetic and young people come. The old system has become obsolete, and the new one has not yet been formed. The novel “Fathers and Sons” shows us the turn of an era when society is in turmoil and is unable to live either according to the old canons or the new ones.

The new generation in the novel is represented by Bazarov, around whom the confrontation between “fathers and sons” takes place. He is a representative of a whole galaxy of the younger generation, for whom complete denial of everything has become the norm. Everything old is unacceptable to them, but they can't bring anything new.

The conflict of worldviews is clearly shown between him and the elder Kirsanov: the rude and straightforward Bazarov and the mannered and refined Kirsanov. The images described by Turgenev are multifaceted and ambiguous. Bazarov's attitude towards the world does not bring happiness at all. They outlined their purpose to society - fight against old ways, but the introduction of new ideas and views in their place does not bother him.

Turgenev did this for a reason, thereby showing that before the collapse of something established, it is necessary to find a worthy replacement for it. If there is no alternative, then even what was intended to be a positive solution to the problem will only make it worse.

Conflict of generations in the novel “Fathers and Sons”.

Heroes of the novel

The main characters of “Fathers and Sons” are:

• Bazarov Evgeny Vasilievich. Young student learning to become a doctor. Adheres to the ideology of nihilism, questions the liberal views of the Kirsanovs and the traditional views of his own parents. At the end of the work, he falls in love with Anna, and his views of denying everything in the world are changed by love. He will become a village doctor, and due to his own carelessness he will become infected with typhus and die.
• Kirsanov Nikolai Petrovich. Is the father of Arkady, widower. Landowner. He lives on the estate with Fenechka, a commoner woman, whom he feels and is ashamed of, but then takes her as his wife.
• Kirsanov Pavel Petrovich. He is Nikolai's older brother. He retired officer, a representative of a privileged layer, is proud and self-confident, shares the ideas of liberalism. He often participates in disputes with Bazarov on a variety of topics: art, science, love, nature, etc. Hatred towards Bazarov develops into a duel, which he himself initiated. During the duel he is wounded, fortunately the wound turns out to be minor.
• Kirsanov Arkady Nikolaevich. Is the son of Nicholas. Candidate of Sciences at the University. Like his friend Bazarov, he is a nihilist. At the end of the book he will abandon his worldview.
• Bazarov Vasily Ivanovich. Is the father of the main character, was a surgeon in the army. He did not leave his medical practice. Lives on his wife's estate. An educated person understands that living in a village, he was cut off from modern ideas. Conservative, religious.
• Bazarova Arina Vlasevna. She is the main character's mother. She owns the Bazarov estate and fifteen serfs. Superstitious, pious, suspicious, sensitive woman. He loves his son infinitely, and is worried that he has renounced his faith. She herself is a follower of the Orthodox faith.
• Odintsova Anna Sergeevna. Is a widow, rich. On his estate he welcomes friends who hold nihilistic views. She likes Bazarov, but after his declaration of love, there is no reciprocity. He puts a calm life in the foreground, in which there are no worries.
• Katerina. Anna Sergeevna's sister, but unlike her, she is quiet and unnoticeable. He plays the clavichord. Arkady Kirsanov spends a lot of time with her, while he is passionately in love with Anna. Then he realizes that he loves Katerina and marries her.

Other heroes:

• Fenechka. Daughter of the housekeeper of Kirsanov's younger brother. After his mother died, she became his mistress and gave birth to his son.
• Sitnikov Victor. He is a nihilist and acquaintance of Bazarov.
• Kukshina Evdokia. Victor's friend, a nihilist.
• Kolyazin Matvey Ilyich. He is a city official.

The main characters of the novel "Fathers and Sons".

Plot

Fathers and sons are summarized below. 1859 – year when the novel begins.

The young people arrived in Maryino and live in the house of brothers Nikolai and Pavel Kirsanov. The elder Kirsanov and Bazarov do not find a common language, and frequent conflict situations force Evgeniy to leave for another city N. Arkady also goes there. There they communicate with urban youth (Sitnikova and Kukshina), who adhere to nihilistic views.

At the governor's ball they hold meeting Odintsova, and then go to her estate, Kukshina is destined to stay in the city. Odintsova rejects the declaration of love, and Bazarov has to leave Nikolskoye. He and Arkady go to their parents' house and stay there. Evgeny does not like the excessive care of his parents, he decides to leave Vasily Ivanovich and Arina Vlasevna, and