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The image of Olga Ilyinskaya stands out noticeably against the general background of the characters in the novel. Thanks to her honesty, sincerity and nobility, many people associate the girl with an angel who descended from heaven to earth.

Origin of Ilyinskaya and her family

Olga Sergeevna Ilyinskaya was a hereditary noblewoman. Her parents died and she was taken in by her aunt. The author does not say at what age Ilyinskaya became an orphan. The only thing that is known is that it happened after the girl turned 5 years old. (When Olga was 5, her father left their estate with her).

Olga’s estate was under collateral for some time, but at the time when the main events unfolded, all the documents were put in order, and the girl could already live on her estate. The Ilyinsky estate was not in good condition, but had a favorable location, which was promising for its restoration and development.

We invite you to get acquainted with a person distinguished by laziness and apathy towards life in I. Goncharov’s novel “Oblomov”.

Olga's family is small - she was only child in the family, so she has no brothers or sisters. The girl's only relative is her aunt, Marya Mikhailovna. The aunt has neither a husband nor children of her own - Olga replaced her family.

There arose between an aunt and niece trusting relationship, but Olga is not always ready to discuss everything with her aunt. So, for example, she conceals the details of their relationship with Oblomov, but does this not because she does not trust Marya Mikhailovna, but because she is not ready to discuss this situation with anyone.

Leisure

The role of women in society at that time was limited. For female representatives of noble birth the road to any service was closed. Women at that time took care of household chores and raising children.

Like all women, Olga is actively involved in needlework - she often embroiders, she likes this activity, because she is fascinated by the process of creating unusual patterns.

Olga’s leisure time is not limited only to needlework: free time the girl does not neglect books. She likes to learn something new, but even more Olga likes to listen to stories and retellings of books.

It is because of this that Oblomov begins to actively read books - thanks to retelling the plot, he manages to attract the attention of his beloved to his person and hold it for a long time.

Ilyinskaya also loves theater - she is fascinated by the acting. The girl never misses a chance to see a performance.

Olga, like the majority of nobles, knows how to play musical instruments. In addition to this, she has developed ear for music, the girl sings well, accompanying herself on the piano.

Appearance Ilyinskaya

Olga Sergeevna is a girl with a pleasant, attractive appearance. People around her consider her a beautiful and sweet girl. Olga has pleasant gray-blue eyes; you can always find something kind and affectionate in them.

Olga has eyebrows different shapes. One of them is always curved - just in this place a small fold is noticeable - according to the author, this indicates the girl’s perseverance. In general, her eyebrows were not the generally accepted one - a thin, arched shape; they did not frame her eyes. Olga's eyebrows were fluffy and more like a straight line. Her face was oval in shape, it was not distinguished by classical beauty - it was not immaculately white, and her cheeks were not rosy, her teeth were not like pearls, but she could not be considered unattractive.

On our website you can follow the stories described in I. Goncharov’s novel “Oblomov”.

Olga always bowed her head a little, which gave her some nobility. This image was enhanced by the neck - beautiful and thin. Her nose “formed a slightly noticeably convex, graceful line.”

The girl had beautiful curly hair, which she tied in a braid at the back of her head, which further enhanced her noble image.

The girl's lips were thin and always tightly compressed. One got the impression that her lips were not laughing, even when her whole face was laughing.

Ilyinskaya’s hands were of normal size, slightly damp and soft.

Olga was beautifully built - she had a good figure. Her gait was light and beautiful. Those around her considered her like an angel.

Olga's clothes are not anything unusual. Her dress is always cleaned and neat. The girl does not chase fashion trends; when choosing clothes, she is guided by personal preferences, and not by the tenets of fashion. In her wardrobe you can find clothes for any occasion - there are light silk dresses and exquisite, lace ones, and warm, cotton-lined ones for the cold season. During hot days, Olga Sergeevna uses a decorative umbrella, and on cold days she dresses in a mantilla with a headscarf or a hat and cloak.

Characteristics of personal qualities

Olga has always been a “wonderful creature.” She was active and smart even as a child. Even in her childhood, Olga was noticeably distinguished by her sincerity and emotionality.

Olga does not know how to lie and deceive - the concepts of falsehood and deception are alien to him.

Olga is not like most girls high society- her distinctive feature became inability to flirt and make advances. She never purses her lip, like most cutesy girls in case of indignation, does not stick out her leg while playing the piano in order to attract the attention of the male half of the audience, does not feign fainting and does not pretend to be illusory in order to attract attention to her person.

Olga is a simple girl. There are no memorized philosophical sayings in her speech. She never uses overheard opinions about anything for personal gain and does not pass off someone else’s opinion as her own. Based on this, many consider her to be a simpleton and not insightful and narrow-minded.

In general, Olga was a timid girl. She rarely intervened in the conversation, not so much because she knew little about the subject of discussion, but because by nature she was a taciturn person.

Olga is a sincere and emotional girl; she rarely remains indifferent to current events, but she tries not to advertise her feelings. Her calm nature allows her to do this.

Olga is a very curious girl, she likes to listen different stories as from real life people and literary stories. From time to time, the girl likes to fall into thought.

Olga Sergeevna treats others kindly and patiently. She is a trusting person. Ilyinskaya waits for a long time for decisive action on the part of Oblomov, even in those cases when it was easy to indicate Oblomov’s neglect of her. However, she cannot be called spineless - having become convinced of Oblomov’s deception, the girl follows the dictates of her pride - she breaks off relations with Ilya Ilyich, despite the fact that her attachment to him is still strong.

Despite the fact that Olga is a dreamy girl, she is not without a pragmatic and clear mind. Ilyinskaya is a smart girl, she often becomes Oblomov’s adviser; the solutions she proposes surprise Oblomov with their simplicity and at the same time effectiveness.

Olga has tenacity and perseverance; she is used to following her goal in life, and not waiting for what she wants to come true by itself.

Ilyinskaya is a gentle and sensual nature. She is gentle and affectionate with the person she loves.

She is highly moral and loyal. Ilyinskaya does not recognize betrayal and does not understand such a relationship between beloved people or spouses.

Undoubtedly, Olga has determination - she is always open to change and is not afraid of it. Ilyinskaya is not used to going with the flow of life; she is ready to radically change her life.

Relationship between Olga Ilyinskaya and Ilya Ilyich Oblomov

Olga and Ilya Ilyich Oblomov met on the initiative of their mutual friend, Andrei Stolts. On one of his regular visits to Oblomov, Andrei Ivanovich decides to actively take up the modernization of his friend’s life.

One evening he brings him to the Ilyinskys’ house. The eccentric and simple-minded Ilya Ilyich became the subject of Olga’s interest. The girl at the time of their acquaintance was still very young and inexperienced, so she gives herself entirely to the feeling of sympathy that arises, allowing it to develop into love.

Ilya Ilyich also fell in love with the girl. Since he was the same age as Stolz, he shared a fairly large age gap with Olga Oblomov - 10 years, but in the case of Oblomov this was little noticeable. Ilya Ilyich was an extremely unadapted person for life, and his ascetic, lazy lifestyle completely deprived him of the opportunity and ability to communicate with people. Ilya Ilyich has not yet had experience in a romantic relationship, so he is somewhat frightened by the feeling that has arisen towards Olga, he is embarrassed and ashamed of his feelings and does not know how he should behave correctly.

One evening, while in prison, Olga performed the aria “Casta Diva,” which was Oblomov’s favorite work. Oblomov’s unexpectedly failed confession became the reason for the active development of the relationship between these heroes.

Ilya Ilyich changed noticeably under the influence of the feeling that arose - he gradually began to abandon his usual Oblomovism, began to monitor his wardrobe and the state of his home. Oblomov actively reads books and constantly goes out into the world.

In a word, he leads the usual life of an aristocrat. However, such a change was not truly his desire - he does this for the sake of his love and in the name of Olga. Oblomov completely surrenders to love, he is a very sentimental and romantic person. It is difficult for Ilya Ilyich to understand other manifestations of love other than this. He is very demanding of Olga, he wants her love to be identical to his love for the girl, and having found different traits, he questions the girl’s love. In this regard, Oblomov writes a letter to the girl, in which he reproaches her for the lack of true feelings towards him and announces to her the separation.

After reading the letter, Olga becomes very upset; she does not understand why her feelings were questioned, because she did not give Oblomov any reason to think that his personality was unpleasant to him. Oblomov, having seen the girl’s reaction to the message about the breakup, understands the error of his actions, he is ashamed of his action. The lovers explain and make peace - their relationship continues to develop.

Oblomov proposes to Olga, and the girl agrees. The only thing left to do is to make their relationship public (which until that time had been secret) and announce their engagement, but Oblomov does not dare to take such actions - he has changed, but not that much. Dramatic changes frighten Ilya Ilyich and he keeps stalling for time. By this moment, Oblomov is tired of Olga’s activity and determination, an active life position, a willingness to change his life and develop as a person are alien to him. His relationship with Olga is increasingly associated with work. Oblomov does not dare to break up with the girl, but he also has no desire to develop the relationship longer. He takes a wait-and-see attitude. At first, Olga doesn’t care much about her lover’s lack of initiative.

She believes that Oblomov needs some time to take action, but the more time passes, the more the girl realizes the illusory nature of her lover’s feelings.

The apogee of the relationship is the exposure of Oblomov’s deception with his invented illness. The upset girl decides to break off relations with Oblomov.

This event has a depressing effect on Olga - despite the secrecy of their relationship, everyone around has already begun to talk about them as future spouses and this hurts the wounded Olga even more.

Relationship between Olga and Andrei Stolts

Olga Sergeevna and Andrei Ivanovich were old acquaintances. A significant age difference (Stolz was 10 years older than Ilyinskaya) did not allow them to create a romantic relationship at the beginning of their communication - in the eyes of Andrei Ivanovich, the girl looked like just a child.

For a long time, their communication did not go beyond friendship, although it was impossible to deny the presence of sympathy. Andrei Ivanovich’s behavior prompted Ilyinskaya to think that he was indifferent to her as a woman. This state of affairs intensified significantly after Stolz introduced the young girl to his friend Ilya Ilyich Oblomov. Andrei Ivanovich knew how to present even the most unattractive features of a person in a favorable light, which is what happened in the case of Oblomov. This fact does not stem from selfish goals, but was the fault of Stolz’s positive and optimistic beginning, who knows how to consider positive, attractive character traits in a person. Olga turns her attention to Oblomov and falls in love with him.

The development of a romantic relationship did not take long to develop - Olga’s feelings turned out to be mutual. However, Oblomovism and Oblomov’s suspiciousness did not allow this relationship to outgrow and start a family - Olga and Oblomov’s engagement was terminated. This incident caused Olga's blues. The girl became disillusioned with love and men in general.

Soon Olga and her aunt are leaving abroad. They lived for some time in France, where they met Andrei Stolts. Andrei Ivanovich, who knew nothing not only about Olga’s engagement to Oblomov, but also about the romantic relationship between them, becomes an active guest in the Ilyinsky house.

After some time, Stolz notices affection for the girl - he realizes that his life is no longer conceivable without Olga. Andrei Ivanovich decides to explain himself to the girl.

Some time ago, Olga would have been happy to hear this, but a bad relationship experience changed her position. Olga decides to open up to Stoltz and tells him all the details from her relationship with Oblomov. Andrei Ivanovich is unpleasantly surprised by his friend’s behavior, but he is unable to change anything. Stolz does not intend to give up his intention and proposes to the girl. Olga does not feel passion or love for Stolz - a feeling of affection and sympathy connects her with Andrei Ivanovich, but the girl agrees to become his wife.

The marriage of Olga and Andrey was not unsuccessful - Olga was able to find harmony in her marriage and become a happy mother.

After her marriage to Andrei Stolz, Olga was transformed; she was able to abstract herself from the negative impressions that arose after breaking up with Ilya Ilyich Oblomov, but their relationship cannot be called complete.

Despite such a sad experience, Olga does not remain indifferent to Oblomov’s fate, and after his death she raises his son along with her children.

Summarize. Olga Ilyinskaya is a positive character in Goncharov’s novel. It embodied the most best features and characteristics - she is romantic, gentle and dreamy in nature, but at the same time has a cold mind and prudence. Olga is noticeably different from the image of cutesy girls that has taken root in society. In her actions, she is guided by morality and humanity, and not by personal gain, which also sets her apart from society.

Olga Ilyinskaya in the novel “Oblomov”: analysis and characteristics of the heroine

"is the most vibrant and complex female character. Getting to know her as a young, only developing girl, the reader sees her gradual maturation and revelation as a woman, mother, and independent person. Wherein full characteristics the image of Olga in the novel “Oblomov” is possible only when working with quotes from the novel that most succinctly convey the appearance and personality of the heroine:

“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat tall stature; the size of the head corresponded to the oval and size of the face; all this, in turn, was in harmony with the shoulders, and the shoulders with the body...”

When meeting Olga, people always stopped for a moment “before this so strictly and thoughtfully, artistically created creature.”

Olga received a good upbringing and education, understands science and art, reads a lot and is in constant development, learning, achieving new and new goals.
These features of hers were reflected in the girl’s appearance: “The lips are thin and mostly compressed: a sign of a thought constantly directed at something. Same presence speaking thought shone in the watchful, always cheerful, never-missing gaze of dark, gray-blue eyes,” and unevenly spaced thin eyebrows created a small fold on the forehead “in which something seemed to say, as if a thought rested there.” Everything about her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, resting so slenderly and nobly on her thin, proud neck; she moved her whole body evenly, walking lightly, almost imperceptibly.”

Love for Oblomov

The image of Olga Ilyinskaya in “Oblomov” appears at the beginning of the novel as a very young girl who knows little, with a wide range of with open eyes looking at the world and trying to cognize it in all its manifestations. The turning point, which became for Olga a transition from childhood shyness and a certain embarrassment (as was the case when communicating with Stolz), was her love for Oblomov. The wonderful, strong, inspiring feeling that flared up between the lovers with lightning speed was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for semi-ideal prototypes of real heroes.

For Ilyinskaya love to Oblomov was connected not with those feminine tenderness, softness, acceptance and care that Oblomov expected from her, but with duty, the need to change inner world beloved, make him a completely different person:

“She dreamed of how she would “order him to read the books” that Stolz left, then read newspapers every day and tell her the news, write letters to the village, complete a plan for organizing the estate, get ready to go abroad - in a word, he would not fall asleep with her; she will show him a goal, make him love again everything that he has stopped loving.”

“And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, her feelings for Ilya Ilyich are difficult to name true love- it was a fleeting love, a state of inspiration and ascent before the new peak that she wanted to achieve. For Ilyinskaya, Oblomov’s feelings were not really important; she wanted to make him her ideal, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that he owed everything he had to Olga.

Introduction

Olga Ilyinskaya in Goncharov’s novel “Oblomov” is the most striking and complex female character. Getting to know her as a young, only developing girl, the reader sees her gradual maturation and revelation as a woman, mother, and independent person. At the same time, a complete description of Olga’s image in the novel “Oblomov” is possible only when working with quotes from the novel that most succinctly convey the appearance and personality of the heroine:

“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat tall stature; the size of the head corresponded to the oval and size of the face; all this, in turn, was in harmony with the shoulders, and the shoulders with the body...”

When meeting Olga, people always stopped for a moment “before this so strictly and thoughtfully, artistically created creature.”

Olga received a good upbringing and education, understands science and art, reads a lot and is in constant development, learning, achieving new and new goals. These features of hers were reflected in the girl’s appearance: “The lips are thin and mostly compressed: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the vigilant, always cheerful, unmissing gaze of dark, gray-blue eyes,” and unevenly spaced thin eyebrows created a small fold on the forehead “in which something seemed to say, as if a thought rested there.” Everything about her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, resting so slenderly and nobly on her thin, proud neck; she moved her whole body evenly, walking lightly, almost imperceptibly.”

Love for Oblomov

The image of Olga Ilyinskaya in “Oblomov” appears at the beginning of the novel as a still very young, little-knowing girl, looking at the world around her with wide open eyes and trying to understand it in all its manifestations. The turning point, which became for Olga a transition from childhood shyness and a certain embarrassment (as was the case when communicating with Stolz), was her love for Oblomov. The wonderful, strong, inspiring feeling that flared up between the lovers with lightning speed was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for semi-ideal prototypes of real heroes.

For Ilyinskaya, love for Oblomov was not associated with those feminine tenderness, softness, acceptance and care that Oblomov expected from her, but with duty, the need to change the inner world of her lover, to make him a completely different person:

“She dreamed of how she would “order him to read the books” that Stolz left, then read newspapers every day and tell her the news, write letters to the village, complete a plan for organizing the estate, get ready to go abroad - in a word, he would not fall asleep with her; she will show him a goal, make him love again everything that he has stopped loving.”

“And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, her feelings for Ilya Ilyich can hardly be called true love - it was a fleeting love, a state of inspiration and ascent before the new peak that she wanted to achieve. For Ilyinskaya, Oblomov’s feelings were not really important; she wanted to make him her ideal, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that he owed everything he had to Olga.

Olga and Stolz

The relationship between Olga and Stolz developed from a tender, reverent friendship, when Andrei Ivanovich was for the girl a teacher, mentor, an inspiring figure, distant and inaccessible in his own way: “When a question or bewilderment arose in her mind, she did not suddenly decide to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their minds and years.”

The marriage to Stolz, who helped her recover after breaking up with Ilya Ilyich, was logical, since the characters are very similar in character, life guidelines and goals. Olga saw quiet, calm, endless happiness in her life together with Stolz:

“She experienced happiness and could not determine where the boundaries were, what it was.”

“She, too, walked alone, along an inconspicuous path, and he also met her at a crossroads, gave her his hand and led her out not into the brilliance of dazzling rays, but as if onto the flood of a wide river, to spacious fields and friendly smiling hills.”

Having lived together for several years in cloudless, endless happiness, seeing in each other those ideals that they had always dreamed of and those people who appeared in their dreams, the heroes began to seem to move away from each other. It became difficult for Stolz to reach out for the inquisitive Olga, constantly striving forward, and the woman “began to strictly notice herself and realized that she was embarrassed by this silence of life, its stopping at moments of happiness,” asking questions: “Is it really still necessary and possible to desire something?” ? Where should we go? Nowhere! There is no further road... Really, really, have you completed the circle of life? Is it really all here... everything....” The heroine begins to become disillusioned with family life, in a woman's destiny and in the fate that was destined for her from birth, but continues to believe in her doubting husband and that their love will keep them together even in the most difficult hour:

“That unfading and undying love lay powerfully, like the force of life, on their faces - in a time of friendly sorrow, it shone in the slowly and silently exchanged glance of collective suffering, was heard in endless mutual patience against life’s torture, in restrained tears and muffled sobs.”

And although Goncharov does not describe in the novel how the further relationship between Olga and Stolz developed, one can briefly assume that after some time the woman either left her husband or lived the rest of her life unhappy, increasingly plunging into disappointment from the unattainability of those lofty goals about which I dreamed of in my youth.

Conclusion

The image of Olga Ilyinskaya in the novel “Oblomov” by Goncharov is a new, to some extent feminist type of Russian woman who does not want to close herself off from the world, limiting herself to the household and family. a brief description of Olga in the novel is a woman seeker, a woman innovator, for whom “routine” family happiness and “Oblomovism” were truly the most terrifying and frightening things that could lead to degradation and stagnation of her forward-oriented, learning personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and certainly not the meaning of life, as with Agafya Pshenitsyna.

The tragedy of Olga’s image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities capable of changing the world on an equal basis with men, so she would still have been awaited by the same soporific, monotonous family happiness that the girl so feared.

Work test

“Disassemble female images“, created by I. A. Goncharov, means making a claim to be a great connoisseur of the female heart,” noted one of the most insightful Russian critics, N. A. Dobrolyubov. Indeed, the image of Olga Ilyinskaya can be called an undoubted success of Goncharov the psychologist. He embodied not only the best features of a Russian woman, but also all the best that the writer saw in Russian people in general.
“Olga in strictly speaking she was not a beauty, that is, there was no whiteness in her, no bright coloring of her cheeks and lips, and her eyes did not burn with rays of inner fire... But if she were turned into a statue, she would be a statue of grace and harmony” - that’s right, I. A. Goncharov gives a portrait of his heroine in just a few details. And already in him we see those features that have always attracted Russian writers in any woman: the absence of artificiality, beauty that is not frozen, but living. “In a rare girl,” the author emphasizes, “you will find such simplicity and natural freedom of look, word, action... No affectation, no coquetry, no lies, no tinsel, no intent.”
Olga is a stranger in her own environment. But she is not a victim, because she has both intelligence and determination to defend the right to her life position, to behavior that is not oriented towards generally accepted norms. It is no coincidence that Oblomov perceived Olga as the embodiment of the ideal that he dreamed of. As soon as Olga sang “Casta diva”, he immediately “recognized” her. Not only Oblomov “recognized” Olga, but she also recognized him. Love for Olga becomes not only a test. “Where did she take her life lessons?” - Stolz thinks about her with admiration, who loves Olga just like this, transformed by love.
It is the relationship of the main character of the novel with Olga that allows us to better understand the character of Ilya Oblomov. It is Holga’s look at her lover that helps the reader look at him the way the author wanted.
What does Olga see in Oblomov? Intelligence, simplicity, gullibility, the absence of all those secular conventions that are also alien to her. She feels that there is no cynicism in Ilya, but there is a constant desire for doubt and sympathy. But Olga and Oblomov are not destined to be happy.
Oblomov has a presentiment that his relationship with Olga cannot always be their personal matter; they will certainly turn into a lot of conventions and responsibilities. You will have to “conform”, do business, become a member of society and the head of the family, and so on. Stolz and Olga reproach Oblomov for inactivity, and in response he only makes unrealistic promises or smiles “somehow pitifully, painfully bashful, like a beggar who was reproached for his nakedness.”
Olga constantly thinks not only about her feelings, but also about the influence on Oblomov, about her “mission”: “And she will do all this miracle, so timid, silent, to whom no one has listened until now, who has not yet begun to live!” And love becomes a duty for Olga, and therefore can no longer be reckless, spontaneous. Moreover, Olga is not ready to sacrifice everything for the sake of love. “Would you like to know if I would sacrifice my peace of mind for you, if I would go down this path with you?.. Never, never!” - she decisively answers Oblomov.
Oblomov and Olga expect the impossible from each other. It comes from him - activity, will, energy; in her mind, he should become like Stolz, but only while preserving the best that is in his soul. He is from her - reckless, selfless love. And both of them are deceived, convincing themselves that this is possible, and therefore the end of their love is inevitable. Olga loves the Oblomov whom she herself created in her imagination, whom she sincerely wanted to create in life. “I thought that I would revive you, that you could still live for me, but you have died a long time ago,” Olga hardly pronounces a harsh sentence and asks a bitter question: “Who cursed you, Ilya? What did you do?<...>What ruined you? There is no name for this evil...” “There is,” answers Ilya. - Oblomovism!” The tragedy of Olga and Oblomov becomes the final verdict on the phenomenon that Goncharov portrayed.
Olga marries Stolz. It was he who managed to ensure that in Olga’s soul common sense and reason finally defeated the feeling that tormented her. Her life can be called happy. She believes in her husband, and therefore loves him. But Olga begins to feel an inexplicable melancholy. Stolz's mechanical, active life does not provide those opportunities for the movement of the soul that were in her feelings for Oblomov. And even Stolz guesses: “Once you know him, it’s impossible to stop loving him.” With love for Oblomov, part of Olga’s soul dies; she remains a victim forever.
“Olga, in her development, represents the highest ideal that only a Russian artist can now evoke from present-day Russian life,<...>a living face, only one we have never met before,” wrote Dobrolyubov. We can confidently say that Olga Ilyinskaya continues the gallery of beautiful female types that Tatyana Larina opened and which will be admired by more than one generation of readers.

Olga Sergeevna Ilyinskaya - from the series women's portraits Goncharova, a bright and memorable nature. By bringing Olga closer to Oblomov, Goncharov set himself two tasks, each of which is important in itself. Firstly, the author in his work sought to show the sensations that the presence of a young, pretty woman awakens. Secondly, he wanted to present in as complete an outline as possible the female personality herself, capable of the moral re-creation of a man

Fallen, exhausted, but still retaining many human feelings.

Olga’s beneficial influence soon affected Oblomov: on the very first day of their acquaintance, Oblomov hated both the terrible disorder that reigned in his room and the sleepy lying on the sofa on which he clothed himself. Little by little, going into new life, indicated by Olga, Oblomov submitted to his completely beloved woman, who recognized in him a pure heart, a clear, albeit inactive mind, and who sought to awaken his spiritual strength. He began not only to re-read books that had previously been lying around without any attention, but also to briefly convey their contents to the inquisitive Olga.

How did Olga manage to carry out such a revolution in Oblomov? To answer this question, you need to turn to Olga’s characteristics.

What kind of person was Olga Ilyinskaya? First of all, it is necessary to note the independence of her nature and the originality of her mind, which were a consequence of the fact that, having lost her parents early, she followed her own firm path. On this basis, Olga’s inquisitiveness developed, which amazed those people with whom her fate encountered. Seized by a burning need to know as much as possible, Olga realizes the superficiality of her education and speaks bitterly of the fact that women are not given an education. In these words of hers one can already feel a woman of a new time, striving to be equal to men in terms of education.

The ideological nature of Olga’s nature makes her similar to Turgenev’s female characters. Life for Olga is an obligation and a duty. On the basis of such an attitude towards life, her love for Oblomov grew, whom, not without the influence of Stoltz, she set out to save from the prospect of mentally sinking and plunging into the mire of a short-lived existence. Her break with Oblomov is also ideological, which she decided to do only when she was convinced that Oblomov could never be revived. In the same way, the dissatisfaction that at times gripped Olga’s soul after she got married flows from the same bright source: it is nothing more than a longing for an ideological cause that the prudent and judicious Stolz could not give her.

But disappointment will never lead Olga to laziness and apathy. For this she has a strong enough will. Olga is characterized by determination, which allows her to disregard any obstacles in order to revive her loved one to a new life. And the same willpower came to her aid when she saw that she could not revive Oblomov. She decided to break up with Oblomov and dealt with her heart, no matter how dearly it cost her, no matter how difficult it was to tear love out of her heart.

As mentioned earlier, Olga is a woman of new times. Goncharov quite clearly expressed the need for this type of woman that existed at that time.

Outline of the article “Characteristics of Olga Ilyinskaya”

Main part. Olga's character
a) Mind:
- independence,
- thoughtfulness,
- curiosity,
- ideological,
- a sublime outlook on life.

b) Heart:
- love for Oblomov,
- breaking up with him,
- dissatisfaction,
- disappointment.

c) Will:
- determination,
- hardness.

Conclusion. Olga is like a type of new woman.