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Ostrovsky "Thunderstorm" "The most decisive work of Ostrovsky" - presentation. The history of creation, the system of images, the methods of characterizing the characters in the play by A. N. Ostrovsky "The Thunderstorm of the Humiliated and the Oppressed

The creation of "Thunderstorm" was preceded by
Ostrovsky's journey
Upper Volga, undertaken by
the assignment of the naval ministry.
The result of this trip was
Ostrovsky's diary, much
revealing in his perception
life of the provincial
Upper Volga.
“From Pereyaslavl begins
Merya ", - he writes in
diary - earth, abundant
mountains and waters, and people and
tall and handsome and smart and
frank and obligatory and
a free mind, and a soul wide open.

“We are standing on the steepest mountain,
under our feet we have the Volga, and
ships go back and forth
now on sails, now by barge haulers,
and one charming song
haunts us irresistibly ... and
there is no end to this song ...
Impressions from the Volga
cities and villages, from
beautiful nature, meetings
with interesting people from
people accumulated for a long time
in the soul of a playwright and poet,
before I was born like that
a masterpiece of his work as
"Storm".

For a long
time it was believed that
the plot of the drama "Thunderstorm"
Ostrovsky took from life
Kostroma merchants, and in
the basis of the work is
the sensational case of the Klykovs.
Until the beginning of the XX century
many Kostroma with grief
pointed to the place
Katerina's suicide gazebo at the end of the small
bulvar, in those years
literally hanging over
Volga. They also pointed to the house,
where she lived.

A.P. Klykova was issued
sixteen years in a gloomy merchant
a family of old parents,
son and daughter. Mistress of the house, stern
old believer, forced the young daughter-in-law
do any dirty work, refused
her in requests to see her relatives.
At the time of the drama, Klykova was 19 years old.
In the past, she was raised by a beloved
grandmother, she was a cheerful, lively girl,
cheerful. Her young husband, Klykov,
carefree, apathetic person, could not
protect his wife from the nagging of her mother-in-law and
treated them indifferently. Children at
There were no Klykovs.
And then another stood in the way of Klykova
person, Maryin, postal employee
offices. Suspicions began, scenes
jealousy. It ended on November 10
1859, the body of A.P. Klykova was found in
Volga. A noisy trial ensued
widely publicized.

It took many years before
researchers of creativity
Ostrovsky was precisely established
that "Thunderstorm" was written before
how the Kostroma merchant's wife
Klykova rushed into the Volga. But
the very fact of such a coincidence
speaks of genius
the sagacity of the playwright,
deeply felt
growing in merchant life
Upper Volga dramatic
conflict between old and new,
conflict in which Dobrolyubov
not without reason saw “something
refreshing and invigorating ”.

Write "Thunderstorm" Ostrovsky
began in June - July 1859
year and graduated on October 9
the same year. First play
was published in the magazine
"Library for reading" in
January issue of 1860.
The first performance of "Thunderstorms"
took place on stage 16
November 1859 in small
theater in the benefit performance of S.V.
Vasiliev with L.P. Nikulina Kositsina as Katerina.

The meaning of the title of the play "The Thunderstorm". Failure to be hypocritical. The behavior is hypocritical. Moscow State University. Curly. Features of Ostrovsky's style. N.A. Dobrolyubov. Katerina's protest. Small Academic Art Theater. Monument to A.N. Ostrovsky. Controversy around the play. Columbus Zamoskvorechye. The results of the actions of the heroes. The main theme is "Thunderstorms". Love. Human feelings. Who is scarier - Kabanova or Wild.

"Ostrovsky's play" Dowry "" - Romance. Does Larisa need Paratov. Larissa's groom. Love for Larisa. The mystery of Ostrovsky's play. Poetic lines. A sad song about a dowry woman. Ostrovsky. Skills of expressing your thoughts. Shot by Karandyshev. What kind of man is Paratov. Cruel romance. Gypsy song. Acquiring text analysis skills. What is Karandyshev. Problematic issues. Analysis of the play. What gives the gypsy song to the play and the film.

"The play" Dowry "" - And everyone looks at Larissa as a stylish, fashionable, luxurious thing. Final scene. All actions of the hero are motivated by the desire to maintain such an impression. Or maybe here's the right decision: Knurov's frank proposal…. Larissa. Women's images. A seasoned leader, for example. "Dowry". The former merchants are turning into millionaire entrepreneurs. Katerina. Katerina is a truly tragic heroine. Like Katerina, Larisa belongs to women with a “warm heart”.

"The play of Ostrovsky" The Thunderstorm "" - In the center of the city - Bazaar Square, not far from the old church. Katerina Boris Kuligin Varvara Kudryash Tikhon. What are the similarities and differences between the characters of the Wild and the Kabanikha? What is your opinion and why? Boris. Tikhon is kind, sincerely loves Katerina. Could Katerina find happiness in the family? Tikhon - from the Greek: successful, calm. How does Katerina differ from other heroes of the drama "The Thunderstorm"? Curly.

"Ostrovsky" Dowry "" - Usually the name of Ostrovsky's plays, sayings, proverbs. A.N. Ostrovsky Drama "Dowry". Characters. The symbolic meaning of names and surnames. Discussion of the image of L.I. Ogudalova. Creative ideas of A.N. Ostrovsky. At first glance, the first two phenomena are exposition. The purpose of the lesson. What do we learn about Paratov. Paratov Sergey Sergeevich. Karandyshev. Analysis of the drama "Dowry".

"Heroes of the Snow Maiden" "- Tests for consolidation on the topic. Father Frost. Goblin. The element of Russian folk rituals. Love. Music by Rimsky-Korsakov. Test results. Nikolai Andreevich Rimsky-Korsakov. Magic wreath. Snow Maiden. Characters. Dances of birds. Spring fairy tale. Songs. Beauty of nature. Rimsky-Korsakov. Great strength. The power and beauty of nature. Morning of love. Composer. What heroes are only fabulous. Ideals of the author. Musical instruments.

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Drama A. N. Ostrovsky "Thunderstorm" Ideological and artistic originality

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The purpose of the lesson: To reveal the ideological and artistic originality of the play, the life positions of the heroes, the spiritual tragedy of Katerina

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1. The creative history of the drama "The Thunderstorm" The play "The Thunderstorm" was written by Ostrovsky during the summer and autumn of 1859; The name "Thunderstorm" is not just a majestic natural phenomenon, but a social shock. The drama reflected the rise of the social movement, the moods that the progressive people of the 50-60s of the 19th century lived in.

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On the instructions of His Imperial Highness, General-Admiral, Grand Duke Konstantin Nikolaevich, prominent Russian writers who already had travel experience and a taste for essay prose were sent to the country for new materials for the "Sea Collection". They were supposed to study and describe folk crafts associated with the sea, lakes or rivers, the techniques of local shipbuilding and navigation, the state of domestic fishing and the very state of the waterways of Russia.

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Ostrovsky got the Upper Volga from the source to Nizhny Novgorod. And he got down to business with enthusiasm.

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In the ancient dispute of the Volga cities about which of them, by the will of Ostrovsky, was turned into Kalinov (the scene of the play "The Thunderstorm"), speculation in favor of Kineshma, Tver, Kostroma is most often heard. The disputants seemed to have forgotten about Rzhev, and meanwhile, it was Rzhev who was clearly involved in the birth of the mysterious idea of ​​the "Thunderstorm".

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It is not known exactly where The Thunderstorm was written - at a dacha near Moscow or in the Trans-Volga Shchelykovo, but it was created with amazing speed, truly by inspiration, in a few months in 1859. The year 1859 in Ostrovsky's life is hidden by a veil. But it is known that in the summer he often lived near Moscow - in Davydovka or Ivankovo, where the actors of the Maly Theater and their literary friends live in a colony at their dachas.

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Friends of Ostrovsky often gathered at his home, and the talented, cheerful actress Kositskaya has always been the soul of society. A wonderful performer of Russian folk songs, the owner of a colorful speech, she attracted Ostrovsky not only as a charming woman, but also as a deep, perfect character.

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Listening to Kositskaya's stories about the early years of her life, the writer immediately drew attention to the poetic richness of her language, to the colorfulness and expressiveness of turns. In her "servile speech" Ostrovsky felt a fresh source for his creativity. The life path, personality, stories of Kositskaya gave Ostrovsky rich material for creating the image of Katerina.

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In October 1859, at Kositskaya's apartment, Ostrovsky read a play to the actors of the Maly Theater. The actors unanimously admired the composition, figuring out the roles for themselves. It was known that Osrovsky had given Katerina to Kositskaya in advance. The main director was Ostrovsky. Under his leadership, the actors searched for the right intonations, coordinated the tempo and character of each scene. The premiere took place on November 16, 1859.

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2. Theme, idea, conflict of the play In the most general formulation, the main theme of "Thunderstorms" can be defined as a clash between new trends and old traditions, between oppressed and oppressed, between the desire of people to freely manifest their human rights, spiritual needs and dominated in the pre-reform period social and family life

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Special topics: - with the stories of Kuligin, the remarks of Kudryash and Boris, the actions of Diky and Kabanikha, Ostrovsky gives a detailed description of the material and legal situation of all strata of society of that era; - setting out the views and dreams of Kuligin, the author acquaints us with the views that prevailed in people's lives, with the level of cultural demands and the state of public mores;

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Drawing the life, interests, hobbies and experiences of the characters, the author reproduces the social, family and everyday life of the merchants and the bourgeoisie from different angles. Thus, the problem of social and family relations is highlighted. The position of women in the bourgeois-merchant environment is vividly outlined; - reflects the background of life and the problems of that time. The heroes talk about social phenomena that were important for their time: about the emergence of the first railways, about cholera epidemics, about the development of industrial and commercial activities in Moscow; - along with the socio-economic and living conditions, the author skillfully painted pictures of nature, the different attitudes of the characters towards it.

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So, in the words of Goncharov, in The Thunderstorm "the broad picture of national life and customs has settled down."

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What is the conflict? AN Ostrovsky showed how "a protest against age-old traditions is maturing and how the Old Testament way of life begins to crumble under the pressure of the demands of life." The conflict between the "dark kingdom" and a new man living by the laws of conscience.

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Conflicts join him: Kuligin - Dikoy - Kabanikha, Tikhon - Kabanikha, Kudryash - Dikoy, Boris - Dikoy, Varvara-Kabanikha. The play is a true reflection of the social relations, interests and struggles of its time.

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3. The system of artistic images. "The Dark Kingdom": Kabanova Marfa Ignatievna, Dikoy Savel Prokofich, the wanderer Feklusha, the tradesman Shapkin, the servant of Glasha. Victims of the "dark kingdom": Katerina, Boris, Kuligin, Varvara, Kudryash, Tikhon

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The meaning of names in drama. Catherine - colloquial Catherine, translated from Greek: pure, noble. Barbara - translated from Greek: foreigner, foreigner. Martha - from Aramaic: madam. Boris is an abbreviation of the name Borislav, from Bulgarian: struggle, from Slavic: words. Savel - from Savely, from Hebrew: requested (from God). Tikhon - from the Greek: successful, calm.

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4. Composition of the piece. The exposition - pictures of the Volga expanse and stuffiness of Kalinov's mores. (D.I, phenomenon 1-4).

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The plot is the mother-in-law's nagging to Katerina, Katerina replies with dignity and peacefulness: “You mean me, mamma, you are saying this in vain. Whether with people or without people, I am all alone, I don’t prove anything from myself ”. First encounter. (D.I, phenomenon 5).

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The history of creation, the system of images, methods of characterizing the characters in the play by A. N. Ostrovsky "The Thunderstorm" "The most decisive work of Ostrovsky"

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The history of the creation of the play The work has a generalizing meaning, it is no coincidence that Ostrovsky called his fictional, but surprisingly real city by the nonexistent name Kalinov. In addition, the play is based on the impressions of a trip along the Volga as part of an ethnographic expedition to study the life of the inhabitants of the Volga region. Katerina, recalling her childhood, talks about sewing on velvet with gold. The writer could see this craft in the city of Torzhok, Tver province.

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The meaning of the title of the play "The Thunderstorm" A thunderstorm in nature (act 4) is a physical phenomenon, external, independent of the characters. A thunderstorm in Katerina's soul - from the gradual confusion caused by love for Boris, to the pangs of conscience from betraying her husband and to the feeling of sin before people, which prompted her to repentance. A thunderstorm in society is a feeling of something incomprehensible by people who stand up for the immutability of the world. Awakening in the world of unfreedom of free feelings. This process is also shown gradually. At first, only the touches: there is no due respect in the voice, does not observe decency, then - disobedience. A thunderstorm in nature is an external cause that provoked both a thunderstorm in the soul of Katerina (it was she who pushed the heroine to recognition), and a thunderstorm in society, which was dumbfounded because someone went against it.

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The meaning of the title of the play "Thunderstorm" Conclusion. The meaning of the title: a thunderstorm in nature - refreshes, a thunderstorm in the soul - cleans, a thunderstorm in society - illuminates (kills).

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The position of women in Russia in the 1st half of the 19th century. In the first half of the 19th century, the position of women in Russia was in many respects dependent. Before marriage, she lived under the indisputable authority of her parents, and after the wedding, her husband became her master. The main sphere of activity of women, especially among the lower classes, was the family. According to the rules accepted in society and enshrined in Domostroy, she could only count on a domestic role - the role of daughter, wife and mother. The spiritual needs of the majority of women, as in pre-Petrine Russia, were satisfied by national holidays and church services. "Domostroy" is a monument to Russian writing of the 16th century, which is a set of rules for family life.

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The Epoch of Changes The play "The Thunderstorm" was created in the pre-reform years. It was an era of political, economic and cultural change. The transformations affected all strata of society, including the environment of the merchants and bourgeoisie. The old way of life was crumbling, patriarchal relations were becoming a thing of the past - people had to adapt to new conditions of existence. Changes are also taking place in the literature of the mid-19th century. At this time, the works, the main characters of which were representatives of the lower classes, gained particular popularity. They interested writers primarily as social types.

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The system of the characters in the play Speaking surnames The age of the characters "Masters of life" "Victims" What place does Katerina occupy in this system of images?

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The system of characters in the play by Dikoy: “You are a worm. If I want - I will have mercy, if I want - I will crush ”. Kabanikha: "I have long seen that you want freedom." "This is where the will leads." Kudryash: "Well, that means I'm not afraid of him, but let him be afraid of me."

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The system of characters in the play Varvara: "And I was not a deceiver, but I learned." "But in my opinion, do what you want, as long as it is sewn and covered." Tikhon: “Yes, mamma, I don’t want to live by my own will. Where can I live by my own will! " Kuligin: "It is better to endure."

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Features of revealing the characters of the heroes Katerina - poetic speech, reminiscent of a spell, cry or song, filled with folk elements. Kuligin is the speech of an educated person with "scientific" words and poetic phrases. Wild - speech is replete with rude words and curses.

 


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