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Argument on the theme of garnet bracelet. The theme of love in the story “Garnet Bracelet. Love that leads to self-destruction

Do you need courage in love?

Courage is a person’s ability to overcome fears. It is human nature to be afraid, this is natural. But the ability to overcome fears, leave your comfort zone, and act when you are unsure of yourself is very important. Especially in love. A person who falls in love initially feels insecure and fears appear. But without daring to act, nothing will work out in terms of relationships. You need decisive actions to simply get noticed.

Alexander Ivanovich Kuprin tried to answer the question in the story. The author introduces us to many heroes. The story begins with a description of the weather, first in mid-August and then in early September.

It’s Vera Nikolaevna’s name day and guests come to her for the occasion. As a gift, she discovers a letter and a garnet bracelet. Soon Nikolai and Vasily Lvovich recognize the sender. He turns out to be a middle-aged man, G. S. Zheltkov. He admits that he fell in love with Vera even before her marriage. Why did Zheltkov remain inactive? At least he could meet Vera. I think financial status played a role. Zheltkov was a poor man and did not want to darken Vera’s life. But before marriage, Zheltkov is obliged to act. As we see, inaction does not lead to anything good.

Thus, based on the above, I want to draw a conclusion. A person needs to overcome fears and act decisively towards his loved one.

Updated: 2017-10-02

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Introduction
Garnet bracelet” is one of the most famous stories of the Russian prose writer Alexander Ivanovich Kuprin. It was published in 1910, but for the domestic reader it still remains a symbol of unselfish, sincere love, the kind that girls dream about, and the one that we so often miss. We previously published this wonderful work. In this same publication we will tell you about the main characters, analyze the work and talk about its problems.

The events of the story begin to unfold on the birthday of Princess Vera Nikolaevna Sheina. They celebrate at the dacha with their closest people. At the height of the fun, the hero of the occasion receives a gift - a garnet bracelet. The sender decided to remain unrecognized and signed the short note only with the initials of the HSG. However, everyone immediately guesses that this is Vera’s long-time admirer, a certain petty official who has been inundating her with love letters for many years. The princess's husband and brother quickly figure out the identity of the annoying suitor and the next day they go to his home.

In a wretched apartment they are met by a timid official named Zheltkov, he meekly agrees to take the gift and promises never to appear in front of the respectable family again, provided that he makes a final farewell call to Vera and makes sure that she does not want to know him. Vera Nikolaevna, of course, asks Zheltkov to leave her. The next morning the newspapers will write that a certain official took his own life. In his farewell note, he wrote that he had squandered government property.

Main characters: characteristics of key images

Kuprin is a master of portraiture, and through appearance he draws the character of the characters. The author pays a lot of attention to each character, devoting a good half of the story to portrait characteristics and memories, which also reveal characters. The main characters of the story are:

  • – princess, central female image;
  • - her husband, the prince, the provincial leader of the nobility;
  • - a minor official of the control chamber, passionately in love with Vera Nikolaevna;
  • Anna Nikolaevna Friesse– Vera’s younger sister;
  • Nikolai Nikolaevich Mirza-Bulat-Tuganovsky– brother of Vera and Anna;
  • Yakov Mikhailovich Anosov- general, military comrade of Vera’s father, close friend families.

Vera is an ideal representative of high society in appearance, manners, and character.

“Vera took after her mother, a beautiful Englishwoman, with her tall, flexible figure, gentle, but cold and proud face, beautiful, although rather big hands and that charming sloping shoulder that can be seen in ancient miniatures.”

Princess Vera was married to Vasily Nikolaevich Shein. Their love had long ceased to be passionate and moved into that calm stage of mutual respect and tender friendship. Their union was happy. The couple did not have children, although Vera Nikolaevna passionately wanted a baby, and therefore gave all her unspent feelings to the children of her younger sister.

Vera was royally calm, coldly kind to everyone, but at the same time very funny, open and sincere with close people. She was not characterized by such feminine tricks as affectation and coquetry. Despite his high status Vera was very prudent, and knowing how poorly things were going for her husband, she sometimes tried to deprive herself so as not to put him in an uncomfortable position.



Vera Nikolaevna’s husband is a talented, pleasant, gallant, noble person. He has an amazing sense of humor and is a brilliant storyteller. Shein keeps a home journal in which she records true stories with pictures about the life of the family and its relatives.

Vasily Lvovich loves his wife, perhaps not as passionately as in the first years of marriage, but who knows how long passion actually lasts? The husband deeply respects her opinion, feelings, and personality. He is compassionate and merciful to others, even those who are much lower in status than him (this is evidenced by his meeting with Zheltkov). Shein is noble and endowed with the courage to admit mistakes and his own wrongness.



We first meet Official Zheltkov towards the end of the story. Until this moment, he is present in the work invisibly in the grotesque image of a klutz, an eccentric, a fool in love. When the long-awaited meeting finally takes place, we see before us a meek and shy person, such people are usually not noticed and called “little”:

“He was tall, thin, with long, fluffy, soft hair.”

His speeches, however, are devoid of the chaotic whims of a madman. He is fully aware of his words and actions. Despite his apparent cowardice, this man is very courageous; he boldly tells the prince, Vera Nikolaevna’s legal husband, that he is in love with her and cannot do anything about it. Zheltkov does not fawn over the rank and position in society of his guests. He submits, but not to fate, but only to his beloved. And he also knows how to love – selflessly and sincerely.

“It so happened that I am not interested in anything in life: neither politics, nor science, nor philosophy, nor concern for the future happiness of people - for me life lies only in you. I now feel that I have crashed into your life like some kind of uncomfortable wedge. If you can, forgive me for this"

Analysis of the work

Kuprin got the idea for his story from real life. In reality, the story was more of an anecdotal nature. A certain poor telegraph operator named Zheltikov was in love with the wife of one of the Russian generals. One day this eccentric was so brave that he sent his beloved a simple gold chain with a pendant in the form easter egg. It's hilarious and that's it! Everyone laughed at the stupid telegraph operator, but the inquisitive writer’s mind decided to look beyond the anecdote, because real drama can always be hidden behind the apparent curiosity.

Also in “The Pomegranate Bracelet,” the Sheins and their guests first make fun of Zheltkov. Vasily Lvovich even has a funny story about this in his home magazine called “Princess Vera and the telegraph operator in love.” People tend not to think about other people's feelings. The Sheins were not bad, callous, soulless (this is proven by the metamorphosis in them after meeting Zheltkov), they just did not believe that the love that the official admitted could exist..

There are many symbolic elements in the work. For example, a garnet bracelet. Garnet is a stone of love, anger and blood. If a feverish person picks it up (a parallel with the expression “love fever”), the stone will take on a more saturated hue. According to Zheltkov himself, this special type of pomegranate (green pomegranate) gives women the gift of foresight, and protects men from violent death. Zheltkov, having parted with his amulet bracelet, dies, and Vera unexpectedly predicts his death.

Another symbolic stone - pearls - also appears in the work. Vera receives pearl earrings as a gift from her husband on the morning of her name day. Pearls, despite their beauty and nobility, are an omen of bad news.
The weather also tried to predict something bad. On the eve of the fateful day, a terrible storm broke out, but on the birthday everything calmed down, the sun came out and the weather was calm, like a calm before a deafening clap of thunder and an even stronger storm.

Problems of the story

The key problem of the work is the question “What is real love? In order for the “experiment” to be pure, the author provides different types“love.” This is the tender love-friendship of the Sheins, and the calculating, convenient love of Anna Friesse for her indecently rich old man-husband, who blindly adores her soulmate, and the long-forgotten ancient love General Amosov, and Zheltkov’s all-consuming love and worship for Vera.

main character For a long time she herself cannot understand whether it is love or madness, but looking into his face, albeit hidden by the mask of death, she is convinced that it was love. Vasily Lvovich draws the same conclusions after meeting his wife’s admirer. And if at first he was somewhat belligerent, then later he could not be angry with the unfortunate man, because, it seems, a secret was revealed to him, which neither he, nor Vera, nor their friends could comprehend.

People are selfish by nature and even in love, they think first of all about their feelings, masking their own egocentrism from their other half and even themselves. True love, which occurs between a man and a woman once every hundred years, puts the beloved in first place. So Zheltkov calmly lets Vera go, because that’s the only way she will be happy. The only problem is that he doesn’t need life without her. In his world, suicide is a completely natural step.

Princess Sheina understands this. She sincerely mourns Zheltkov, a man whom she practically did not know, but, oh my God, perhaps true love, which occurs once every hundred years, passed her by.

“I am eternally grateful to you just for the fact that you exist. I tested myself - this is not a disease, not a manic idea - this is love with which God was pleased to reward me for something... Leaving, I say in delight: “Let him be holy.” your name

Place in literature: Literature of the 20th century → Russian literature of the 20th century → Works of Alexander Ivanovich Kuprin → The story “Garnet Bracelet” (1910)

Introduction
“The Garnet Bracelet” is one of the most famous stories by Russian prose writer Alexander Ivanovich Kuprin. It was published in 1910, but for the domestic reader it still remains a symbol of unselfish, sincere love, the kind that girls dream about, and the one that we so often miss. Previously, we published a summary of this wonderful work. In this same publication we will tell you about the main characters, analyze the work and talk about its problems.

The events of the story begin to unfold on the birthday of Princess Vera Nikolaevna Sheina. They celebrate at the dacha with their closest people. At the height of the fun, the hero of the occasion receives a gift - a garnet bracelet. The sender decided to remain unrecognized and signed the short note only with the initials of the HSG. However, everyone immediately guesses that this is Vera’s long-time admirer, a certain petty official who has been inundating her with love letters for many years. The princess's husband and brother quickly figure out the identity of the annoying suitor and the next day they go to his home.

In a wretched apartment they are met by a timid official named Zheltkov, he meekly agrees to take the gift and promises never to appear in front of the respectable family again, provided that he makes a final farewell call to Vera and makes sure that she does not want to know him. Vera Nikolaevna, of course, asks Zheltkov to leave her. The next morning the newspapers will write that a certain official took his own life. In his farewell note, he wrote that he had squandered government property.

Main characters: characteristics of key images

Kuprin is a master of portraiture, and through appearance he draws the character of the characters. The author pays a lot of attention to each character, devoting a good half of the story to portrait characteristics and memories, which are also revealed by the characters. The main characters of the story are:

  • – princess, central female image;
  • - her husband, the prince, the provincial leader of the nobility;
  • - a minor official of the control chamber, passionately in love with Vera Nikolaevna;
  • Anna Nikolaevna Friesse– Vera’s younger sister;
  • Nikolai Nikolaevich Mirza-Bulat-Tuganovsky– brother of Vera and Anna;
  • Yakov Mikhailovich Anosov- general, military comrade of Vera’s father, close friend of the family.

Vera is an ideal representative of high society in appearance, manners, and character.

“Vera took after her mother, a beautiful Englishwoman, with her tall, flexible figure, gentle but cold and proud face, beautiful, albeit rather large hands and that charming sloping shoulders that can be seen in ancient miniatures.”

Princess Vera was married to Vasily Nikolaevich Shein. Their love had long ceased to be passionate and moved into that calm stage of mutual respect and tender friendship. Their union was happy. The couple did not have children, although Vera Nikolaevna passionately wanted a baby, and therefore gave all her unspent feelings to the children of her younger sister.

Vera was royally calm, coldly kind to everyone, but at the same time very funny, open and sincere with close people. She was not characterized by such feminine tricks as affectation and coquetry. Despite her high status, Vera was very prudent, and knowing how poorly things were going for her husband, she sometimes tried to deprive herself so as not to put him in an uncomfortable position.



Vera Nikolaevna’s husband is a talented, pleasant, gallant, noble person. He has an amazing sense of humor and is a brilliant storyteller. Shein keeps a home journal, which contains true stories with pictures about the life of the family and those close to them.

Vasily Lvovich loves his wife, perhaps not as passionately as in the first years of marriage, but who knows how long passion actually lasts? The husband deeply respects her opinion, feelings, and personality. He is compassionate and merciful to others, even those who are much lower in status than him (this is evidenced by his meeting with Zheltkov). Shein is noble and endowed with the courage to admit mistakes and his own wrongness.



We first meet Official Zheltkov towards the end of the story. Until this moment, he is present in the work invisibly in the grotesque image of a klutz, an eccentric, a fool in love. When the long-awaited meeting finally takes place, we see before us a meek and shy person, such people are usually not noticed and called “little”:

“He was tall, thin, with long, fluffy, soft hair.”

His speeches, however, are devoid of the chaotic whims of a madman. He is fully aware of his words and actions. Despite his apparent cowardice, this man is very courageous; he boldly tells the prince, Vera Nikolaevna’s legal husband, that he is in love with her and cannot do anything about it. Zheltkov does not fawn over the rank and position in society of his guests. He submits, but not to fate, but only to his beloved. And he also knows how to love – selflessly and sincerely.

“It so happened that I am not interested in anything in life: neither politics, nor science, nor philosophy, nor concern for the future happiness of people - for me life lies only in you. I now feel that I have crashed into your life like some kind of uncomfortable wedge. If you can, forgive me for this"

Analysis of the work

Kuprin got the idea for his story from real life. In reality, the story was more of an anecdotal nature. A certain poor telegraph operator named Zheltikov was in love with the wife of one of the Russian generals. One day this eccentric was so brave that he sent his beloved a simple gold chain with a pendant in the shape of an Easter egg. It's hilarious and that's it! Everyone laughed at the stupid telegraph operator, but the inquisitive writer’s mind decided to look beyond the anecdote, because real drama can always be hidden behind the apparent curiosity.

Also in “The Pomegranate Bracelet,” the Sheins and their guests first make fun of Zheltkov. Vasily Lvovich even has a funny story about this in his home magazine called “Princess Vera and the telegraph operator in love.” People tend not to think about other people's feelings. The Sheins were not bad, callous, soulless (this is proven by the metamorphosis in them after meeting Zheltkov), they just did not believe that the love that the official admitted could exist..

There are many symbolic elements in the work. For example, a garnet bracelet. Garnet is a stone of love, anger and blood. If a feverish person picks it up (a parallel with the expression “love fever”), the stone will take on a more saturated hue. According to Zheltkov himself, this special type of pomegranate (green pomegranate) gives women the gift of foresight, and protects men from violent death. Zheltkov, having parted with his amulet bracelet, dies, and Vera unexpectedly predicts his death.

Another symbolic stone - pearls - also appears in the work. Vera receives pearl earrings as a gift from her husband on the morning of her name day. Pearls, despite their beauty and nobility, are an omen of bad news.
The weather also tried to predict something bad. On the eve of the fateful day, a terrible storm broke out, but on the birthday everything calmed down, the sun came out and the weather was calm, like a calm before a deafening clap of thunder and an even stronger storm.

Problems of the story

The key problem of the work is the question “What is true love?” In order for the “experiment” to be pure, the author gives different types of “love”. This is the tender love-friendship of the Sheins, and the calculating, convenient love of Anna Friesse for her indecently rich old man-husband, who blindly adores her soul mate, and the long-forgotten ancient love of General Amosov, and the all-consuming love-worship of Zheltkov for Vera.

The main character herself cannot understand for a long time whether it is love or madness, but looking into his face, albeit hidden by the mask of death, she is convinced that it was love. Vasily Lvovich draws the same conclusions after meeting his wife’s admirer. And if at first he was somewhat belligerent, then later he could not be angry with the unfortunate man, because, it seems, a secret was revealed to him, which neither he, nor Vera, nor their friends could comprehend.

People are selfish by nature and even in love, they think first of all about their feelings, masking their own egocentrism from their other half and even themselves. True love, which occurs between a man and a woman once every hundred years, puts the beloved first. So Zheltkov calmly lets Vera go, because that’s the only way she will be happy. The only problem is that he doesn’t need life without her. In his world, suicide is a completely natural step.

Princess Sheina understands this. She sincerely mourns Zheltkov, a man whom she practically did not know, but, oh my God, perhaps true love, which occurs once every hundred years, passed her by.

“I am eternally grateful to you just for the fact that you exist. I checked myself - this is not a disease, not a manic idea - this is love with which God was pleased to reward me for something... Leaving, I say in delight: “Hallowed be Thy name.”

Place in literature: Literature of the 20th century → Russian literature of the 20th century → Works of Alexander Ivanovich Kuprin → The story “Garnet Bracelet” (1910)

Alexander Ivanovich Kuprin is an outstanding Russian writer of the early twentieth century. In his works, he sang love: genuine, sincere and real, not demanding anything in return. Not every person is given the opportunity to experience such feelings, and only a few are capable of discerning them, accepting them and surrendering to them among the abyss of life events.

A. I. Kuprin - biography and creativity

Little Alexander Kuprin lost his father when he was only a year old. His mother, a representative of an old family of Tatar princes, made a fateful decision for the boy to move to Moscow. At the age of 10, he entered the Moscow Military Academy; the education he received played a significant role in the writer’s work.

Later, he would create more than one work dedicated to his military youth: the writer’s memories can be found in the stories “At the Turning Point (Cadets)”, “Army Ensign”, and in the novel “Junker”. For 4 years Kuprin remained an officer in an infantry regiment, but the desire to become a novelist never left him: first famous work, the story “In the Dark,” Kuprin wrote at the age of 22. The life of the army will be reflected more than once in his work, including in his most significant work, the story “The Duel.” One of the important themes that made the writer’s works classics of Russian literature was love. Kuprin, masterfully wielding the pen, creating incredibly realistic, detailed and thoughtful images, was not afraid to demonstrate the realities of society, exposing its most immoral sides, as, for example, in the story “The Pit”.

The story “Garnet Bracelet”: history of creation

Kuprin began working on the story in difficult times for the country: one revolution ended, the funnel of another began to spin. The theme of love in Kuprin’s work “The Garnet Bracelet” is created in opposition to the mood of society; it becomes sincere, honest, and selfless. “The Garnet Bracelet” became an ode to such love, a prayer and a requiem for it.

The story was published in 1911. It was based on a real story, which made a deep impression on the writer; Kuprin almost completely preserved it in his work. Only the ending was changed: in the original, Zheltkov’s prototype abandoned his love, but remained alive. The suicide that ended Zheltkov’s love in the story is just another interpretation of the tragic ending of incredible feelings, which makes it possible to fully demonstrate the destructive power of the callousness and lack of will of the people of that time, which is what “Garnet Bracelet” is about. The theme of love in the work is one of the key ones, it is worked out in detail, and the fact that the story is created on the basis real events, makes it even more expressive.

The theme of love in Kuprin’s work “The Garnet Bracelet” is at the center of the plot. The main character of the work is Vera Nikolaevna Sheina, the prince’s wife. She constantly receives letters from a secret admirer, but one day an admirer gives her an expensive gift - a garnet bracelet. The theme of love in the work begins here. Considering such a gift indecent and compromising, she told her husband and brother about it. Using their connections, they can easily find the sender of the gift.

He turns out to be a modest and petty official Georgy Zheltkov, who, having accidentally seen Sheina, fell in love with her with all his heart and soul. He was content with allowing himself to write letters occasionally. The prince came to him with a conversation, after which Zheltkov felt that he had failed his pure and immaculate love, betrayed Vera Nikolaevna, compromising her with his gift. He wrote a farewell letter, where he asked his beloved to forgive him and listen to Beethoven's Piano Sonata No. 2 goodbye, and then shot himself. This story alarmed and interested Sheina; she, having received permission from her husband, went to the apartment of the late Zheltkov. There, for the first time in her life, she experienced those feelings that she had not recognized throughout the eight years of the existence of this love. Already at home, listening to that same melody, she realizes that she has lost her chance at happiness. This is how the theme of love is revealed in the work “Garnet Bracelet”.

Images of the main characters

The images of the main characters reflect the social realities not only of that time. These roles are characteristic of humanity as a whole. In pursuit of status and material well-being, a person again and again abandons the most important thing - a bright and pure feeling that does not need expensive gifts and loud words.
The image of Georgy Zheltkov is the main confirmation of this. He is not rich, unremarkable. This is a modest person who does not demand anything in return for his love. Even in his suicide note, he indicates a false reason for his action, so as not to bring trouble to his beloved, who indifferently abandoned him.

Vera Nikolaevna is a young woman accustomed to living exclusively in accordance with the principles of society. She does not shy away from love, but does not consider it a vital necessity. She has a husband who was able to give her everything she needed, and she does not consider the existence of other feelings possible. This happens until she encounters the abyss after the death of Zheltkov - the only thing that can excite the heart and inspire turned out to be hopelessly missed.

The main theme of the story “Garnet Bracelet” is the theme of love in the work

Love in the story is a symbol of the nobility of the soul. This is not the case with the callous Prince Shein or Nikolai; Vera Nikolaevna herself can be called callous - until the moment of her trip to the deceased’s apartment. Love was the highest manifestation of happiness for Zheltkov, he did not need anything else, he found the bliss and splendor of life in his feelings. Vera Nikolaevna saw only tragedy in this unrequited love, her admirer evoked only pity in her, and this is where main drama heroine - she was not able to appreciate the beauty and purity of these feelings, this is noted in every essay on the work “Garnet Bracelet”. The theme of love, interpreted differently, will invariably appear in every text.

Vera Nikolaevna herself committed a betrayal of love when she took the bracelet to her husband and brother - the foundations of society turned out to be more important to her than the only bright and selfless feeling that took place in her emotionally meager life. She realizes this too late: that feeling that occurs once every few hundred years has disappeared. It touched her lightly, but she could not see the touch.

Love that leads to self-destruction

Kuprin himself earlier in his essays once expressed the idea that love is always a tragedy, it contains equally all emotions and joys, pain, happiness, joy and death. All these feelings were contained in one little man, Georgiy Zheltkov, who saw sincere happiness in unrequited feelings for a cold and inaccessible woman. His love had no ups and downs until brute force in the person of Vasily Shein intervened. The resurrection of love and the resurrection of Zheltkov himself symbolically occurs at the moment of Vera Nikolaevna’s epiphany, when she listens to the very music of Beethoven and cries by the acacia tree. This is the “Garnet Bracelet” - the theme of love in the work is full of sadness and bitterness.

Main conclusions from the work

Perhaps the main line is the theme of love in the work. Kuprin demonstrates a depth of feelings that not every soul is able to understand and accept.

Kuprin's love requires a rejection of morals and norms forcibly imposed by society. Love doesn't need money or high position in society, but it requires much more from a person: unselfishness, sincerity, complete dedication and selflessness. I would like to note the following, concluding the analysis of the work “Garnet Bracelet”: the theme of love in it forces one to renounce all social values, but in return bestows true happiness.

Cultural heritage of the work

Kuprin made a huge contribution to the development of love lyrics: “Garnet Bracelet,” analysis of the work, the theme of love and its study became mandatory in school curriculum. This work has also been filmed several times. The first film based on the story was released 4 years after publication, in 1914.

Them. N. M. Zagursky staged the ballet of the same name in 2013.

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