FINE ARTS Human Beauty Grade 4 Lesson 5

Primary school teacher

MBOU Secondary School No. 33, Simferopol

• Goals: study images of female characters in paintings by Russian artists; carry out analytical work to compare them; introduce the ideals of Russian beauty; repeat the skills of depicting a person in a drawing; teach the depiction of elements of folk costumes; conduct psychological attitude classes; introduce the terms “kokoshnik”, “sarafan”.
• Kind of activity: drawing.
• Planned results: schoolchildren will analyze the images in the portraits of Russian artists; repeat the specifics of making a portrait; will acquire knowledge about changing ideals of Russian beauty; practice painting a portrait; will be psychologically prepared for classes.

• A portrait is a work of fine art containing the image of one or more people.
• A portrait painter is an artist, a specialist in the field of portraiture.
• Russian costume is national clothing.
• Idyll is a short poetic work depicting a serene life.

• What are genres in fine art?
• What genres of fine art do you know?
• You have already been drawing this year, what genre can your drawings be classified into? (Landscapes.)

• There are paintings hanging here,
• How many eyes do you want -
• Here are the stands, and here are the display cases.
• Today you came to the museum.
• There are pictures for every taste here.
• What does our viewer like?
• Grove with red rowan -
• This, dear friend,... .
• Forest and field, meadow and river,
• Blue skies
• Beautiful places We look for half an hour.
• I. Agapova

• Today you will meet with a genre of fine art that is already familiar to you. To remember it, you will also have to solve a riddle.

• We love paintings very much
• And we will answer everything:
• Here's a girl in a colorful fur coat -
• This, dear friend,...
• Mom is drawn here,
• Grandfather and grandmother are behind her.
• We will frame the portraits
• And hang it on the wall.
• I. Agapova

• Before you start studying portraits of great Russian artists and creating your own drawings, let's get ready for the lesson. Sit comfortably, lean back in your chairs. Take as many deep breaths as you can. Cover your eyes.

• The teacher pronounces phrases that the students repeat after him.

• I enjoy working in art classes.
• I can distinguish paintings by their genres and can tell about them.
• I like to study paintings by great artists.
• I like to draw.
• I enjoy appliqué and design.
• My hands will become skillful.
• I diligently complete all tasks.
• I try to do everything the teacher asks, and I learn to do everything very well.

• I ask you to take a deep breath and open your eyes.

• The artist Ivan Petrovich Argunov was a serf who managed the palaces of Count Sheremetev.
• I. Argunov was talented, his talent was noticed, he was trusted to draw portraits of gentlemen and even Russian queens. The main genre in which he worked was portrait. Argunov sought to show in portraits the natural strength and dignity of a person.

• But one of his best works became a portrait not of a count or a queen, but of a peasant woman from the Moscow province, a reproduction of which is placed in the textbook. The master created a pure, clear image of a Russian woman with a calm and kind soul. This portrait is distinguished by the clarity of the drawing, the severity of the forms, and the thoughtful relationship of colors.

• The second painting is called “Northern Idyll”, its author is the artist Konstantin Alekseevich Korovin. The word idyll means consistency, an ideal image. And indeed in his painting the artist conveys the character of such an idyll.

• In many books you have already encountered a description of the image of a girl or woman - a Russian beauty.
• I will remind you of one famous passage - the description of the Swan Princess from Pushkin's fairy tale.
• Here she is, her wings shining,
• Flew over the waves
• And to the shore from above
• She sank into the bushes.
• Started up, shook myself off
• And she turned into a princess.
• And she herself is majestic,
• Performs like a peahen.
• The moon shines under the scythe,
• And in the forehead the star is burning.

• And here is a description of a Russian peasant woman, which was created by another Russian poet - N. Nekrasov.
• There are women in Russian villages
• With calm importance of faces,
• With beautiful strength in movements,
• With the gait, with the look of queens, -
• Wouldn't a blind person notice them?
• And the sighted man says about them:
• “It will pass - as if it will illuminate the sun!
• If he looks, he’ll give me a ruble!”
• ...Beauty, the world is a wonder,
• Blush, slim, tall,
• She is beautiful in any clothes,
• Dexterous for any job.

• . Get started full face portrait drawing from an oval (it can be more or less oblong, depending on the shape of the head), divided by a line in half vertically. The horizontal line will also divide the oval in half; it passes at the level of the bridge of the nose and the inner corner of the eye - the teardrop. The intersection of these lines, forming the so-called cross, will be the control point from which you need to build the rest of the face. To maintain the correct proportions of the face, it is necessary to determine the ratio of its width to height.

• We outline all parts of the face. The nose fits approximately three times along the height of the face and is shaped like a prism.
• When depicting eyes, you need to remember that each person has an individual pattern. It is determined by the size of the eyeballs and how they are located in the orbital sockets. The shape of the eyes also varies. The distance between the eyes is equal to the size of one eye. Exceptions depend on the physiological characteristics of the person, for example, close or far set eyes.
• Draw the line of the mouth. We outline the ears.

• Next, we outline the location of the pupil, the width of the open part of the eye, the thickness of the upper and lower eyelids. Making the outline of the nose more realistic. When drawing a mouth, keep in mind that its width is always greater than the width of the base of the nose. We outline the pattern of the lips, showing their character.
• With the head not tilted, the earlobes are depicted slightly above the line of the mouth, and their upper points are slightly below the line of the eyebrows.

• We work on all parts of the face in more detail.
• We determine the shadow side of the face, using tone to help reveal the shape. We enhance the tone in places where the shape fades into shadow: on the cheekbone, left side of the forehead, chin, upper lip, left wing and at the bottom of the nose, on the neck. The surface of the forehead is divided into several planes - anterior, lateral and upper. The frontal tubercles serve as a reference point. The boundaries of these planes should be shown in tone.
• We need to work on the nose in detail, since it is closest to us and the contrast of light and shadow on it will be the most obvious. At the final stage, the hair should be worked out in detail in some places, as well as expressive eyes, and a shoulder line should be outlined.

• What is landscape?
• What is a portrait?
• Name the type of work you did in class today.
• What supplies did you need?
• What kind of portraits have you painted?
• What rules must be followed when drawing a portrait.
• What details of folk costumes did you use in your portraits?
• Were you able to convey the characters of the heroines you drew?

• Today you will create a syncwine on the theme “Portrait”.

The fine arts lesson was conducted according to the B.M. program. Nemensky in 4th grade.

Lesson objectives:

• show students the role of art in understanding the beauty of a Russian woman;
• introduce students to Russian folk costume and the concept of “ensemble”;
• develop skills and abilities when solving creative problems involving variation;
• instill interest in Russian folk art;
• continue the development of aesthetic and artistic taste, creative activity and thinking of students;
• carry out interdisciplinary connections (literature, art, music, history);
• instill in children a love for Russian history.

Equipment:

• for the teacher - computer presentation, visual aids;
• for students - blank figures of girls, watercolor or gouache paints.

Visual range:

Presentation with reproductions of paintings by M. Vrubel “The Swan Princess”, I. Argunov “Portrait of an Unknown Peasant Woman in Russian Costume”, K. Bryullov “Fortune Svetlana”, K. Korovin “Northern Idyll”, K Makovsky “At the Outskirts”, “Russian” beauty”, “Boyaryna at the window” and illustrations of Russian folk costume.

Literary series:

• A.S. Pushkin “The Tale of Tsar Saltan” (excerpt);
• N. Nekrasov “Who Lives Well in Rus'” (excerpt);
• N. Nekrasov “Frost, Red Nose” (excerpt).

Musical series: recording of Russian folk songs.

Progress of the lesson “The image of a Russian person. Female images in art"

I. Organizational moment.

Teacher: Guys, today in class we will continue to study the section “The Origins of Native Art.” Let's remember what topics we have already studied. (Slide No. 1).

All types and genres of fine art directly or indirectly tell about a person. The main object of art has always been man, the complex spiritual world, character, mood.

II. Announcement of the topic.

The topic of our lesson: “The image of a Russian person. Female images in art" (slide No. 2).

III. Goal setting.

Teacher: Let's define the goals of our lesson. What would you like to learn in class? What would you like to learn?

VI. Work on the topic of the lesson. Learning new material.

Teacher: Each nation has its own understanding of masculinity and female beauty. The image of a man is inseparable from work. In Russian peasant culture this is the image of a plowman.

What do you think of the female image? The woman was seen as the progenitor, the beginning of life, the mother of all nature. She was understood as an intercessor, the mistress of the house, and was valued for her dignity, spiritual responsiveness and warmth.

Russian beauty. Many works of art and literature are dedicated to this image. What do we mean by the expression Russian beauty?

Let's look at the works of great artists and artistic expression about the beauty of women who lived in ancient Russian villages and cities. (Slide No. 3).

Student: They say there is a princess,
That you can't take your eyes off.
During the day the light of God is eclipsed,
At night the earth lights up -
The moon shines under the scythe,
And in the forehead the star is burning.
And she herself is majestic,
Performs like a peahen.

Student: The image of a bird is ancient symbol goodness and prosperity. In the image of a woman, in her costume, and most of all in the image of white sleeves-wings, the image was expressed beautiful dream- birds of happiness.

Student: “The Swan Princess” is one of the most poetic female images in the art of the artist Vrubel. Vrubel depicted the Swan Princess wearing a crown decorated with freshwater pearls and semi-precious stones. Vrubel lovingly sought to convey all the beauty of the national women's clothing, her colors, close native nature. (Slide No. 4).

Student: There are women in Russian villages
With calm importance of faces,
With beautiful strength in movements
With the gait, with the look of queens.
A beauty that is a wonder to the world:
Blush, slim, tall,
She is beautiful in any clothes,
He is dexterous in any work.

Student: If you look closely at the portrait of a peasant woman made by the artist Argunov, you can see that she seems to radiate an even, soft radiance, she has light in her soul. A young girl is dressed in a festive red sundress with a white elegant blouse. A tall kokoshnik embroidered with gold emphasizes the girl’s noble, almost royal posture. (Storage No. 5).

Student: Our dances are famous everywhere,
Our dances are like fire.
A Russian beauty will come out,
Let it go to the accordion.
Russian boots embroidered with gold,
Narrow boots shine in the sun.
A beauty is walking, swimming like a swan
And everyone admires her beauty.

Student: Bryullov’s painting is inspired by Zhukovsky’s poem “Svetlana”. An episode of fortune telling is shown, which was part of the Christmas celebration. Bryullov depicted Svetlana in Russian national costume, sitting in front of a mirror, to which she turned her gaze. The artist created an impressive image of a young girl, attractive with her beauty and spontaneity.

Teacher: Guys, you looked at reproductions of paintings, listened literary works. How did you imagine the image of the Russian beauty? What unites all these images?

All these images are united by the rich inner world, kindness, hard work. Each picture reflected national traditions Russian people. People believed: beauty is a good, protective force. Therefore, women sought to decorate their costume. Russian national costume has always been given Special attention. (Slide No. 6).

Teacher: The ensemble of Russian folk costume creates a poetic image, inseparable from working life, holidays, rituals. The idea of ​​a Russian women's costume is associated with a shirt and a sundress.

Shirt - basis women's suit sewn from white linen. The shirt was decorated with embroidery, especially the collar, shoulders, chest and hem. (Slide No. 7).

Teacher: They put on a sundress over the shirt. The sundress was decorated on the front with a patterned stripe and braid. The hem of the sundress was decorated with a pattern that symbolized the fertility of the earth - rhombuses, triangles, squares with dots.

In the north, a sundress was often complemented by a swing-up chest piece called an epanechka. Epanechka is a short flared sleeveless blouse. (Slide No. 8).

Teacher: In the south of Russia, instead of a sundress, they wore a poneva - a homespun plaid skirt made of wool. It was trimmed with ribbons and braid. The poneva was accompanied by an apron decorated with patterns symbolizing earth and water - rhombuses, wavy lines, birds. (Slide No. 9).

IN holidays the head was decorated with a marvelous headdress - a kokoshnik. Kokoshniks were richly decorated with freshwater pearls, embroidery, and pendants. Girls flaunted their braids, and a married woman tucked her hair under her headdress.

V. Creative work.

Teacher: Today in class I suggest you create an image of a Russian beauty. What should you show in your work? That's right, you must reflect the beauty of Russian folk costume, convey the character of the girl and her mood.

(Russian folk songs are played during work.)

Teacher: Guys, we will place your work on the board.

• What do you see on the board? (A small clearing near the forest).
• What did the girls do in the clearing when they got together? (Did a round dance).
• How do we position our girls? (Round).

(Students place the girl figures in a circle on the board).

• What did the girls do when they joined the round dance? (Sang songs).
• Let us sing the song “There was a birch tree in the field.”

(Performing a song with children).

VI. Summing up the work.

Teacher: Guys, what new did you learn in class? Have we achieved our goals? What have you learned about Russian folk costume? Well done, everyone worked very well today. Thanks everyone for the lesson.

Presentation “The image of a Russian person. Female images in art"

Even today, when you can no longer see young ladies in kokoshniks, sundresses and long brown braids on the streets, the classic image of a Russian beauty is associated precisely with traditional national outfits and a characteristic appearance.

Today we will discuss the ideal of Russian beauty and talk about what Russian beauty is.

“White-faced, black-browed... blood and milk... Russian beauty - long braid.. a beautiful maiden..,” - there are many epithets that convey the essence of Russian beauty.

But the main nuance that distinguishes us, our beauties, from no less beautiful foreign women and their concepts of ideals is warmth and sincerity.

Bread and salt, hospitality, good nature, motherhood, simplicity, nature, village, a strong character- this is something without which the kokoshnik will not look good.

What was the ideal of Russian beauty in different eras and what is he like today?

In addition to female beauty, there are, of course, other niches for the manifestation of beauty in the understanding of our compatriots, but still the female image occupies one of the first places of honor in it. And most often, when they talk about beauty, they mean its direct embodiment in a weak field. In Russia, apart from women, nature is beautiful...

Besides national traits- the ideal of female beauty is changeable, fickle... day before yesterday- these are corsets, golden curls, a small leg, a snub nose, sloping shoulders, a modest look, yesterday- huge eyes with winged makeup, short stature, feminine and “voluminous” figure with a thin waist, Today(although propaganda is trying to take us away from the 90-60-90 generation and set a new, larger format - everything is in vain while skinny people are in fashion) - “made-up appearance”, 16-centimeter stilettos, plump lips, etc.

But besides the fact that the ideal of beauty is not so simple and everyone can have their own, for Russians there is a series characteristic features that make them stand out from the crowd of foreigners. Of course, it happens that those whose blood is, as they say, mixed, are difficult to distinguish from other “mestizo” people, but still Russians (regarding beautiful external features) are more often visible than not.

What are these traits? Let's figure it out in order.

Much depends on the era and what fashion reigned in it, but even despite the difference in details, there was always something in common that connected the images of Russian beauties across centuries and social strata.

The products of creativity will tell a lot about the era, for example, if today there is the media, the Internet, light, electricity, nano-technology, then there was a time when none of this existed... A.S. Pushkin wrote novels and poems under the light of a burning candle, F .M. Dostoevsky, I.S. Turgenev, Leo Tolstoy created their immortal masterpieces while living in the depths of the forest. And the heroines of their creations were the quintessence of not only the ideal female image, but also ideal image Russian girl.

Let's remember such iconic Russian women as Tatyana Larina, Anna Karenina, Natasha Rostova, Sonya Marmeladova, Olga Odintsova... And although Sonya Marmeladova, as some may think, is an extra character on this list, she carries a special symbolism, revealing in her heroine one from the sides of the potential of the Russian soul: to remain pure and innocent even in the dirt...

Some of the Russian literary classics endowed their heroines with extraordinary beauty, and completely different in parameters in different periods life of the country, for example, if a century earlier thin women’s waists, cinched in corsets, were valued, then a century later sloping shoulders and aristocratic facial features were valued.

Some people focused on inner beauty, covering the lack of external or transforming everything around so that all the parameters become not as important as the personality of the heroine.

But for some, for others, something more followed the outer shell.. Dostoevsky invested in beauty the ability to turn the world upside down; in Tolstoy, beauty often appeared (especially in some stories) as a kind of mystical fatal force that paralyzes the will; Turgenev created the famous image of Turgenev’s girl... And although, according to the rules, this very Turgenev’s girl does not have extraordinary beauty, it is possible to say that what gave her beauty was her stormy inner life, multifaceted world, noble manners, modesty.

A.P. Chekhov noted that everything in a person should be beautiful...

Yes, if we talk about that time, then beauty and its preservation were strongly associated with purity, innocence, that is, it was believed that the longer a girl walks as a maiden, the more beautiful she is.

After marriage, another means of prolonging the life of a beautiful appearance was the birth of several children; pregnancies seemed to contribute to the flowering of female beauty. In reality, of course, everything was not quite like that... but nevertheless, today’s state of affairs is absolutely opposite to what existed then.

The female image in Russian fairy tales, if we talk about positive heroines, these are always beautiful, kind, modest girls with braids below the waist, in long sundresses.

“I read in one of my dad’s books—he has a lot of old funny books—what kind of beauty a woman should have... There, you know, there are so many sayings that you can’t remember everything: well, of course, black eyes boiling with resin,” she -God, that’s what it says: boiling with resin!—eyelashes black as night, a gentle blush, a slender figure, longer than an ordinary arm—you know, longer than an ordinary one!—small leg, moderately large breasts, properly rounded calves, colored knees shells, sloping shoulders - I almost learned a lot by heart, it’s all so true! - but most importantly, you know what? - Easy breath!

But I have it,” listen to how I sigh, “I really do?” (I. Bunin, “Easy Breathing”)

Today, the Russians named Margarita (“The Master and Margarita” by Bulgakov), Anna Karenina, Ekaterina (from “The Thunderstorm” by Ostrovsky), and Tatyana Larina as the brightest and most beautiful heroines of books written by Russian writers.

Noble, aristocratic young ladies turned over time into more modern ones. From busty, hard-working peasant women and sophisticated, educated young ladies with sloping shoulders to Barbie dolls (a stereotype brought from the West). It’s not for nothing that Pushkin’s fairy tales were read to children in the past, but nowadays, with the start about 20 years ago, new toys and new fairy tales have burst into our lives.

Nothing shapes the consciousness of the adult generation more than a distorted understanding of values ​​already formed in childhood through toys and the media.. 20 or more years ago, Barbie, Cindy, etc. dolls began to appear in Russia, and the girls who played with them became women long ago.

The image of artificial beauty is firmly “ingrained” into the consciousness of the fairer sex; the younger generation already perceives all Barbies as a relic of the past and creates their own creative formats of beauty.

Does society make the ideal or does society make the ideal? Perhaps it’s both. When people needed to be “driven” into labor bondage - a peasant woman became a beauty, when a course towards education was proclaimed - aristocratic features became fashionable, and in different social categories in different ways. Today, for example, in order for the fashion industry to live, cosmetics are sold and many other areas are promoted and goals are achieved - popular glamor formats.

Someone says that Russian women are the most beautiful, and they are immediately visible abroad; among the reasons for beauty they note that our nation is not too pure, and we have collected all the best from all nations; someone convinces that in Russians nothing special, moreover, they are too simple. According to the experience of tourists who have been to different countries with whom I had contact, I can say that Beautiful women are everywhere, but Russians, without subjectivity, are truly more beautiful.

And also, in the opinion of foreigners, Russian women (which is why they are loved) are distinguished not even by their appearance, but by their flexible character, the lack of feminism, the willingness to submit to the head of the family, against the backdrop of cunning and aware of their rights (and often not particularly beautiful) foreign women, our beautiful “Cinderellas” look much more advantageous. However, the trend of feminization is still alive among our women.

As for the Russian phenotype, our compatriots are more likely to have a straight nose profile, light eyes, and light hair.

“The combination of characteristics characteristic of Russian populations (in comparison with the Western European central variant):

Relatively light pigmentation. The proportion of light (about 30%) and medium shades of hair, light shades of eyes (45-49%) is increased, the proportion of dark shades is reduced;

Average height of eyebrows and beard;

Moderate face width;

The predominance of an average horizontal profile and a medium-high nose bridge;

Less slope of the forehead and weaker development of the brow" (Wikipedia)

In the 17th century, the traveler Archdeacon Pavel of Aleppo, who visited Russia, described the local residents and their way of life as follows:

“...in each person’s house there are ten or more children with white hair on their heads; for their great whiteness we called them elders... ...Know that women in the country of the Muscovites are beautiful in face and very pretty; their children are like the children of the Franks, but more ruddy”...

Marco Polo wrote at the very end of the 13th century about the population of contemporary Russia: “The people are simple-minded and very beautiful; men and women are white and blond..."

If previously Russians were short in stature, today each new young generation is “growing up”:“One hundred years ago, the average height of fifteen-year-old Muscovites was 147 centimeters, in 1923 - 157 centimeters, and in 1982 - 170 centimeters.”

The average height of an adult Russian man today is 175 cm(Dutch, for example, 184 cm), women - 162 cm(Chinese women are 154 cm, the average height of women in the Netherlands is 168 cm).

Opinions of Russians about what “Russian beauty” is:

« Russian beauty is light, brown or brown hair, light eyes (gray, light green, blue), light skin, regular or close to regular facial features, oval or moderately round face.”

“I think I won’t be much mistaken if I say that everyone who was seriously interested in the pre-revolutionary history of Russia and looked at the many photographs of that era that have come down to us, certainly noted for themselves the beauty of the people depicted in them.

This applies to the Russian aristocracy, and ordinary employees, and even more ordinary peasants.

Some absolutely amazing beauty is captured on their faces. Calm. Sublime. Not flashy. Real beauty, as if illuminated from somewhere within, from the very depths of the heart. Not at all similar to our modern gloss and glamor, where sometimes you can’t even see a living person behind cosmetics, photoshop and plastic surgery.

And it would be nice if we were talking only about the great princes and princesses (when you look at the photographs of representatives of the Imperial House, there is no doubt: the expression “white bone, blue blood” was clearly not pulled out of thin air). But it’s the same for representatives of other classes” (Russian People’s Line).

What do foreigners think about the beauty of Russian women:

« Among Russian women there are two extremes: some devote all their energy to education and self-development and have almost no interest in cosmetics, while others, on the contrary, spend too much money on caring for their appearance. And they succeed” (commentary of an Israeli cosmetologist).

« Many foreign men have told me that they are amazed at how many beautiful women on Russian Internet sites, and there are not so many beautiful women in their countries.

A Russian man I know was in America, and he says that he was amazed that there were practically no beautiful women on the streets. There are few beautiful women, and they are all expensive cars sitting - sorted out. My friend, having come to a meeting with the Americans, asked one of them why he came to look for a wife in Russia. What do you think the answer was? “Your women are beautiful.”

« It is noted that Russian women compete so seriously in the marriage market that that they pose a real threat to local women (“Russian women are coming,” where “they are coming” is understood as an invasion that cannot be stopped). A natural reaction is to accuse Russian women of immoral behavior (25% of all contexts): unscrupulousness, easy accessibility and prostitution (it is common for Russian women to “engage in prostitution and earn money in any way”). However, foreign women note the beauty of Russian women (38% of contexts).”

True, with the beauty of Russian women, not everything is so simple; indeed, there are many beauties among Russian women, but they often use their appearance not for the best purposes. The Russia channel program “Beauty in Russian” is not only about the beauty of Russian women, but also the slightly unsightly side of “trading” it...

There are fewer typical Russian beauties, but still, judging by those whom Russians consider heroes, not everything is so bad. Oksana Fedorova doesn’t look like Barbie, she’s real... but she can hardly be the standard for ordinary Russian women with an average statistical height of 160 cm.

Self-care among modern ladies has begun to take on a manic form, but you need to understand that times are different... if enlarged lips, “made” body parts, unnatural appearance become popular, nothing can be changed, you just need to get over it, it has always been like that : there is an overabundance of such fashionable phenomena and people themselves become disgusted.

Soon naturalness will be worth its weight in gold (but still well-groomed naturalness). Well, thanks to the abundance of well-groomed women, those who waved their hands began to take care of themselves, and now they realized that they look gray next to others - this is still a plus.

The Russians consider the most beautiful Russian actresses of the 20th century to be: 1st place: Irina Alferova (Constance from "D'Artagnan and the Three Musketeers"), 2nd place - Svetlana Toma ("The Camp Goes to Heaven"), 3rd place - Anastasia Vertinskaya (" Amphibian Man", " Scarlet Sails"), Svetlana Svetlichnaya, Natalya Kustinskaya, Tatyana Vedeneeva, Vera Alentova and others.

As for the faces of our time and which celebrities Russians consider beautiful, then Russians consider Oksana Fedorova one of the most beautiful women in Russia.

Also on this list: Alina Kabaeva, Alena Shishkova (model), Valentina Zelyaeva (Russian model), Sofia Rudyeva (model), from actresses, singers: Marina Alexandrova, Elena Korikova, Elizaveta Boyarskaya, Anna Pletneva, Natalya Rudina (Natalie) , Alexandra Savelyeva, Svetlana Khodchenkova.

The standard of beauty for a Russian man, as understood by Russian women and in general, is more laconic. Our man should still be not so much handsome as courageous. The most handsome men, according to statistics - in Italy. Who do women dream about then?

About a good fellow from a fairy tale, a prince on a white horse, a Russian hero, a courageous hard worker? The weaker sex gives priority to internal qualities, although external pleasantness is important. Even the handsome ones are on the list famous people Not famous for their beauty: Pavel Astakhov, Roman Abramovich, Dmitry Pevtsov, Dmitry Isaev (actor), Maxim Averin, Pavel Volya, Anton Makarsky.

• analyze and summarize children’s knowledge about human beauty;
• introduce women's folk costume;
• develop cognitive activity, teach to observe, compare and analyze;
• cultivate correct aesthetic perception of the environment.

– In the previous lesson we talked to you about the beauty of a person. Let's remember what we said about female and male beauty.
- Tell me, what else did we do in class? (Children's answers.)

– Today we will talk to you about women’s folk costume. And the result of our work today will be a costume in which we will dress the female figure.

- So, let's begin. Listen to my story. The young girl's adornment was a long braid. No wonder they said: “The braid is a girl’s beauty!” Pearl threads, ribbons or a braid, a piece of birch bark or leather covered with expensive fabric, were woven into the braid. (set No. 2, picture 3; set No. 1 pictures 5, 7).

Women always wore a headdress. If we look at the pictures, we will not see a single uncovered head. (Set No. 3, pictures 4, 5, 6, 7, 8)

– What were the names of the hats?

Girls put beautiful crowns or girlish headbands on their heads.

(Set No. 1, pictures 5, 7). They were also decorated with pearls and beads. Married women were required to hide their hair under a headdress. It was indecent to appear with your head uncovered, that is, bare-haired. This is where the expression “goofing off” comes from. What did it mean? (it means getting into an awkward position)

- Now let's look at the picture that lies in front of you. Carefully examine and name the main parts of women's clothing.

crown goosebumps shirt soul warmer sundress.

– In the last lesson we drew a face for our doll. And now we have to paint the kokoshnik, sundress and shirt.

I think that both your sundress and your shirt will turn out different. But I would like you to use amulets when coloring. What are amulets? (Of course, these are amulets and signs that protect people.)

On the desk:

Using these amulets, we will try to create the image of a Russian woman.

Completing of the work.

5. Summing up

Evaluation of work. Exhibition.

– At the end of the lesson I wanted to summarize. What did women wear at that time? And lastly, what kind of shoes did women wear? This will be your homework. And we will start the next lesson with this.

1. Nemenskaya L.A. Every nation is an artist” textbook on fine arts. 4th grade.
2. Shpikalova T.Ya. I live in Russia. Creations of Russian masters.
3. Didactic material+ game “Loto”.
   “Russian traditional costume. Word of mouth complex.”
   “Russian traditional costume.”
   “Russian traditional costume. Complex with poneva.”
4. Video film “From the history of Russian costume.”